Our foremost novelist as pundit.
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Our foremost novelist as pundit.
“I said to myself, ‘This feels nothing like the writing I did for 20 years — this just feels transparent.’ I wasn’t seeing in the pages any of the signs I’d taken as encouraging when I was writing The Corrections. The sentences back then had a pop. They were, you know, serious prose sentences, and I was able to vanquish my doubts simply by rereading them … [T] he sentences had a level of effulgence that left me totally defended. But here, with Freedom, I felt like, Oh my God, I just wrote however many metaphor-free pages about some weird days in the life of a college student, I have no idea if this is any good. I needed validation in a way I never had before.”
She regaled us with the backstory and more during preparations for another chaotic production, a dinner party at home in England.
Midway through postproduction on his eighth movie, the Western The Hateful Eight, the director discusses writing scripts by hand, ‘90s nostalgia, and becoming — relatively — mellow with time.