#false dragons

[beaky-beast]

More false dragons, some of these were worked on during streams before I took a break from them. With these i wanted to try out the iridescent/metallic look for the colors.

These dragons have wings that are a lot like the heavily insectoid type false dragons, where they sit under a heavy carapace when folded away. I liked the idea of keeping the wings hidden away where it would be difficult to damage them in a fight.

[kate-mccannon]

Thank you for the tag @ewanmitchellcrumbs and @yoursweetheartsrevenge ❤️❤️

Anakyra and Aemond Targaryen (certified spouse haters) and rulers of Valyria from False Dragons

The link for M/F, F/F, and M/M.

No pressure tags: @selfproclaimedunicorn @emilykaldwen @exitpursuedbyavulcan @ripdragonbeans @dreaming-for-an-escape @dedicatednotobsessed @mourning-sapphire @marthawrites

[saint-nevermore]

biblically accurate jabberwock

original design for my fantasy headworld, not for use in other projects

[norisus]

Two of my Lorn creatures, a mock dragon and a false dragon.

I’ve always had a very loosely-defined idea of what makes a “dragon” in my head, and most of my dragon designs reflect that. When it comes to dragons in my headworlds, what is or is not a dragon is based purely on an organ called the “cauldron”. 

The cauldron is an organ that branches off from the esophagus. All true dragons have some form of this organ, though for many species of dragon it has become vestigial. The cauldron breaks down various minerals and produces a flammable gas that ignites when regurgitated. 

How the cauldron functions varies between species of dragons, with some producing an oily substance or merely acrid smog. For some dragons that have a vestigial cauldron (such as mock dragons) they still have the instinctual desire to ingest minerals for their cauldron. This sometimes results in some form of smoke being expelled. 

False dragons, though resembling true dragons, are merely reptiles. It is a name given to a loosely-defined group of reptiles that have taken on draconic traits through convergent evolution. Some of them have evolved to mimic specific species of dragon, while others have taken on their traits to better compete with dragons in their natural habitats. Rudimentary flight is not unheard of in false dragons, though gliding is significantly more common.

[basalt-dnd]

Dragonets! They’re even smaller, dumber, and more harmless than pseudodragons. I’ve started to use my own art for homebrew, so it takes a bit longer but the upside is that it looks like I mean it to look!

Next up: Variant wyverns!

[highladyluck]

Random meta/worldbuilding thoughts on the theme of eschatological time

Went down a Wikipedia hole today on the Millerites, a religious movement based around a specific prediction about the timing of Jesus’s second coming, and now I have three more Wheel of Time worldbuilding things to gleefully complain about and/or theorize on, as is my custom. (As usual, ‘ware whole-series spoilers.)

1) The Millerites apparently believed that Jesus would return "literally, visually, in the clouds of heaven" and I can't help but wonder if that's what RJ was borrowing for his 'Rand and Ba'alzamon fight in the clouds above Falme' aesthetic? The whole thing always struck me as super super weird since there's no in-world explanation for it except 'it's in the Prophecies', which doesn't tell you how it's done. Like we know the One Power can do projections/illusions, but there's no note anywhere that Moiraine or whoever was doing One Power cinematography at that moment. (However, I will consider headcanons that Verin was doing it for mysterious Verin reasons, just because that seems fun. Verin is extremely fun and mysterious, especially in book 2.)

I thought maybe it's the same kind of thing as the ta'veren television effect that the boys all start getting in later books- the swirl of colors in their heads that resolves into images of the other ta'veren, triggered by thought? But I think the color swirls are more related to 'reading the Pattern' and are similar to Egwene's Dreaming/the scenes Perrin sees in the sky in Tel'aran'rhiod/Min's visions. But 'floating images'/'images in the sky' does seem to be like... a way the Pattern appears to people, so maybe it is connected? And it's been a while since I read book 2; it's possible that Rand and Ba'alzamon are fighting at least partially in Tel'aran'rhiod, maybe due to the appearance of the Heroes of the Horn, who live there? In which case, sure, giant sky projections, sounds plausible, Tel'aran'rhiod is batshit like that.

2) I'm unreasonably annoyed that the calendar extant in the Westlands at the time of the books is set at 998 NE and the events of the books take 2 years, so that the apocalypse is RIGHT ON SCHEDULE at the end of the millennium. I CALL BULLSHIT. NOBODY'S APOCALYPSE ARRIVES ON TIME. That cute little note about the calendar at the end of every Wheel of Time book? Where they're like 'oh yeah we lost a ton of records at various points in the Third Age, there were a bunch of different calendar systems before this, and the Farede calendar dating from the arbitrarily decided end of the War of the Hundred Years is now in use'? 'ARBITRARILY DECIDED', MY ASS.

