Posted this a while ago re: great opening lines, but OOP turned off reblogs so I'm sharing this again.

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Posted this a while ago re: great opening lines, but OOP turned off reblogs so I'm sharing this again.
Me when Harry comes out the other side kinder, gentler, more understanding, a better father/brother/friend, surrounded by community, wanting to live, doing his best:
“That’s the problem with you nearly immortal types,” I said. “You couldn’t spot a pop culture reference if it skittered up and implanted an embryo down your esophagus.”
There's a recurring element in Dresden Files in which Jim Butcher will use pop culture references as a means of demonstrating whether a character should be considered good, likeable, or trustworthy.
Harry Dresden makes a lot of pop culture references. References are fun, and they help the reader feel more related to Harry. Likewise, these references are how Harry can relate to his friends. It's one of the primary ways he enjoys joking around with them.
However, the antagonists of the series, the vast majority of whom are supernaturally long-lived beings, have not bothered keeping up with popular works and media of the last century. They haven't bothered maintaining connection with the everyday human experience, the art and pastimes most people have in commonality and can bond over.
Madeline Raith has never heard of Buck Rogers. Nicodemus doesn't know who Peter Parker is. Drakul doesn't even know how baseball works.
This lack of interest in pop culture is equated to a lack of interest, connection, or care, for humanity in general.
References can be a signal for the reader that a character is someone to be trusted or empathized with before the story even confirms it.
Thomas wears a Buffy the Vampire Slayer shirt a whole book before he's revealed to be Harry's family in Blood Rites.
In Skin Game, Harry and Goodman Grey have a good-natured back and forth about the film The Black Hole several chapters before it's revealed they were secretly working together. Fittingly, the reveal itself is initiated by a reference, with Harry using "Game over, man. Game over" as a signal to drop the facade.
We learn Mab has been to rock concerts and Disneyland in Cold Days, the same book in which we're hit with the line, "I was mortal once, you know." Going further back, the first time Harry met Mab in Summer Knight, he makes a comparison to Godzilla, but he can't actually tell whether she understood the reference, which, in hindsight, she likely did.
And then we have Marcone, who, when faced with one of Harry's references, opts to ignore it.
"'Elvii?'" Marcone inquired. "The plural could be Elvises, I guess," I said. "But if I say that too often, I start muttering to myself and calling things 'my precious,' so I usually go with the Latin plural." Marcone did smile that time. It was a cool expression. Tigers with full stomachs wear smiles like Marcone's when they're watching baby deer play. "Ah. I hope you can find something to suit your tastes tonight."
and
“Do you at least have a gun?” I asked. “Maybe you can distract her.” “I have a knife,” Marcone said. “Jusht like a gangshter,” I said. “Bringsh a knife to an apocalypshe fight.” Marcone gave me a level look and then said, in a much more conversational tone, “Honestly, Dresden. If you used your mind half as much as your mouth, you’d be running the place by now.”
John "Who do you think I am, I am not a charitable organization, I am a professional monster" Marcone, does not directly acknowledge the reference. He won't go as far as to pretend he's not at least passingly familiar with Gollum, or that he never watched The Untouchables. But he refuses to respond or play off of it the way one of Harry's friends would.
Doesn't change the fact that he does get the reference though.
Was a difficult challenge painting a supernaturally beautiful man but we did it
“Let's get something clear up front. I'm not Harry Dresden. Harry's a wizard. A genuine, honest-to-goodness wizard. He's Gandalf on crack and an IV of Red Bull, with a big leather coat and a .44 revolver in his pocket. He'll spit in the eye of gods and demons alike if he thinks it needs to be done, and to hell with the consequences -- and yet somehow my little brother manages to remain a decent human being. I'll be damned if I know how. But then, I'll be damned regardless. My name is Thomas Raith, and I'm a monster.”
― Thomas Raith, Backup
Watching Dresden operate was usually one of two things: mildly amusing or positively terrifying. On a scene, his whole personal manner always made me think of autistic kids. He never met anyone’s eyes for more than a flickering second. He moved with the sort of exaggerated caution of someone who was several sizes larger than normal, keeping his hands and arms in close to his body. He spoke a little bit softly, as if apologizing for the resonant baritone of his voice.
—Jim Butcher, Aftermath (short story from Murphy's POV)
A new live-action Dresden Files idea??? Also I can’t believe I missed this AMA