Excerpt from a 1972 interview with Joan Blondell done on the set of Banyon (1972-1973). Taken from Conversations with Classic Film Stars: interviews from Hollywood's golden era (2016) by James Bawden and Ron Miller.

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Excerpt from a 1972 interview with Joan Blondell done on the set of Banyon (1972-1973). Taken from Conversations with Classic Film Stars: interviews from Hollywood's golden era (2016) by James Bawden and Ron Miller.
Bela Lugosi // Ed Wood 1994
Don't (just) Vote by Cass McCombs featuring Angel Olsen, Bob Weir, and Noam Chomsky
OSSÈ & WOODS: REST IN POWER
If you read any bio about me, it’ll say some variation of “20 year industry veteran...”
I’ve been in the entertainment industry my entire career, but it never would have happened without these three men: Ed Woods, Reggie Ossè aka Combat Jack, and Matt Middleton.
I started in the combined law offices of Ossè & Woods / Middleton & Niles, at 60 East 42nd St, where every major artist and producer of the late 90s was either represented or doing a deal with a client. The Shyne deal? Ossè & Woods. N.O.R.E.? Middleton & Niles. The entire Bad Boy Hitmen roster of producers? Ossè & Woods. Ruff Ryders, Roc-a-Fella, Violator.... Name any label, any artist, any producer that was at the height of Hip Hop music from ‘97 through the early 00′s; these guys played a part.
They were hungry and smart as hell and unfuckwittable. With their combined relationships and connections, plus sheer drive and energy, they were young masters of the entertainment law universe. Where Ed was a fast-talker who could be over the top, Reggie was steady and methodical; two very different personality types that played off of each other well. Already a husband and father, Reg would drop career and life jewels at what felt like random moments, would take time to ask me about my plans, would caution me against pitfalls (like dating clients...and if I was going to date a client, how to make the best of it). Ten years later and that office would have been ripe for Monday nights on VH1. (Ed actually did dabble in reality TV a bit, most recently on WeTV’s Money. Power. Respect.)
Their passion for the business in turn lit a fire in me and helped me realize that I loved the game and the culture - but didn’t want to be buried in the paperwork! I pursued a career on the creative side instead. I called Harve Pierre, a client, and asked if I could intern with him at Bad Boy. My story continued from there.
On Saturday, we were shocked with the news of Ed’s sudden passing. A gregarious personality, always sh*t talking and joking, the idea of him being suddenly gone stunned us all; especially because we’d just recently learned that Reggie was battling late-stage colon cancer.
Then this morning, news came that Reggie had died as well, and everyone I know that knew them both is stuck right now. Even though we all knew what he was battling, Reggie Ossè was one of the most bout-whatever-the-hell-he-said-he-was-gonna-be-about people I knew, so when he said he was fighting, I was like hell yeah, you’re fighting. It honestly never crossed my mind that he wouldn’t beat this.
And right after Ed? Did ya’ll have a conference and decide to put the firm back together on the other side? Is there business in the great beyond that Big, Pac & Pimp C need handling? Ya’ll doing deals with Shakir and Chris?
I will never, ever accept that I’m at an age where my peers will die. In my mind, we’re still in our 20′s and 30′s out here taking this game by storm. The whole world is still at our feet. How is this possible?
As you see the many deserved tributes for Combat Jack over the following days, know that his story started before The Combat Jack Show and Loud Speakers Network. That he was part of the fabric of the business and culture of hip hop in a real, concrete way. That he was part of a team that fucked heads up when they came in the room and sit at the mahogany conference tables. And that over the years he reinvented himself multiple times, always in ways that would move the culture forward.
Watching Reggie move from law practice to author; then from author to editor at The Source; from there to blogging; and finally to the podcast space, breaking new ground and launching multiple platforms - and several new chapters for people - through LSN; helped me to always think about being flexible to adjust with the ever-changing and evolving business of entertainment. Watching him also reminded me to make sure I incorporated my creative passions in whatever I did. He mentored me even when he didn’t realize it.
But also know that it’s deeper than rap. Literally. A practicing Buddhist, Reggie was always warm, gentle, generous and gracious. Always had love, always genuinely happy to see you. Always.
I am thankful for having known these guys. I am thankful for all I learned from them. For the access I gained through them. For the stories I have from them. For this life and business I became part of and learned how to maneuver through because of them.
Each man was truly One of One.
Long live Ossè & Woods. #FuckCancer #WhosYourLawyer
“Internets, you know what time it is: Dream them dreams then man-up and live them dreams, because a life without dreams is black and white, and the universe flows in technicolor and surround-sound. Blaow!” - Reggie Ossè/Combat Jack
In his heart-felt cinematic debut, Edward D. Wood, Jr. himself stars under the pseudonym Daniel Davis as a young man with a dilemma: should he tell his lovely young fiancee (played by real-life girlfriend Dolores Fuller) about his burning desire to cross-dress? She has begun to notice articles of clothing missing from her closet; the suspense builds…what should he do? Bela Lugosi plays the omniscient narrator; note his conviction as he “pulls the strings.” Amidst this unintentionally hilarious mish-mash of melodrama, social commentary and inexplicable stock footage, there is something for every taste: countless cross dressers, hallucinatory dream sequences, sex-change surgeries, spirited cat fights, borderline-pornographic simulated sex scenes, poetic monologues, a haunted house, and a stampede of wild buffalo. Released under various titles across the country — I Lived Two Lives, I Changed My Sex — this fiasco bombed across the board but managed to gain Wood enough notoriety in the “B”-movie world to launch a career that is today the stuff of legend. Hailed by most critics as the worst film of all time, Wood nearly matched his first effort with such atrocities as Bride of the Monster, Night of the Ghouls, the infamous Plan 9 from Outer Space, and, perhaps the world’s first topless horror film, Orgy of the Dead. Although few may count Wood among the best American cinema has to offer, Glen or Glenda certainly places him among its most memorable.(ROTTEN TOMATOES)
Ed Wood is certainly the auteur saint of naive surrealism.
https://katmou.wordpress.com/2011/10/30/glen-or-glenda-1953/
https://www.youtube.com/watch?v=taoDcurT738
http://366weirdmovies.com/glen-or-glenda-naive-surrealisms-ark-of-the-covenant/
https://en.wikipedia.org/wiki/Glen_or_Glenda
Ed Wood in his office at Sunset and Hillhurst, circa 1948.
2026/9/19(土)幡ヶ谷Club Heavy Shick
BellyButton presents
【Be-Bop HighSchool Girl】
18:30 open 19:00 start
adv/door ¥2,500+1 drink
〈出演〉
BellyButton
nanoX
neonrocks
ED WOODS
GRANT KILPATRICK @gkilpatrick_ — #VideoRelease for #NewSingle #OutMyMind #ScottishRock
GRANT KILPATRICK @gkilpatrick_ — #VideoRelease for #NewSingle #OutMyMind #ScottishRock
The Edinburgh born melodic-rock singer and songwriter GRANT KILPATRICK has released his video for the new single “Out My Mind” — a thundering indie rock behemoth that was recorded & produced with Bruce Rintoul (Vukovi / Fatherson) and mastered by Ed Woods (Reuben / The Xcerts).
Grant Kilpatrick – a cunning blend of jangle ‘n’ twang…
Grant says: “I’m often confused about what to believe nowadays.…
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