Northeast Ohio's Confederate Cemetery
Writing about and discussing monuments commemorating the Confederacy is a difficult task, which is why I have been avoiding composing this blog post for some time now. The Atlanta History Center divides such monuments into three categories. The first refers to mainly funerary monuments, “erected from the 1860s through the 1880s.” The second era of Confederate monuments were installed during the height of Jim Crow, from 1890 through the 1930s, and consist mainly of “an equestrian statute of a Confederate general in front of a courthouse or capitol.” These were not to mourn the loss of dead soldiers, but to celebrate the deeply racist ideals central to the identity of the former Confederate States of America. They were designed to intimidate African Americans passing through public spaces and remind them of their place in Southern society. Such monuments were, “a naked forewarning to the lowest caste of its subjugation and powerlessness… a psychic trolling of the first magnitude” (Wilkerson, 336). These were shrines and threats, aimed at affirming the myth of the Lost Cause and intimidating anyone who dared defy the strict social order. Such insolence would likely mean death. The final era occurred throughout the mid 20th century in response to Brown v. Board of Education and as an ode to segregation.
The monuments on Johnson’s Island in Ohio’s Sandusky Bay perhaps bridge the first two categories. The first Confederate monument erected on the island, a bronze and granite monolith depicting a standing Confederate soldier, was dedicated by the Cincinnati chapter of the United Daughters of the Confederacy in 1910. Smaller monuments were later installed, the most recent “a set of granite markers dedicated to Confederate prisoners of war,” dedicated by the UDC in 2003. But why are these monuments here, and how should we view them, today?
I drove onto the island after visiting my beloved Marblehead Lighthouse on its namesake peninsula, the rugged, quarry-ridden cape jutting eastward from Toledo into the teal waters of Lake Erie. It was a tumultuous July evening, the trees still dripping from the severe thunderstorm that just passed through, its inky clouds still visible along the eastern horizon. The amber sun, sinking farther in the western sky, merging the remaining puddles and the thick atmosphere. The humidity was extreme.
Johnson’s Island is an unusual place. To cross the causeway from Marblehead, visitors must pay a $2 toll. The island itself is roughly 300 acres and home to extravagant lakeside homes, some built within the old quarry pit hundreds of feet below neighboring residences looming above. Its most unusual feature, however, is the Confederate Stockade Cemetery, located on the island’s northeast corner, overlooking Bay Point and Cedar Point beyond. According to the National Park Service, from 1862 to 1865, the United States War Department imprisoned more than 11,500 Confederates at its facility on Johnson’s Island, which it leased from owner Leonard Johnson for $500 per year. The site, surrounded by the waters of Lake Erie, was chosen for its relative isolation. “It was easily defensible and close to rail lines in Sandusky,” (NPS) deemed so secure, in fact, that only Confederate officers were imprisoned here.
Although originally intended only to house a maximum of 1,000 men at a time, at its peak, Johnson Island’s population exceeded 3,255 in 1865. Population numbers were generally lower, however, due to the Union and Confederate armies frequently swapping prisoners of war. The prison, although more luxurious than those for ordinary soldiers, lacked appropriate sanitation, infrastructure, and food, and was frequently overcrowded. Diseases spread quickly throughout the prison and Lake Erie winters were undoubtedly harsh.
In 1864, Confederate soldiers based in Ontario attempted to raid the island. “They successfully seized two passenger steamers in Lake Erie and planned to capture the USS Michigan and use the warship to free the officers on Johnson’s Island,” (NPS) but aborted the mission. As a result, the Union strengthened its prison’s defenses, fearing possible future attacks.
After Robert E. Lee’s surrender and the Confederacy swore its oath of allegiance to the United States in 1865, the prison’s population decreased. By the end of the year, the War Department had returned control of the island to Johnson. During its time as a prison, only 239 men died on the island, their bodies buried a half mile from the original prison facility. Over 20 bodies were removed by friends and family after the Civil War and taken elsewhere. To commemorate those who remain, 206 marble headstones were erected after a group of Georgia journalists described the lack of permanent markers memorialize these men.
The Robert Patton Chapter of the UDC purchased the cemetery in 1905. Chapter leader, Mary Patton Hudson, worked feverishly to oversee improvements to the sight, including the construction of a fence around the cemetery. Her most notable contribution was the large statue of a Confederate soldier, dubbed The Lookout, created by Moses Ezekiel and dedicated in June 1910. “The [UDC] installed two monuments at the cemetery in 1925. The Mack-Hauck Memorial honors two members of the organization instrumental in preserving the Johnson’s Island cemetery” (NPS). Hudson herself was later dedicated a memorial for her effort to purchase the cemetery which was later donated to the federal government in 1931. Since then, additional granite markers have been placed in memory of Confederate prisoners of war.
