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chrissie isn’t lawrence’s seb’ll never be aaron’s that need to be normal never satiated 🤩🤩
A hand clapped on the younger hero's shoulder. The former hero had seen just how much the young man before him had grown in so many ways. He had seen his willingness to help others, his courage that always shined through in every situation. He might not have been there every step of the way but he was there when permitted. "You've done well, Link, very well." As he spoke he moved his hand to the others chin lifting it his face. He wanted the other to know he was genuine and that he was proud of him. If the smile didn't give it away the look on his eye would. They had formed a close relationship through their time together sometimes like close brothers other times a mentor to the other. At this very moment Link needed to know this, needed that encouragement and the once hero was all to willing to let him hear those words now. @bravelink
The hand on his shoulder drew his eyes away from the Castle to the older hero's face. The Castle in the distance had been haunting him for months--an ominous presence on the distant horizon, taunting him with what he knew was inside, a promise and a threat of what he would one day have to do. And Link didn't have an excuse any longer to wait. The Four Divine Beasts had been freed of Calamity's touch and he reclaimed the Sword that Seals the Darkness from the base of the Deku Tree. But still he was afraid, breath strangling in his throat when he thought of needing to fight this foe again.
He'd already failed before, what was to say he wouldn't fail again?
But the older Hero spoke, drawing Link out of his thoughts with a gentle touch to his cheek and reassuring words. His knees felt weak, the kind gesture given by someone he trusted meaning more than the words alone. This wasn't just some villager who had faith in him or even Impa or another one of the Sheikah that had been there. This was another Hero, this was his friend who had been with him and guided him.
Leaning his head into the touch, he reached up with his hand, holding the Hero's hand in place over his cheek. And the words themselves weren't so simple despite being so brief. He'd done well! The other Hero thought he did well! Despite everything. Shion's lip wobbled a moment, eyes overfull as a strangled gasp escaped his mouth. He couldn't cry. Not yet. Not when there was still the Calamity to defeat.
He nodded solemnly, giving the other's hand a final squeeze. ( @bravelink )
Started from Blue Lover and free sparring, and now we're here.
Gotta love Taiwan and the WBL team and their passionate fans
“It is good to love many things, for therein lies the true strength, and whosoever loves much performs much, and can accomplish much, and what is done in love is well done.” ~ Vincent Van Gogh [Cypresses with Two Women, 1889 - Vincent van Gogh]
• Vincent Van Gogh (1853-1890)decided to become an artist at the age of 27. That decision would change his life and art history forever. More: https://www.vangoghmuseum.nl/.../vincents-life-1853-1890
• Van Gogh’s admiration for the Barbizon artists, in particular Jean-François Millet, influenced his decision to paint rural life. In the winter of 1884–85, while living with his parents in Nuenen, he painted more than forty studies of peasant heads, which culminated in his first multifigured, large-scale composition (The Potato Eaters, Van Gogh Museum, Amsterdam); in this gritty portrayal of a peasant family at mealtime, Van Gogh wrote that he sought to express that they “have tilled the earth themselves with the same hands they are putting in the dish.” Its dark palette and coarse application of paint typify works from the artist’s Nuenen period... More: https://www.metmuseum.org/toah/hd/gogh/hd_gogh.htm
• "The cypresses still preoccupy me, I’d like to do something with them like the canvases of the sunflowers because it astonishes me that no one has yet done them as I see them. It’s beautiful as regards lines and proportions, like an Egyptian obelisk. And the green has such a distinguished quality." ... "It’s the dark patch in a sun-drenched landscape, but it’s one of the most interesting dark notes, the most difficult to hit off exactly that I can imagine. Now they must be seen here against the blue, in the blue, rather.” ... More: https://www.vangoghstudio.com/why-did-van-gogh-like-cypresses-so-much/