💎✏️
Yaaaaay, thank you for writing in! Last time I did this, I’d only published the first 2 in the Origins series (One for the Money and Two for the Show), and since there’s no specification for which fic you’re asking about, I will be answering these questions about the last 2 in the Origins series (Three to Get Ready and Four for the Road) as well as the first 2 in the Terror Time series (Scooby Doo and the Beauregard Game and Scooby Doo and the Book of the Dead) To make everyone’s lives easier, I’ll abbreviate the titles to TTGR, FFTR, SDBG, and SDBD respectively.
💎- What was your favorite part?
TTGR: Far and away my favorite part was the scene at prom when Shaggy finally tells Velma he’s in love with her. I had been wanting to write that scene basically since 2011, so it was a relief to finally get it out on paper (or word document, I guess haha)
FFTR: I absolutely love the scene where Fred breaks down in the middle of Wyoming as he realizes just how much danger he and his friends are in. He feels responsible for all of it, but the gang come together to comfort one another and decide to take turns driving the Mystery Machine for the rest of the trip so they can beat the clock. One of my favorite parts of Scooby Doo is the friendship that the gang shares, and any time I get an opportunity to write a moment like this one is always such a delight.
SDBG: The scene where Velma admits to her friends that she cheated on a test because she felt such an overwhelming pressure to succeed, only to get caught and suspended for the remainder of her second semester of college. Up til this point, everyone in the gang was kind of thinking “Oh, the we're all back together, everything can go back to the way it was in high school and it’ll be like nothing has changed,” but after this revelation, it becomes obvious just how much the distance from each other has affected everyone – particularly Velma. (This is a recurring theme that will continue to happen throughout the remainder of Terror Time, btw, so I’m glad I was able to plant the seeds so early in this story)
SDBD: I absolutely LOVED writing the scene with Velma and Shaggy in the kitchen in the middle of the night, when Velma realizes one of Shaggy’s new tattoos is the music notation for Perfect for You, their duet from Next to Normal (the musical they were in during Two for the Show), and it’s then revealed that Velma is the one who initiated their break-up. I’d tried to make the audience think that Shaggy had been the one to end their relationship, so that it would be a bit of a shock when it was revealed that it had been Velma. What I liked about this scene is the same thing I liked about the scene from Beauregard Game that I described above: that the distance from each other is having repercussions on their relationships, and we are watching it happen.
✏️-Would you go back and change anything if you could?
TTGR: I don’t think so, but I will share a fun fact with you all. I always knew I wanted Shaggy to kind of be prompted by Julie to tell Velma how he felt, and while Julie as a character wasn’t nearly as fleshed out pre-2019, she was always supposed to be this older-sister-type-figure to the gang (and Shaggy in particular). In my initial conception of the scene, the song Julie sang was Counting Crows’ Accidentally in Love (yes, the same song from Shrek 2 lol), but by the time I was actually writing the story, we were in the middle of lockdown. You know how during lockdown we were all just kind of consuming any media we could to distract ourselves from Everything? One of things that my husband and I watched were all the Twilight movies (because he had never seen them) and I heard that Christina Perri song for the first time in like, eight years. I realized that the lyrics were exactly what I was trying to encapsulate for both Shaggy and Velma in that moment, and I decided that A Thousand Years would be a much better fit for the scene lol.
FFTR: Honestly no, this scene turned out exactly the way I’d hoped it would. It showed Fred being vulnerable, Daphne being strong, Shaggy being brave, Velma being compassionate, and Scooby and Nova being supportive. I still feel proud when I re-read the scene (which I did just now so I could answer this question haha)
SDBG: Probably not, I think it accomplished what I meant it to. What I wanted from the scene was for the gang to understand that if they want their relationships to continue in spite of their physical distance, they will all have to put in the work. Things can’t always just go back to the way they were, and their lives apart from each other have real consequences to them. Like I said above, this is a theme that’s going to come into play a lot more in the next two installments of Terror Time.
SDBD: I really wish I’d been able to include their actual break-up, instead of just alluding to it, but I couldn’t figure out a way to do it without making the scene clunky and confusing. If you’ve read the second chapter of my newest WIP Scooby Doo and the Warlock’s Curse, think of the flashback scene where (spoilers) Shaggy calls Velma on the phone to talk about Mary Jane. That’s the kind of thing I wished I could have done in this scene, but I really think something like the ending of their relationship needed it’s own chapter, and there just wasn’t space for it. Maybe I’ll write it as a one-shot someday, if I ever want to make myself (and the Shelma fandom) extra sad. (Which I don't think I do lol)
Thanks again for writing in! I’m always happy to answer any questions, itemized emoji lists notwithstanding!