Honestly the only way this makes sense is if the books were written in the 'far future' and either the author or (from an in-universe angle) their civilization fudged the dates of events so that the end of the War of the Hundred Years was exactly the time needed to have the Last Battle end right at the millennium. Actually, this also explains why the timeline is so extraordinarily compressed and everything supposedly happened in just two years. It absolutely didn't, they just fudged the timeline from the distant vantage point of the future. XD

In RJ's defense, that does appear to be part of the conceit. I think the implication is supposed to be either that Loial wrote the books, presumably 100s of years later knowing Ogier lifespans/project timelines, or someone else is writing this based on Loial's notes/book. This is supported by that FASCINATING opening verse in Lord of Chaos, with the skipping rhyme from 'Great Arvalon, the Fourth Age' which is clearly future Tar Valon. (I've always been obsessed with that verse, and I think the only other Fourth Age quote we get opening the books is at the end of AMoL, and that's about the Breaking and doesn't tell us anything about the future except that there is one.)

3) What are the odds that the Seanchan still use FF (From the Founding, the calendar Artur Hawkwing tried to establish that now 'only historians refer to') for their calendars? Pretty good, right? I wonder what wacky stuff they were expecting around whenever their millennial date was. Everybody would have an extra-keen eye out for omens once the date drew near.

Actually, it would kind of make sense if they had a false dragon around then. Didn’t one of the Westlands false dragons pop up around the turn of one of the earlier millenniums? Also, because the only thing more fun than one weird headcanon is another even weirder headcanon... what if there were Seanchan false dragons who were female? I don’t think male channelers with the spark in Seanchan live long enough to get much in the way of delusions of grandeur, plus the prophecies got corrupted so maybe people weren’t necessarily expecting a male Dragon (granted, this is a stretch). Mostly I’m thinking that a female false dragon in Seanchan would have similar motivations to Logain and Taim, like ‘eh, who’s to say I’m not the Dragon Reborn, also this might allow me to get more power/escape my otherwise inevitable fate.’ I know people have run with the Female Dragon idea, but I haven’t seen anyone write a female false dragon or a false dragon in Seanchan. (If you have, point me to those fics, I’m curious!) In the 1000+ year history of Artur Hawkwing’s Seanchan there would absolutely have been at least some channelers who were like ‘yeah no thanks I don’t want to be damane, what are my other options?’ I’m not saying any of them succeeded in exploring other options in the long run, but somebody must have asked the question. I’m just constantly chewing over the idea that Seanchan is really, really not as culturally homogeneous as Tuon believes it to be and Imperial propaganda says it is; the last rebellion was put down 200 years ago, but there’s absolutely damane who were alive then and even people with ordinary lifetimes can still hang on to bits of their culture (and/or anger/fear about how their ancestors were treated) for that long. My best example of this is Ajimbura, who is manifestly not fully assimilated; he’s a permanent exile from his culture, perhaps, but you definitely get the sense that he’s following Karede out of some sort of personal honor code that comes out of his cultural background even if it doesn’t match up to it completely, rather than because Karede successfully absorbed him into imperial Seanchan culture. You can take a man out of the Kaensada Hills but you can’t take the Kaensada Hills out of the man. (Also now I’m thinking about how Ajimbura is to Karede as Mat is to Tuon, in terms of loyalty/house-train-ability and it’s blowing my mind...)

[kate-mccannon]

One of my favorite characterizations has got to be a truly awful woman main character who is the main character. Like, non-redeemable, completely black character, that WOULD be the villain if it wasn’t her story. You’re forced inside of this perspective and you’re forced to humanize her, and she, eventually manipulates you like she does everyone else.

Anyway, that’s my first OC and I really need to finally finish editing and reposting her story because she’s my favorite OC. Maybe talking about her will finally get me to get her story out again 😭

[kate-mccannon]

What’s your ‘Quarrel with the King’ WIP about?

First off: thank you for asking ❤️

Quarrel with the King is the second chapter of False Dragons. It’s completed, 2366 words exactly but needing to be edited since it’s the original version and not the rewritten version.

I just skimmed through it, nothing much needs changed. Maybe I will edit and publish soon.