Friends, when I tell you I have been sitting on this bind for weeks.
(I have actually been sitting on three binds for weeks, eagerly awaiting their delivery to the intended recipients. I originally planned to finish these and take them with me to Chicago so they could be posted locally, but alas, I am not as fast at bookbinding as I thought. I have learned nothing from this. What I have learned is that UPS is very slow, and the UK post is very fast!)
Anyway! First up we have ...
From This Day Forward by @flawedamythyst
This one is a comfort read for me, and it was delightful to bind! It's a Regency Arranged Marriage AU (though it's in my notes as 'The Pride and Prejudice AU -- it has nothing to do with Pride and Prejudice), and my first bind over 100k words! It is also the first time that I've done individual pieces of art throughout the story instead of a consistent masterpage applied to each story page. The quote at the end is obviously Jane Austen.
I'm overall pretty happy with how this one came out, although as usual the HTV was finicky and annoying. I think that's the defining feature of HTV at this point. I made two copies - one for myself and one for the author.
The bookcloth and endpapers are both from Hollander's - Verona Lilac and a traditional Florentine in purple and olive (with gold accents!). All the art throughout the story was purchased on Etsy from various artists, as was the cover design. The HTV is a chameleon dark purple (I don't know the exact color -- it came in a pack), and gold and black foil.
Fourth square complete for @ficreadingchallenge - Soulmates
The Space Between by @flawedamythyst
6k | Teen | WinterHawk
Clint and Bucky have spent the last few months pretending that finding your soulmate doesn't change anything, even if they do have to make sure they touch often enough to avoid soulbond deprivation. It's just a medical condition, right? It doesn't have to mean anything unless they want it to.
And then Clint gets kidnapped.
What was your favorite book that has been out for a while, but you just now read?
Hmm, depends what you mean on being 'out for a while'... I don't really pay attention to what's new when I'm choosing books.
Both The Mask of Mirrors by M. A. Carrick (2021) and The Bone Ships by R. J. Barker (2019) I really loved and I've rated them both 4.75 stars. I'm not sure I could really choose between them favourite wise.
The Mask of Mirrors because it has so many vibes that I just love so much. Masked folk hero Robin Hood type. Cool renaissance Italy style setting. Con artist characters. Fantasy Tarot. Lots of masks and fun political manoeuvring. There are duels, buckles are swashed, there's a dark magical conspiracy. I've been trying to get the second one out of the library, but it's been checked out for the last 5 months. The 3rd in the series is available again, but not the 2nd.
The Bone Ships just absolutely pulled me in. I'm not massively into pirates/sailing stories, I like them fine, but it's not one of the things I will definitely read if I find it in the blurb, but it was great. Cool (and macabre) world building, lots of character growth. Found family, if they're not admitting it yet. I also loved the second book in the series. Haven't read the third yet.
We’re in the final furlong before the deadline for the first draft now, so it feels like a good time to talk about endings, and how to bring your story together to create a satisfactory one.
Have a read and then head over to the Discord Server where we have a channel for you to take part in a discussion based on the post, with chances to share your own ideas too.
How To End Your Story
There are traditionally six types of endings for a story:
Resolved ending - one with no lingering questions or loose ends. (Most murder mysteries and romances fall into this category.)
Unresolved ending - the kind of ending that leaves the reader with more questions than answers. (Usually for books that are part of a series. A lot of the HP books have endings like this.)
Expanded ending - expands the world of the story beyond the events of the narrative itself, with a time jump forward or a change in PoV.
Unexpected ending - a twist ending that the reader doesn’t see coming, but that should seem inevitable in hindsight.
Ambiguous ending - one that’s open to interpretation. Unlike an unresolved one, it leaves things to be interpreted by the reader so they have to decide themselves how it goes.
Tied ending - that brings the story full circle, and ends exactly where it began. Often the case for ‘Hero’s Journey’ type stories, where the hero ends up back home at the end.
You can read more about them here: https://boords.com/storytelling/how-to-end-a-story or here: https://www.masterclass.com/articles/ways-to-end-your-story but also in multiple other articles online just by Googling ‘Six Ways To End A Story’.
But, of course, they don’t really tell you how to work out which one your story needs, or how to write one of them without falling into any of the traps that ends with an unsatisfying ending.
Motivation
Of course, often the hardest bit with an ending is actually getting there. Losing motivation is so easy, especially when you’re writing something super-long. I know lots of people get motivation by posting as they go and using comments/kudos as a spur, or even just by talking about it on Tumblr or other places and letting other people’s excitement buoy them up, but a Bang event like WHOB doesn’t allow for that.
