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"The piano is an extension of my body. When I am performing, I simply monitor the exits on the highway. It plays itself;
I am not actively doing anything. All the work is done already."
- Margaret Leng Tan (at the toy piano, with Eiko Otake dancing) on performing practised pieces
Eiko Otake in “A Body On Wall Street” (2016)
Eiko Otake in Chicago!
Join Eiko and her diverse group of collaborating artists, living and dead, for an investigation into how artists in duet collide, converse, and express what they care about.
Join Eiko and her diverse group of collaborating artists, living and dead, for an investigation into how artists in duet collide, converse, and express what they care about. THE DUET PROJECT: DISTANCE IS MALLEABLEFriday and Saturday, February 11-12, 2022 at 7:30 p.m.Tickets: $30 General / $15 Industry / $10 StudentsRun time: 60 minutesGet your tickets! This will likely sell out.ADDITIONAL…
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eiko otake
A Body in a Cathedral is an iteration of Eiko's solo work, A Body in Places, taking place during her residency at the Cathedral of Saint John the Divine in Upper Manhattan. From the fall of 2016 through the spring of 2017, she is offering solo performances within the Cathedral, designing a video installation, and hosting public conversations. A Body in Fukushima, a mutable exhibition of dance photographs created in collaboration with historian-photographer William Johnston, is also a part of the larger art exhibition, The Christa Project. Throughout the residency, Eiko will explore the dignity and transcendence inherent in the ordinary and the disregarded.
Flowers Cracking Concrete: Eiko & Koma’s Asian/American Choreographies
by Rosemary Candelario
Call # 792.82 C216f