From New Warriors 3 (1990) by writer Fabian Nicieza, artists Mark Bagley & Larry Mahlstedt, colorist Andy Yanchus, letterer Michael Heisler, and editors Eric Fein & Danny Fingeroth
Untold Tales of Spider-Man 14: My Enemy, My Savior – by Eric Fein
Meh
This story’s title page features a great John Romita, Sr. illustration of J. Jonah Jameson sweating it out as he watches Spidey fighting the Scorpion on a viewscreen, with Alistair Smythe gaping at him from another screen. (We don’t know where Jonah is but will soon find out that he’s inside a spider-slayer.) That’s a good way to start.
In the story itself, J. Jonah Jameson has just won the Humanitarian of the Year Award, chosen by the citizens of New York City. After working late at the office on his acceptance speech, he climbs into his limo, heading for home. But suddenly, the limo swerves out of control, running up on the sidewalk. The driver claims he can’t release his foot from the gas and the car is not responding to his actions. When he tries to turn the ignition off, he convulses and falls unconscious. The car drives into a dead-end alley and crashes into the wall. JJJ, bloodied and dizzy, crawls out of the car. Before falling unconscious, Jonah sees “the form of a large man approaching him.”Like that scene? Here it is again from a different perspective. A man “at a control console in a dimly lit lab” watches JJJ get into his limo. He presses a button and a “spiderlike droid” attaches to the car’s rear bumper. The man pushes another button. The spider-droid shoots out “a bundle of fiber-optic tendrils.” Some of them attach to the steering column. Others bore “through the floorboard: where they grab “the driver’s right foot, attaching it to the gas pedal.” These tendrils contract, forcing the driver’s foot down on the gas. After the limo crashes, the man speaks “into a commlink,” saying, “Mr. Gargan, our prey has been subdued. Please, take the necessary action.” Those of us in the know recognize Gargan as the real name of the Scorpion. Of course, those of us who looked at Johnny’s opening illustration already know the Scorpion and Smythe are the villains in this piece.Meanwhile, Spider-Man webs his way to the Daily Bugle. He drops down into a nearby alley, changes to Peter Parker, and takes his latest pix of Spidey battling the Rhino to the city room. There he finds all sorts of frantic activity. Robbie Robertson tells him that “Jonah’s missing” and presumed kidnapped “or worse.” Kate Cushing sends Peter to the crime scene to get some photos. “I’m sure Jonah will be all right,” Peter says, “He’s a tough old goat.”Just then, JJJ wakes up, chained down on a hospital gurney in a lab. He sees “a large mechanical construct twenty feet tall and ten feet wide, surrounded by scaffolding and held up by suspension cables.” “Several smaller robots” service it. The lab’s resident reveals himself as Alistair Smythe, which makes Jonah realize that the robots are spider-slayers. Smythe tells JJJ that he has “inherited my father’s journals and his lab equipment. And I have inherited his crusade. My father’s enemies became my enemies.” And, for Jonah’s pressuring of Spencer Smythe into making more slayers, Alistair blames the publisher for his father’s death.
Then Mac Gargan joins the conversation. Smythe says he and Gargan “recently crossed paths and he explained to me how he was another victim of your crusade,” of how Jonah financed Gargan’s transformation into the Scorpion with “no thought to the psychological damage the treatments had done to Gargan.” (These guys sort of have a point.) When they learned of Jonah’s Humanitarian of the Year award, “the hypocrisy [was] too much…to swallow.” So Smythe built a giant spider-slayer designed to carry Jameson as a helpless passenger. “I’m going to arrange for you to finally be the hero you’ve spent years saying you are, by letting you destroy your favorite public enemy, Spider-Man,” Smythe tells Jonah, “Of course, there is the chance that Spider-Man will finish you off first.” With that, the Scorpion loads JJJ into the giant slayer.Some time later, Spidey is on the Daily Bugle building’s roof expecting an attack. He has received a tip from a “street source” about an event at the Bugle. “And the guy behind it was the Scorpion.” When the giant spider-slayer attacks, Spidey knows that Smythe is also involved. He grapples with the robot.
Just when he thinks he has won, the slayer jettisons four legs. One of them wraps around Spidey’s leg and administers an electrical shock. Ignoring the pain and further shocks, Spidey rips it away from his leg. Whereupon the slayer blasts a hole in the roof.Inside the slayer, JJJ winces at the destruction to his building. As the slayer burrows from floor to floor, attacking innocent people, he starts to wish that Spidey would stop the robot. “What a revelation,” says Smythe over the radio, “Rooting for your greatest enemy to succeed.” And, sure enough, Spidey yanks on some wiring and circuitry and stops the slayer, only to have a voice announce, “This mechanism will self-destruct in sixty seconds.” Hearing this, Spidey picks up the slayer, takes it to the roof, and throws it toward the East River. As soon as he does, the Scorpion attacks him. But the Scorpion also opens his big mouth, saying, “First you knock off Jameson for me, then I kick your butt.” Realizing that Jonah must be inside the slayer, Spidey puts a spider-tracer on Scorpy, snags the robot with his webbing and climbs onto its back.Even as Smythe taunts Jonah, Spidey rips the top off the slayer, climbs in and frees JJJ from his bonds.
