#ferragus

[dragons-daily]

the great (and terribly lazy) Ferragus Slackwyrm from @joshua-wright's webcomic

[questionablebaconator]

I saw @samael do a couple drawings of Ferragus from Slackwyrm all fat, so I decided to try it out myself.

Enjoy!

Ferragus (c) SlackWyrm

[thecountesstold]

René Navarre as Ferragus in Ferragus (1923) dir. Gaston Ravel

[librocubicularista]

When a cloud comes between two beings filled with affection for each other, that cloud, though it may disperse, leaves in those souls a trace of its passage. Either love gains a stronger life, as the earth after rain, or the shock still echoes like distant thunder through a cloudless sky. It is impossible to recover absolutely the former life; love will either increase or diminish

Honoré de Balzac

[cauteverum]

Cemil Meriç'in, Balzac'ın Ferragus adlı romanına yazdığı önsözden biyografik bir anekdot (İletişim Yayınları, Balzac, Ferragus, sayfa 12)

[prudencepaccard]

Man, I’ve really neglected Ferragus/Bourignard. Does he have any relationship with Vautrin? I know they don’t appear in any of the same novels, but...how can there be room for both of them in Restoration Paris?

Also, why does everyone keep referring to him as an ancien forçat when he escaped from his cadène and thus never actually spent any time in Toulon? I mean yes, technically he was a forçat since he was sentenced to travaux forcés and was on his way there—he’d gone through all the transformative afflictive and infamante stuff—but still, it’s kind of misleading. 

[coinywords]

To make a novel out of a city, to represent the streets and the various districts as dramatis personae, each one with a character in conflict with every other; to give life to human figures and situations as if they were spontaneous growths from the cobbles of the streets, or else protagonists in such dramatic contrast with them as to cause a whole string of disasters; to work in such a way that at every changing moment the true protagonist was the living city, its biological continuity, the monster that was Paris -- this is what Balzac felt impelled to do when he began to write Ferragus.

The Uses of Literature

Italo Calvino

[les-premiers-mots]

Il est dans Paris certaines rues déshonorées autant que peut l'être un homme coupable d'infamie ; puis il existe des rues nobles, puis des rues simplement honnêtes, puis de jeunes rues sur la moralité desquelles le public ne s'est pas encore formé d'opinion ; puis des rues assassines, des rues plus vieilles que de vieilles douairières ne sont vieilles, des rues estimables, des rues toujours propres, des rues toujours sales, des rues ouvrières, travailleuses, mercantiles. Enfin, les rues de Paris ont des qualités humaines, et nous impriment par leur physionomie certaines idées contre lesquelles nous sommes sans défense.

Honoré de Balzac, Histoire des Treize (t. 1: Ferragus)