#egorkraft

[interkraft]

This book has a special place in my library. It was published with the support of European ARTificial Intelligence Lab, in partnership with Ars Electronica and brings together 13 cultural and six scientific institutions from across Europe. I am happy my series of works Content Aware Studies is mentioned there as one of the early examples of Ai driven research-based artistic practices.

Special thanks @onassis.stegi

@irini_mirena @arselectronica & bmkös

[interkraft]

Today and tomorrow are the last days to see my show Lies, Half-Truths & Propaganda [The Bad, the Worse, and the Worst] at alexanderlevy gallery in their new space at Alt Moabit 110, Berlin. The show came about as a response to the brutal Russian invasion of Ukraine. It features a series of works of invited by me artists including those from Ukraine as well as a series of ideas and prototypes that utilise web3 and other developments to fight misinformation that is at the heart of propaganda tactics heavily instrumentalised in this warfare. I will post more on each of the included works later. Photo credit (c) Trevor Good PS I will be at the gallery tomorrow if you would like a guided tour. #kraftwork #kraftblog #egorkraft #hashd0x #alexanderlevy (at alexander levy) https://www.instagram.com/p/Cen76cPLz1N/?igshid=NGJjMDIxMWI=

[lastnightinberlin]

LIES, HALF-TRUTHS & PROPAGANDA @alexanderlevygallery #egorkraft #samlavigne #pascallievre #bennynemer #julianiemann #leonieseibold #vovavorotniov #alexanderlevygallery #newspace #galleryweekenberlin2022 #galleryweekend #contemporaryart #art #berlin #berlingalleries (hier: Alt-Moabit) https://www.instagram.com/p/CdTZUcdsVRl/?igshid=NGJjMDIxMWI=

[interkraft]

“Learning Machines” exhibition opened tonight at Electromuseum, Moscow. The show is devoted to various cultural, social and aesthetic aspects of the implementation of Ai algorithms in society, science and culture. Along with my work Content Aware Studies Series it features works by: ORKHAN + Vadim Epstein + Ilya Duganov (Azerbaijan – Russia), Egor Kraft, STENOGRAFFIA Team (Andrey Kolokolov, Maxim Parfenov, Anna Kletz, Taisia Spirina) + Yandex (Alexander Krainov, Andrey Sebrant), Matthieu Cherubini (UK – China), Ahmed Elgammal (USA), Ippolit Markelov, Maria Romanova, Alexander Serechenko + Ekaterina Pryanichnikova, Alexei Shulgin, Kate Crawford + Vladan Joler (Australia – Serbia), Oron Ashual (Israel), Amy Alexander (USA), Dadabots (CJ Carr, Zack Zukowski, USA), Adam Harvey (USA), Helena Nikonole, Amay Kataria (India – USA), Endless Attractions Museum (Anastasia Krokhaleva, Denis Perevalov), Martín Nadal (Spain), Evgeny Siniutin, Sergey Teterin, Median Bazargali (Kazakhstan – Russia), Vadim Epstein, pt9 (Olesia Ilyenok, Marina Muzyka, Andrey Chugunov) and others. #electromuseum #cas #contentawarestudiesseries #egorkraft #egorkraftwork #kraftblog (at Электромузей) https://www.instagram.com/p/B6B7RSqn3j7/?igshid=1bh5u7a7nve41

[china-art-lover]

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Another one from @zkmkarlsruhe : #egorkraft “content aware studies” #contemporaryartwork #facesinplaces #videoinstallation #installationartist #3dvisualisation #contemporaryart #videoart #art #architecturalvisualisation #kunst #installation #contemporaryartist #videoartist #artwork #installationart #painting #cgi #artist #videoarte #3dvisualization #artinstallation #artgallery #visualisation #installationview #artcollector #video #kunstwerk #exhibition #videoarts (hier: ZKM - Zentrum für Kunst und Medien Karlsruhe) https://www.instagram.com/p/BoKPCQWFmgf/?utm_source=ig_tumblr_share&igshid=9lno3kvbjx2y

[interkraft]

Content Aware Studies CAS_04 / Parthenon_South_XI_31; Carrera Marble; 120x95cm. As part of the “Innovation / Artistic Medium Show” in Hermitage Museum, St. Petersburg. In this work Machine learning algorithm (AI) reconstructed the fragment missing between the two plates of Parthenon Frieze (originally displayed in Brittish Museum) based on the analysis of dataset developed for the project that included other fragments of the frieze.

[interkraft]

a new piece from Content Aware Studies series in Hermitage Museum, St.Petersburg. CAS_03 / Lucius-Verus; Carrera Marble, Polyamide 3D Print; 40x35x30cm. Produced in collaboration with Matthew Lenkiewicz. As part of the “Innovation / Artistic Medium Show” in Hermitage Museum, St. Petersburg. In this work Machine learning algorithm (AI) reconstructed the missing fragment of Lucius Verus head (originally displayed in MET, NYC) based on the analysis of dataset developed for the project that included other fragments of the frieze. The work explores bizarre interpretations of the ancient frieze produced by A.I., matching and mismatching its motive and figurative aspects as well as automation of artistic labour. It speculates on the future of reconstruction of past seen through contemporary meta-archeological means of knowledge production. #cas #contentawarestudies #egorkraft #st_petersburg #hermitage #parthenon #parthenonfrieze #marble #carreramarble #newpiece #egorkraftwork (at Hermitage, St Petersburg Russia)

[interkraft]

a new piece from Content Aware Studies series in Hermitage Museum, St.Petersburg. CAS_03 / Lucius-Verus; Carrera Marble, Polyamide 3D Print; 40x35x30cm. Produced in collaboration with Matthew Lenkiewicz. As part of the “Innovation / Artistic Medium Show” in Hermitage Museum, St. Petersburg. In this work Machine learning algorithm (AI) reconstructed the missing fragment of Lucius Verus head (originally displayed in MET, NYC) based on the analysis of dataset developed for the project that included other fragments of the frieze. The work explores bizarre interpretations of the ancient frieze produced by A.I., matching and mismatching its motive and figurative aspects as well as automation of artistic labour. It speculates on the future of reconstruction of past seen through contemporary meta-archeological means of knowledge production. #cas #contentawarestudies #egorkraft #st_petersburg #hermitage #parthenon #parthenonfrieze #marble #carreramarble #newpiece #egorkraftwork