But then the slayer lands in the river. Spidey drags Jonah, who is “unconscious and very pale” from the wreckage and brings him to shore. Just as he is about to administer mouth-to-mouth, Jonah comes to. Spidey promises to bring help and tries to web-sling away, only to find his shooters clogged up with “river muck.”The Scorpion is ready to celebrate the deaths of his greatest enemies but Smythe tells him both Spidey and JJ are still alive. “I saw you disobey my direct orders by making yourself known to Spider-Man before Jameson was dead. As a matter of fact, because of your big mouth, they’re both alive,” Smythe says, adding, “You’ve ruined everything, you thickheaded lout! I should kill you, but I have more important things to do. So just get out.” Scorpy doesn’t take well to this and attacks Smythe with a “stinger-blast.” Smythe sics his mini-slayers on Gargan. Then Spidey shows up, having followed his tracer (and he had extra web-fluid in his belt) and defeats both foes.
Rather too easily, unfortunately. As he does so, he says something that may well be the theme of this story, “Oh, here we go again, another chorus of ‘My life stinks and it’s all your fault.’ Well, let me tell you something, bug-boy, I’ve had it with you idiots. Neither one of you can admit to the fact that you’re both responsible for the shambles that your lives have become. Yeah, Jameson helped by making the offer or funding the projects. But you dopes embraced his cause all the way.”The next night, at the Humanitarian of the Year dinner, JJJ gets up and refuses the award. “It would at this point strike me as hypocritical to accept it,” he says, “having just come face to face with two villains whose origins in a small part can be traced to me.” Still, he promises to “continue to crusade against the costumed vigilantes and other superpowered crazies that they attract. Especially that menace Spider-Man, who I can assure you exacerbated the problem with Smythe and the Scorpion.” Jonah gets a standing ovation for his speech but Peter doesn’t take a photograph. He has changed to Spidey to stop “a band of heavily armed men about to break into the banquet.” And so it goes.
This story was merely okay. Pretty much every story has strived to represent an aspect of Spidey’s mythos and this story zeroes in on Jameson. What’s a bit more baffling is the story’s placement. The prior story was set in the very early 80s during O’Neil’s run on Spidey before Roger Stern. This story though could only occur after ASM #373 as that was when Spidey first encountered Smythe after he became the Ultimate Slayer.
However, given how he went into custody this makes one wonder how Jonah didn’t know about Alastair’s upgrade? I can let that go since it’s by no means the first or most egregious fo continuity errors in this anthology thus far. What’s more problematic is that we’ve jumped from like 1981 all the way to 1993. Which is doubly baffling when you consider this book was put out in 1997. For a book titles ‘Untold Tales of Spider-Man’ why would you skip over 10 years worth of material in favour of an era less than 5 years old? Surely there would be plenty of great tales to tell during the Alien Costume Saga alone, which would in turn represent the symbiotes, another iconic aspect of the Spidey mythos.
Beyond that there isn’t much to say about this story. it was kind of cool to check out Smythe and Scorpion teaming up as they are the two villains most associated with Jonah. But other than that...I mean we’ve kind of seen this before haven’t we?
It’s not that it’s poorly executed but it’s just pretty ‘same old same old’. I suppose you could say the same of ‘Livewires’ but at least that told a typical Spidey story set during an oft forgotten era with oft forgotten supporting players. This story is something we’ve seen before since the 1960s.
At the end of the day this is a story that’s skippable as far as entertainment goes but sort of necessary in terms of representing a key component of Spidey lore. From that POV it would’ve been conspicuous by it’s absence.
From New Warriors issue 2 (1990) by writer Fabian Nicieza, pencil art by Mark Bagley, inks by Al Williamson, colors by Andy Yanchus, lettering by Michael Heisler, editing by Eric Fein and Danny Fingeroth
"From the Ground Up!"
Hello! I'm a refugee from Twitter in search of a new home. I've used Tumblr before but never quite took to it. To be fair though I never really gave it a try. So I'm interested in changing that. We'll see how it goes!
I'll obviously be talking about New Warriors comics, the characters that come from them, and the creators that made them possible. I also just love comic books and graphic novels in general, so I'll likely be dipping into all kinds of material.
This image is the first page of the first issue of the first New Warriors series. It was released in 1990 and what a start for a young me discovering superhero comics for the first time! Seemed like a good image to highlight as we get this account started from the ground up.
New Warriors issue 1 page 1 by writer Fabian Nicieza, pencil art by Mark Bagley, inks by Al Williamson, colors by Mike Rockwitz, lettering by Michael Heisler, editing by Eric Fein and Danny Fingeroth
