#iwtv#interview with the vampire#amc tvl#sam reid#jacob anderson
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viking Eggeling, olga Neuwirt (musique) symphonie diagonale
Viking Eggeling (7m28s, c1923). Source: AVI, 79mb. "Born in Sweden to a family of German origin, Viking Eggeling emigrated to Germany at the age of 17, where…
CINE ABSOLUTO
¿Por qué emplear la cámara únicamente para volver a lo mismo que habían estado haciendo la literatura y el teatro durante siglos? ¿Por qué no aprovechar sus cualidades plásticas una nueva forma de creación artística?
El cine absoluto busca los recursos del cine para encontrar un medio en sí mismo utilizándolo como lienzo que se prolonga en el tiempo.
Sinfonía diagonal (1924) de Vikkin Eggeling es la obra más famosa de el cine absoluto, en ella se pueden ver las influencias dadaísta y deconstructivistas del autor. Compuesta a través de rectas y curvas simples, hay en la película un intento de crear un lenguaje construido por medio de elementos básicos. Se trata de un poema de formas rítmicas, cuyos intervalos de tiempo hacen referencia a una música visual ya implícita en el propio título de la pieza.
La importancia de esta pieza esta no solo en ser pionera y única, si no que ( en conjunto con Hans Richter) logro generar una interrelación entre el cinematógrafo y el resto de los lenguajes artísticos.
Viking Eggeling, Etude pour 'Horizontal-Vertical Orchestra III', (Etude pour 'horizontal-vertical orchestra,III'), 1920, Mine graphite et crayon gras sur papier, 33,5 x 68,5 cm, Centre POmpidou, © Georges Meguerditchian - Centre Pompidou, MNAM-CCI (diffusion RMN) © domaine public
Viking Eggeling, Etude pour 'Diagonal Symphony', 1919, Mine graphite sur papier, 26 x 20 cm
Centre Pompidou, © (diffusion RMN)
Symphonie diagonale is a 1924 film directed by Viking Eggeling. Eggeling’s film experiments were not spontaneous creations, but carefully planned to achieve a certain effect. Insisting Symphonie Diagonale be shown without sound, the sequencing of images, movements, and rhythm were intended to produce a sensation of 'visual music' in the viewer.. or listener?
Viking Eggeling, Etude en formes abstraites, vers 1921, Crayon sur papier, 27 x 18 cm, Centre Pompidou, Paris.
One of the pioneers of abstract cinema, the Swediish artist Viking Eggeling made a group of thirty abstract drawings in 1919-20 in preparation for his film Symphonie Diagonale (Diagonal Symphony). They trace a sequence of abstract shapes that appear from, morph and dissolve back into the white background of the page. Eggeling used these drawings to develop his cinematic animation. Each drawing has two little pinholes at the top corners, as the artist pinned them to the wall experimenting with their sequential effect on paper before creating it on film. In 1921-4 Eggeling made his only realized film Symphonie diagonale, photographing drawings one frame at a time and making drawn forms disappear by incrementally masking them with large sheets of tinfoil. These drawings are shown together in Inventing Abstraction next to the film itself.
Look at all 30 drawings in sequence
