Feb 14, 2025
Happy Valentine's Day! Here are some of my favorite love songs (or love song adjacent) from Off Book! Leave a like/comment on this video if you enjoy it :D
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Happy Valentine's Day! Here are some of my favorite love songs (or love song adjacent) from Off Book! Leave a like/comment on this video if you enjoy it :D
Lemon Citrus Hand Sanitizer 1 Gallon Bottle with Dispensing Pump - CDC Recommended Formulation- Fast Acting, Non-Sticky Hand Rub Gel - Gentle Cleaning & Wash Away Dirt
New Post has been published on https://hollywood.newonline.help/2021/03/14/lemon-citrus-hand-sanitizer-1-gallon-bottle-with-dispensing-pump-cdc-recommended-formulation-fast-acting-non-sticky-hand-rub-gel-gentle-cleaning-wash-away-dirt/
Lemon Citrus Hand Sanitizer 1 Gallon Bottle with Dispensing Pump - CDC Recommended Formulation- Fast Acting, Non-Sticky Hand Rub Gel - Gentle Cleaning & Wash Away Dirt
Price: (as of – Details)
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AS media Documentary, The Last Few Moments
This is my finished crime documentary, The Last Few Moments.
Here you have my final double page spread for my documentary ‘The Last Few Moments’. I made this using photoshop and have learnt many new skills on the software whilst producing this piece of work.
It’s finally here, ROYAL FLUSH (Plan B - She Said) Remake of the final video is here.
Final Submission:
After showcasing the photographs in the zine format, I also decided to make some large-scale prints of the photographs to present the viewer with a large depiction of the imagery instead of just the photographs perceived in the zine. I scaled the prints specifically at A3 to expose the prominence of the subjects depicted; elevating the overall interpretation from the factual informative information and emphasising the initial representations of the Trappist-1(f) to be exposed publically. Obstructing the truth of the image through, while simply presenting the photographs in a photojournalistic approach to the representation to appear truthful in relation to the context. I got the prints made in Barnsley at SpinPrints where I emailed Jon enquiring about the prints and he asked me to email him the high-resolution 300dpi files of the photographs wanted for print. I received the prints by the weekend of sending them off and they work effectively as large-scale representations to communicate the viewer of the context through the visual aesthetics. In the future, I attempt to publish the zine professionally to achieve a more professional presentation for the photographs, again to elevate the status of their depiction but to disseminate the information and the post-production issues analysed in the series, as contemporary society hosts the majority of post-production due to the digital age of easily accessible software's. Below, I have displayed a photograph of the overall sources for the visual outcomes corresponding to the essay.
Photograph of the A3 prints displayed and the zine.
[A sad Rikki Rikí with a green colour palette.]
I stayed up until 4 last night doing this, and it wasn’t even done then, so I spent an hour or so after my obligatory nine-hour circadian sleep finishing it up.
Honestly, I like how the jacket turned out.
Thematically, I was kind of inspired by this piece of @wildbeastontheloose‘s.
Sketched by hand; coloured in GIMP.
The palette is “Sour Apple Candy” by @color-palettes.
(References: screenshots from Glanni Glæpur í Latabæ.)