Nostalgia has been described as “the suffering caused by an unappeased yearning to return,” (Kundera, 5) and, walking along the rows of headstones and among the ornate monuments in the cemetery on that hot July evening, I was struck by perhaps its opposite. Those who erected such memorials, however, clearly felt this way towards the Confederacy, yearning for its return. The Confederate Cross of Honor in northern soil, with initials CSA encompassing a Confederate battle flag, earnestly and shamelessly celebrates a brief instance of Confederate sovereignty, a reclamation of a place once designed to contain and irradicate it. The pedestal of Ezekiel’s statute reads and is dedicated “to those who died in federal prison on this island during the war between the states,” commemorating those Confederate officers, “dead, but sceptered sovereigns who still rule us from the grave.” The line is from Lord Byron’s Manfred, taken from a scene in which the titular character recounts the former glories of the Roman capital. He describes the “chief relics of almighty Rome,” the “ruinous perfection,” of “Caesar’s chambers, … the Augustan halls,” a place where all that remains is beautiful. “The place Became religion, and the heart ran o’er With silent worship of the great of old” (Byron). The “great of old” here is the legacy of slavery and a society built upon it. For the Confederacy, the owning of twelve generations of human chattels whose patriarchs and matriarchs were stolen from a distant continent was the state-sanctioned religion. The statue is chilling, the words inscribed within it are haunting.
Horrifying as it is, however, I think this is a monument which should be permitted to stand. It is relatively isolated and within a cemetery for America’s war dead. The statuary, although blatantly racist and clearly regaling the country’s most evil legacy, does not act to intimidate citizens in a public square like others. Furthermore, it is a physical relic of a not-too-distant past, personifying the horrors of before, which continue to echo through the modern day. This place made me think of those who commissioned and built its monuments, not with empathy or reverence, but with chilling terror. The tentacles of those who advocated something which, to me, seems almost unimaginable, poke out of the ground in this humble cemetery in Northeast Ohio. The relics earnestly bearing “CSA” really mean it, celebrating a government which actually existed in Montgomery, AL and Richmond, VA, and to which millions (and many who still) pledged their allegiance. These artifacts somehow make it real, the Confederacy: tangible, palpable, solid, and heavy, like a piece of iron in one’s hand. A prolonged southern invasion of my beloved northern home. Let this not be a place of veneration, but one bearing the scars of the past, a quiet warning of the persistence of hatred, imprisoning once more the evils of yore in a fixed position, viewable to all who venture near, but not germinating and sowing the malice, loathing, and rancor of those it commemorates, but nudging us forward to a more equitable and just future.
All photos are my own, taken on Johnson's Island, Ohio, 7/13/2021.
Top left: view of the headstones in the cemetery.
Top right: close-up view of the pedestal of The Lookout.
Bottom left: Iron Cross of the Confederacy, bearing its initials CSA with a Confederate battle flag in the center.
Bottom center: Entrance to the cemetery.
Bottom right: The Lookout.
Byron, L. G. G. (2010). Manfred. Wilder Publications.
Historical introduction: Confederate monuments. Atlanta History Center. (2021, May 11). Retrieved January 19, 2022, from https://www.atlantahistorycenter.com/learning-and-research/projects-initiatives/confederate-monument-interpretation-guide/historical-introduction-confederate-monuments/
Kundera, M., & Asher, L. (2002). Ignorance. Harper-Collins.
Manfred dramatic poem - analysis & summary. English History. (2015, April 19). Retrieved January 19, 2022, from https://englishhistory.net/byron/poems/manfred-dramatic-poem/
U.S. Department of the Interior. (n.d.). Johnson's Island Confederate stockade cemetery. National Park Service. Retrieved January 21, 2022, from https://www.nps.gov/nr/travel/national_cemeteries/ohio/confederate_stockade_cemetery.html
Wilkerson, I. (2020). Caste: the Origins of Our Discontents. Random House.
Wilkerson, I., & Gross, T. (2020, August 4). It's more than racism: Isabel Wilkerson explains America's 'caste' system. NPR. Retrieved January 19, 2022, from https://www.npr.org/transcripts/898574852