Remus/Sirius. Afraid.
He is afraid, he thinks. It is one-twenty-five in the morning and he can’t pretend he’s not anymore. He sets the quill down next to the empty length of parchment, shame at his failure coursing through him. He has been trying to write for three hours, and he has written nothing. Not even
Dear Sirius,
Because. Because is “dear” too much? Too presumptuous, too forward? Or, alternately: too formal? Too teacherly? Is Remus too old now? How had he started his letters to Sirius when he was a teenager and they were separated for the summer? It wasn’t dear, surely—though he rather thought that when they’d been older, and Remus had been newly in love and dreadfully sentimental as a result, it had been something like it. And there’s another question: Sirius. Is that wrong? Should he write to Padfoot instead? Almost certainly, he thinks, for the twentieth time that night, nearly taking up the quill again—but no, no, what if he has no right to call him that anymore? Or what if it hurts too much, stings Sirius like it does Remus, with the echoes of all they’ve lost, with the other names that used to accompany it?
Dear[est] [Moony, Wormtail,] Padfoot, [and Prongs],
Remus huffs out a noise of frustration and looks around his shabby hotel room. Less than a week since he left Hogwarts, left the only job he’s ever loved. Less than a week since he saw Sirius again. Since his world turned upside-down, or rightside-up, depending on how you look at it.
What’s right? What’s the right thing to say? I’m sorry. I’m not sorry. I don’t know what I’m supposed to be sorry for, or what you are. Maybe neither of us is meant to be sorry. Maybe that’s what we’ve learned, that it wasn’t our fault, it wasn’t our fault.
The thought is dizzying, breath-stopping. For a second Remus glimpses freedom.
But no. Sirius may not see it that way. Twelve years in Azkaban. One on the run, eating rats. If only Remus had—what? What could he have possibly done?
Remus presses his palms into his shut eyes. He could have believed better. In Sirius’ innocence, or in his guilt. He could have chosen something, at least, to keep faith with.
Dear Sirius,
No. They’re the wrong words, Remus is sure of it. It might be wrong to write to Sirius at all. Sirius might not want him to. Sirius might hate him. Yes, they had embraced with apparent fervor that wonderful and terrible night in the Shrieking Shack, but that might have been temporary madness; Sirius might blame him. Or he might just—not—he might not care, anymore—if Azkaban did its work, or if time did. Or, or, he might care too much, hurt too much: there, again, Remus considers the possibility that he himself is too haunted by ghosts to be desirable by the living, that Sirius doesn’t want a missive from beyond the grave.
He is afraid. Of the writing. Of the reaching out. He is afraid of getting it wrong.
He has always been afraid of getting it wrong. There’s something broken in him, he thinks; however brave he wants to be, he’s never been brave enough.
But he thinks something, suddenly, something that has the quill back in his hand before he realizes he’s picked it up. Sirius knows this about him. Sirius has always known that Remus is afraid. Sirius used to pull him along, anyway, used to help him break the rules, help him get in trouble. If the Sirius now is still the Sirius that Remus used to know—and however afraid he is, he can’t truly pretend he didn’t glimpse his old friend behind the matted hair and wild eyes—Sirius will remember this about Remus.
At least, Remus thinks, at least Sirius knows him.
Dear Sirius,
he writes, at long last,
I’m so afraid to be writing to you.











