Villa "Les Glycines" du négociant Charles Fernbach par l'architecte Emile André (1902-24) lors de la balade-guidée du "Parc de Saurupt" à Nancy, juillet 2022.
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Villa "Les Glycines" du négociant Charles Fernbach par l'architecte Emile André (1902-24) lors de la balade-guidée du "Parc de Saurupt" à Nancy, juillet 2022.
Fernbach et al.: Advantages of Pre-Registration of Study Design Guest Essay by Kip Hansen We recently saw on this blog a guest essay from Joel O’Bryan regarding a paper from Fernbach et al.
The Secret To Winning An Argument Is Ridiculously Simple
If you want to change someone's opinion, ask them how they would do something instead of why. The insight comes from University of Colorado psychologist Philip M. Fernbach in a paper with the telling title "Political Extremism Is Supported by an Illusion of...
READ MORE AT http://popi.st/1xyQ1FA
The cultural moment of the fin-de-siècle is defined by the diverse array of fetishistic fantasies that emerged in the art and literature of the modern era; only in embracing this 'new' fetishism emerging from the fringes of late nineteenth century society can we begin to classify fetishism in a non-traditional manner that does justice to its multiplicity. The concept of fetishism and its manifestations demonstrates a transformative ethos beyond the classical model; harbingers of the Decadent aesthetic, modern artists' fetishistic cultural fantasies complicated and disrupted the conventional model.
Amanda Fernbach, Fantasies of Fetishism: From Decadence to the Post Human (Brunswick: Rutgers University Press, 2002).