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An Archive of Our Own, a project of the Organization for Transformative Works
Eumeo rn
UNA SOLA BANDERA, UN SOLO ABANDERADO Rafael Dávila Álvarez. General de División (R.)
UNA SOLA BANDERA, UN SOLO ABANDERADO Rafael Dávila Álvarez. General de División (R.)
Indulto sí, indulto no, ¿qué más da? Llegar llega, quejas, concentraciones, pero como siempre tarde y desigual. Tarde porque ya no hay marcha atrás. Esto se les acaba y quieren rematar España antes de que le quede un halo de vida. Espero que el tiempo de la historia dicte el veredicto que les corresponde a personajes como José Luis Rodríguez Zapatero y Pedro Sánchez Pérez Castejón. Dudo que…
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Odysseus returning to Penelope ca. 460–450 B.C., Metropolitan Museum of Art 30.11.9 http://www.metmuseum.org/art/collection/search/253053?sortBy=Relevance&ft=PENELOPE&offset=0&rpp=20&pos=8
Odysseus made his entrance looking like a beggar. Here he is shown approaching the disconsolate Penelope, as the faithful members of his household—his father, Laertes, his son, Telemachos, and the swineherd Eumaios—look on.
In the Odyssey, you'll see three journeys. One is that of Telemachus, the son, going in quest of his father. The second is that of the father, Odysseus, becoming reconciled and related to the female principle in the sense of male-female relationship, rather than the male mastery of the female that was at the center of the Iliad. And the third is of Penelope herself, whose journey is [...] endurance. (Joseph Campbell)