funky new theme! anyway for the fic writer ask thingy: 7, 14, 15, 18
Yeah!!! Tumblr wiped my old one (which I am sad about) but this one is nice, too.
7. Which part of writing do you struggle with most?
FINISHING, UGH. Everything is fine when I’m excited about a fic but once the initial motivation is gone it’s a SLOUGH. HATE THAT.
14. If you were stuck on a desert island with only two characters, which would you pick?
Oh hm. From anything? Jem Carstairs from TSC and Nile Freeman from TOG would be an interesting combination. Fairly certain that between them they could keep us all alive, and Jem would keep us all sane. Also would be some interesting conversations. In addition, you KNOW Nile would find us a way off the island and back home in no time.
15. A Hollywood producer tells you that they want to film just one of your fics. Which fic would you want it to be?
OH. FUCK. UH. GOTTA THINK. Leaning toward Every Earthly Mark (aka the BNHA kiribaku soulmate fic) because it’s the one I’m converting into an original story? But I mean... the Soulmate’s Guide is also very up there. It definitely should be a soulmate fic because I LOVE those. Ohhhhh but depending on production it would be REALLY EFFING COOL to see The Monstrophagus on the big screen. It would be like Stranger Things except romance.
18. What is a line/scene you’re really proud of? Give us the DVD commentary for that scene.
TW for death and graphic descriptions of corpses, but I think this one is my favorite right now:
“They are. Too late, that is. Nile gasps above Joe, the flashlight in her hand beginning to waver as Joe reaches down, hand hovering over Nicolo’s gaunt cheek. His eyes are open and staring, his chest unmoving, the water still in the bottom of the iron maiden also filling his slack mouth. He’s a corpse—dead, nude, with hair and beard discolored green and impossibly long, skin gray and wrinkled from the water. He’s thin, skeletal, and his arms are folded up by his sides to make room for his nails, which are long and curling. His legs, too, are folded to make room for his toe-nails, that plus his gauntness making him seem impossibly small. He’s like something inhuman, something dead but something divine—a being caught somewhere between constant death and eternal life.”
~Saltwater Sonata
It was one of the very first scenes I wrote for SS, long before I even had most of the plot figured out. I just... I had this image in my head of Nicky coming out of the iron maiden for the first time in five hundred years, so vivid it felt like a waking dream. Like a flashbulb going off, it just came to me. Something dead but something divine... something between constant death and eternal life. Like, wow. That’s inspired.
Not that that was all it took. It took a LOT more than that to get it here, to this state. It was the first scene in SS chronologically that showed Nicky’s physical state after spending so long under the sea, and that was super important to get right. The movie kind of brushed over what would happen to a human who can’t die if they spent five hundred years underwater, but I had this morbid need to think about it and reconstruct it as realistically as possible. This scene is fairly short, but very descriptive, because I did a LOT of research and math to figure out what, exactly, it would look like. I’m just really proud of this scene because of the combination of raw vibes AND ALSO all the care and research that went into it. Long live Nicolo di Genova, the soul at the bottom of the sea.