I’m going to talk a bit about ways to motivate yourself when you’re having to keep things secret from all but a handful of people, but bear in mind that this is something that really is very individual. Everyone writes for different reasons, and so everyone’s path to staying motivated is different.
For me, I think it comes down to focusing on why am I writing this story to start with? Any time I feel myself flagging, I think back to that reason and re-capture the original feeling I had about it. Often there’s a couple of different reasons.
For example, when I was writing Look What The Cat Dragged In, my motivations when I wrote the first line were:
I want all of fandom to share with me the image of the Winter Soldier waking Clint up to threaten him while gently cradling a kitten in his hands, and
I was writing it as a present for @kangofu-cb.
So, if I flagged at all, I was able to either reread that moment with Bucky holding the kitten and think ‘wow, I really do thing people will enjoy this mental image’, or I was able to think ‘I want my friend to have a nice thing’, and that helped me drive on and push through.
A lot of my personal motivations come down to ‘I want to share this scene/witty one-liner/visual of Clint pole dancing while dressed as Captain America with people’, so often just rereading what I’ve already done is really motivating for me, plus it also gives me the chance to see just how much I’ve already done, and what I would be dooming to be unfinished if I just walked away without pushing through.
You might well have different motivations though, which are equally valid. Maybe you started a fic for this event because you wanted to get a shiny badge, or to do something that your friends were doing, or you wanted to prove to yourself that you could write something longer than usual or outside of your usual wheelhouse. It may feel harder now than it did when you had that first idea, but that doesn’t change why you wanted to do it, and it’s actually easier now than it was when you started, because you’ve already done some of it.
And, if none of those motivations work for you, there’s always spite. ‘Oh, my brain gremlins think I can’t finish this? Fuck those guys, I’m going to prove those assholes so very, very wrong’ is completely how I powered through to finish my first ever novel-length fic, a million years and several fandoms ago.
Resolution vs Ending
So, let’s move on to the ending itself.
There are two parts to writing an ending: there’s the plot resolution and how that all gets tied up, and there’s the actual ending of the fic - the last scene, and the last place the reader sees the characters.
Sometimes the resolution happens only at the very end of a story and so those are the same thing, but I tend to think that makes things feel a bit abrupt. Especially for fics, which tend to be more character-driven than mainstream media and so need a wind down on how the characters react to the end of the plot for the reader. (This isn’t always true, of course, some plots do tie up neatly in the final scene. Every story is different and you’re the person best placed to judge what’s needed in your fic.)
So when you’re thinking about the ending, think about both parts. ‘How does this plot resolve itself?’ and ‘where do I want to leave these characters in the readers’ mind’s eye?’
Plotting a Story Resolution
You may well have already got a resolution worked out as part of your planning, but what if that ending doesn’t seem to fit any more, or you realise just as you get to it that you forgot to think about an ending at all and have no idea where to go?
First of all, don’t panic! If the rest of the story is there, you’ll be able to pull together the strands to create the best ending. Trust the bones of your story.
When I’m facing a blank page and no real idea of how I’m getting from the Depths of Despair moment to the happy ending, the first thing I do is reread the whole story in case that sparks a fantastic, fully-formed idea to appear on how to tie it all up. Mostly that doesn’t work, which is always disappointing, but it’s still a good place to start, because you have the whole run of the fic fresh in your head to plan from.
The next thing I do is make a list of all the things that I know definitely need to happen for the plot to be done. These don’t need to be in any particular order at this point and they don’t need to link up, you just need a list of what needs to go into the framework, however minor. ‘Clint wears Bucky’s hoodie and Bucky is smitten’ is a totally valid plot point to include, or even ‘include mention of recurring joke about muffins’. If you know something needs to be resolved but you don’t know how yet, just putting ‘resolve plot point with badgers’ is fine. Hopefully once you’ve started thinking through all the different bits, you’ll work out what’s going to happen to the badgers, and it’ll make sure you know it needs to be included somewhere.
If you have a beta/cheer reader who can help, it’s also super helpful to ask them what they would expect from the ending based on what they’ve read so far, or what elements from earlier in the story they think will be coming back/will turn out to be foreshadowing. Sometimes you’ll find you’ve written the clues to your ending into the earlier bits without really noticing, and you can throw them down on the list to be included as well.
