As I was Moving Ahead Occasionally I saw Brief Glimpses of Beauty, 2000
🎥 Jonas Mekas

seen from Spain
seen from United States
seen from Spain
seen from Netherlands
seen from United States
seen from United States

seen from United Kingdom
seen from Maldives
seen from Russia
seen from Türkiye
seen from China
seen from United States
seen from United Kingdom

seen from Spain

seen from Spain

seen from France

seen from Croatia
seen from Spain
seen from New Zealand

seen from Argentina
As I was Moving Ahead Occasionally I saw Brief Glimpses of Beauty, 2000
🎥 Jonas Mekas
We are excited that NEW TEST 123 received HONOURABLE MENTION in the UK! Thank you Realtime International Film Festival (RTF) team for celebrating diversity in film! https://filmfreeway.com/REALTIMEFILMFESTIVAL More about NEW TEST 123: https://www.annegart.com/flammable-formula Support our films: https://www.patreon.com/annegart
"Uncle Boonmee Who Can Recall His Past Lives" (2010) directed by Apichatpong Weerasethakul
Dabartinis gyvenimas ir visos praeities ar ateities dovanos tėra prabėgantis šėšėlis, kuriantis santykį gamtos ir žmogaus sąlyčio metu.
Thanks to TriQuarterly for featuring my poetry-film Body With No Windows in the summer/fall 2017 issue!
Sarah Minor writes:
In “Body With No Windows” by Annelyse Gelman, “human faces have been elided,” first found and then lost. Here, the tensions between vocal annunciation and the sharp timing of archival clips showcase Gelman’s practiced hand at working in collage. A woman on camera walking alone becomes a mother holding a child’s hand just as suddenly as “the feeling that your body belongs to you” might go away. Gelman’s opening soundscape signals a kind of dread or apprehension. This tone is quickly disrupted by quotidian footage of sunbathers in crabgrass, yard dogs, and tandem swimmers curated from the Prelinger Archives. In a particular fleeting style that intermedia texts seem to capture best, Gelman asks us to recognize the uncanny that we only witness in the daily lives of others, that particular waiting “to be carried from what you cannot remember to what you cannot foresee.”
Fear Eats the Soul
Reminiscences of a Journey to Lithuania — Jonas Mekas, 1972
Cortometraje I: Cuando la muerte te hace regresar.
@_caraderisa 🌹 . #lowfiphotography #negativespace #outoffocus #filmgrain #filmaesthetic #analogaesthetic #filmart #artphotography #filmpoetry #atmosphericphoto #dreamy #moody #fineartphotography #filmfeed #analogcamera #analoguefilm #analoguephotography #filmphoto #cinematicfilm