Keith Haring, Bad Boy, Bordeaux France, 1985
Photographer: Tseng Kwong Chi
Eric Firestone Gallery

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Keith Haring, Bad Boy, Bordeaux France, 1985
Photographer: Tseng Kwong Chi
Eric Firestone Gallery
On View Now Marcia Marcus
at Eric Firestone Gallery in New York City through December 2nd
Discover more are here: X
Eric Firestone Gallery is pleased to present Women Across America: 1945–1979, an exhibition that showcases connections between women across the country in the post-World War II period. This exhibition highlights the rich tradition of abstraction within the period across various mediums. Taking inspiration from William Gerdts’s sprawling Art Across America: Two Centuries of Regional Painting 1710–1920, the three-volume encyclopedia of art in the United States, this exhibition reimagines what an Americanist Art History of the postwar period might look like if told through women’s art. The show traces a transitional time for women within the art world, with figures such as Adaline Kent and Jeanne Reynal who forged their own paths in order to work as artists, painters like Pat Passlof and Helen Frankenthaler who fought for a place within the New York School, and artists who became outspoken in their feminism during the women’s movement like Miriam Schapiro and Nina Yankowitz. This exhibition furthers the gallery’s commitment to reexamining modern and contemporary art histories of the United States, especially championing underrecognized artists.
Firestone continues to have one of the best programs running. More about the exhibition and viewing room here.
Eric Firestone (con’t)
GODZILLA: ECHOES FROM THE 1990S ASIAN AMERICAN ARTS NETWORK
24’ Castoffs
Eric Firestone
GODZILLA: ECHOES FROM THE 1990S ASIAN AMERICAN ARTS NETWORK
24’ Castoffs
There’s only a few days left to see Miriam Schapiro: The André Emmerich Years, Paintings from 1957–76 at Eric Firestone Gallery.
From the press release-
Miriam Schapiro (1923–2015) is now well-known as a pioneer of the Women’s Art Movement, and for her contribution to the Pattern and Decoration Movement. She fused craft work, traditionally made by women, with modern painting in collages termed “femmage.” However, this exhibition will additionally shed light on her early Abstract Expressionist canvases, and her pioneering approach utilizing computer technology to create Hard Edge geometric painting in the 1960s. Spotlighting the legacy of this feminist artist, the exhibition will explore three stylistic phases, with significant examples from these two decades of Schapiro’s career.
This exhibition closes 5/13/23.
Transmitter enjoyed Martha Schwendener’s review of Wendy White’s show Santa Cruz at Eric Firestone Gallery in The New York Times.
(via What to See in New York Art Galleries This Week - The New York Times)
Miriam Schapiro - Voyage, 1973