I hope you've enjoyed the photos. As always, please reblog on Tumblr (you can take down the photography rant part), retweet (part one, part two) on Twitter, do NOT crop or remove watermarks and give proper credits when sharing anywhere else. Thank you!
The rest of this post is a photography rant and though related to some of the photos above, if you're not particularly interested in how I take my photos and what I think about doing that, it might not be of the greatest interest. Thank you for your understanding. :)
Photography talk on filling the frame and telling the story
Photographing figure skating has given me some of the best memories that I have. However, I have always been told things like "fill the frame", "don't leave empty space here or there" and more than once I have found myself in situations where fulfilling those requirements was simply impossible due to the limitations that my distance from the ice and my lenses set on me.
Back at the 2015 Grand Prix Final I was photographing with a prime lens and anyone who has some photography knowledge should know, it does not zoom in. I was at a fixed focal length of 157mm equivalent and these shots had to be composed to somehow work without filling the frame (see my #GPFBarcelona tag for those photos). Getting those photos focused was another matter, as working with manual focus is no easy task but more on that sometime later.
When I went to Finlandia Trophy in 2016, I had a 70-200mm (105-300mm equiv.) zoom with me - a luxury I didn't have in any international events I photographed until then. It allowed me to fill the frame on numerous occasions without even reaching 200mm and it felt like I could finally get a step closer to what I really want to produce (though it remains in the works as one is hardly ever satisfied with their work).
But having photographed with a much more limiting equipment, I realised that filling the frame is not all that matters. As a photographer you do often strive to tell a story and that can't only be done by isolating your subjects, hence there was this occasion during the ladies short program where I zoomed out and captured Mao Asada in the background of those few people sitting on the other side of the arena. It's not according to the rules I've been hearing when I started photographing, yet that is the view I had that day and better than all other photos I had taken that day, it tells a story of what turned out to be the last short program I was going to see from Mao live.
Rules others have made might tell you one thing but whatever your gear, try to tell a story.