Jun 15, 2017
Las reliquias que estamos usando para el primer trabajo solista de @lenwadurap de #tirodegracia #dojoestudio #emusp12 #hiphopchileno #beatmaking #rapchileno (at Dojo Estudio)
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Las reliquias que estamos usando para el primer trabajo solista de @lenwadurap de #tirodegracia #dojoestudio #emusp12 #hiphopchileno #beatmaking #rapchileno (at Dojo Estudio)
Cocinado el nuevo EP solista de @lenwadurap de los legendarios #tirodegracia producido por @denegro1 con antiguos beats de la #mpc3000 #mpc2000 y la #emusp12 #sp12 #hiphopchileno #rapchileno (at Dojo Estudio)
Hace 10 años atras en el primer #beatminds con el #geoslide y el #arcangel puro #beatmaking con la #emusp12 (at Dojo Estudio)
E-Mu SP-12 guts. Elegant engineering and killer sound and feel. #waveformless #synthshop #synthrepair #emusp12 #synthguts #sampler (at Waveformless)
E-Mu SP-12 Turbo. So many foundational records came out of these machines. Love to work on them... On the bench at Waveformless. #waveformless #synthshop #emusp12 #sampler #synthrepair (at Waveformless)
This is what I (@iamkrucialkeys) started on connected to a drive that took 5 inch floppy disks. Sample time was extremely limited. So you had to be creative with taking tiny bits of sounds you liked off records. No sample packs, no kits , and stock sounds were wack as hell. I so appreciate today's technology and all the access to great sounds online, amazing stock sounds and unlimited sample time. But thanks to this machine I know when too much is too much and the true concept behind creative sampling. From the EMU SP 12, I moved on the the EMU SP1200 and then my favorite the Akai MPC3000 by Roger Linn. Today you don't really need a drum machine even as just a controller. But there's something about banging on pads that make me feel more connected to the music. Besides, I was always the kid banging on the desks, walls and lunchroom tables. Glad I can still express myself in that manner but in a more constructive way , ha!
Pm-Pm Tss Tupa Pm-Tsss
#tbt This is what I started on connected to a drive that took 5 inch floppy disks. Sample time was extremely limited. So you had to be creative with taking tiny bits of sounds you liked off records. No sample packs, no kits , and stock sounds were wack as hell. I so appreciate today's technology and all the access to great sounds online, amazing stock sounds and unlimited sample time. But thanks to this machine I know when too much is too much and the true concept behind creative sampling. From the EMU SP 12, I moved on the the EMU SP 1200 and then my Favorite the MPC 3000. Today you don't really need a drum machine or even as a controller. But there's something about banging on pads that make me feel more connected to the music. Besides I was always the kid banging on the desk, walls or lunch tables. Glad I could keep expressing myself in that manner but in a more constructive way. #krucialnoise #EmuSP12