Black swans, Art by Lucas Garcete {via Instagram}
#percy jackson#pjo#walker scobell#annabeth chase#pjo tv show




seen from China
seen from Belarus

seen from United States
seen from United Kingdom

seen from Yemen
seen from United States
seen from China
seen from Germany
seen from Netherlands
seen from United States
seen from Italy
seen from Yemen
seen from United States

seen from United States

seen from United States
seen from China

seen from United States
seen from China

seen from United States
seen from United States
Black swans, Art by Lucas Garcete {via Instagram}
“Guardianship Trials (or: why is there a billionaire in my afterlife)”
It started quietly.
Not with flyers, not with announcements—just whispers.
Old beings talking in corners. Doors in the Infinite Realms staying open a little longer than they should. Names being passed around like secrets.
The Prince pretended not to notice.
He was good at that.
He’s not a baby.
He’s not even technically young, not by ghost standards. But apparently, “young enough to be reckless” is still a category, and unfortunately, he fits.
And ever since he and his shadow-twin lost their original domain, the whispers got louder.
He needs guidance. Structure. Protection.
He needs a guardian.
The Prince disagrees.
Firmly.
Loudly.
Repeatedly.
The compromise?
A trial.
Not a tournament—no, that sounded too… fun.
This is something older. Stranger.
A series of tests. Of worth. Of intent.
Anyone powerful—or foolish—enough can try.
He didn’t expect humans to qualify.
Which is why the first time he sees one, he assumes it’s a mistake.
The man stands out immediately. Not because he’s loud—he’s actually very quiet—but because everything around him reacts.
The air tightens.
The ground stills.
Even the watching entities pause.
The Prince tilts his head.
“…You’re alive.”
The man nods once. “Yes.”
“That seems like a disadvantage.”
“…I manage.”
The shadow-twin likes him instantly.
Of course she does.
She circles him, curious, eyes bright with something sharp and playful.
“He’s weird,” she declares.
The Prince sighs. “That is not a qualification.”
“It should be.”
The man doesn’t try to impress.
Doesn’t boast.
Doesn’t even seem particularly concerned about the ancient beings watching his every move.
Instead, he asks questions.
Practical ones.
“Are you safe here?” “Who enforces the outcomes of these trials?” “What happens if no one qualifies?”
The Prince hesitates on that last one.
“…That hasn’t been decided.”
The man’s expression tightens, just slightly.
“I see.”
He doesn’t win the early trials.
Not in the obvious way.
There are beings older than stars here. Creatures made of storms and memory and hunger.
They overpower him easily.
But—
He keeps standing back up.
Keeps adapting.
Keeps watching.
And slowly, something shifts.
Not in the trials.
In the Prince.
Because this human—
This strange, stubborn, completely out-of-place human—
Doesn’t look at him like a prize.
Or a responsibility.
Or a problem to solve.
He looks at him like a kid.
“…That might be worse,” the Prince mutters.
The shadow-twin grins.
“Oh, definitely worse.”
Somewhere far away, something ancient laughs.
Because this?
This is going to get interesting
Can you see me?
My life recently…
This captivating acrylic print evokes a sense of mystery and eerie beauty. The distorted, surreal architecture of the house is framed by twisted, bare trees and a soft, foggy atmosphere. The muted tones of beige, brown, and grey create an unsettling yet enchanting scene, while the rippling effect on the house gives it a dreamlike, almost ghostly quality. The delicate details of the windows and archway stand in stark contrast to the surrounding fluidity, drawing the viewer into this haunting yet serene moment frozen in time. The presence of a faint golden cross adds a subtle touch of symbolism, suggesting both history and spirituality amidst the decay. This print is perfect for those who appreciate the fusion of architectural beauty, surrealism, and a touch of the macabre in their art.