Once you have everything you know needs to be included, you can shift them around into a rough order you think they need to go in, and start filling in the gaps. For example, if ‘Clint gets injured’ is there, you can add in ‘Bucky tends to his wounds’ as the obvious next step and maybe that would be a good time to throw in a muffin joke, and then Clint might need to borrow a hoodie if his shirt has blood on it, so you can tick those bits off as well.
It gets easier to see where the gaps are once you have it written out, even if it’s only things that you already knew would need to happen. Having it down in black and white helps your brain to move pieces around like a jigsaw puzzle, and start extrapolating on what comes in the gaps between.
Make The Ending Fit The Story
Think about what kind of story it’s been so far, and make sure that the ending you come up with fits in with it.
You’ll know the general feeling that you wanted for the fic when you started writing, so that will give you a solid idea on how the ending needs to go. (Often for me this feeling is ‘schmoopy and loved up’, because I’m a softie. A lot of what I’m doing when I’m writing a fic is just clearing out of the way any obstacles that are going to get in the way of my characters being schmoopy and loved up. When there’s nothing left in the way, that’s when I know it’s the end of the story.)
You also need to keep the tone and pacing of your fic the same, and make sure that your ending matches up so it all feels like it fits together. This includes keeping the pace the same as it had been, no matter how tempting it is to rush through so you can get the thing finished already, or slow right down so you can add in a few thousand more words.
Along with sticking to the tone you’ve set for the fic, try not to genre-shift - if you’ve written an action-packed zombie apocalypse fic, resolving the plot with domestic schmoop isn’t a great idea. The reader is invested in the style of story that you’ve written so far, so pulling the rug out on them will only give them whiplash, a vague sense of dissatisfaction or a persistent nagging feeling that zombies are about to attack.
Unless you’ve written a domestic schmoop zombie AU of course, in which case I would read the hell out of it. ‘Curtain!fic but sometimes the undead interrupt’ sounds like a lot of fun.
And finally, make sure you maintain your characterisation. If the ending you want involves your character doing something wildly out-of-character, then that’s not the right ending. (I like to call this an Endgame!Steve ending. No, I’m not over that.) Even if your audience is invested in your story enough to overlook the incongruence, they will be having to overlook it rather than feeling fully invested in the journey you’ve created.
Chekov’s Gun
The most satisfying endings are the ones that tie up most, if not all, of the loose ends, and provide an emotional pay-off equivalent to the build-up. If you’ve been talking about something big that might or might not happen, and then it doesn’t, it’s narratively frustrating. In the same way, if you drop something big in that doesn’t really fit with what went before, it’s going to make the story feel unbalanced.
Obviously that doesn’t mean you can’t have a surprise or twist ending but even if the reader is surprised by something happening, they still want to feel like they’re reading the same story. They need to look back with hindsight of knowing the twist and see how it fits in, and not how it stands out.
A good rule to follow is the Chekov’s Gun rule: If there’s a gun on the table in the first act, someone needs to shoot it in the second act. If you’ve been teasing something, make sure the pay-off is there.
And, of course, if someone’s going to be firing a gun at the end, go back and make sure it gets mentioned earlier in the story. It doesn’t need to be a heavy-handed anvil, but if you can drop in casual hints about guns earlier in the story, the whole thing feels more cohesive and thought out. No one needs to know that you only put those hints in after you’d finished the whole thing.
Loose Ends
Something I always like to do when I’m plotting exactly how the ending is going to go, is to go back through the whole fic and make a list of anything that feels like it could be a loose end if it didn’t get resolved. (If I’m having a problem working out my ending, often this happens at the same time as writing down all my ending plot points, as I described above.)
Some of those are obvious, like ‘Bucky and Clint need to kiss’, but some are less so. Did Clint think about how much he just wants to be done with all the drama so he can snuggle with his dog? Maybe throw in some Lucky cuddles somewhere in the finale so he gets the emotional pay-off. Has Bucky mentioned really want to punch a bad guy in particular in the face? Give him a chance to smack that asshole around a bit. Has there been a minor relationship drama along the way, like someone leaving their socks lying around? Have them either make a point of putting them away, or the other person just rolling their eyes and accepting it as a part of being with them.
It’s also important to think about where your secondary characters are going to end up, and if it feels like they’ve had an arc that needs resolving. Has there been another pairing with a bit of screen time or some background drama? Give them a chance to make out/make up. Has the bad guy done something that affected one of the other Avengers? Let them have a slice of revenge along the way.
For example, in my plan for Be All You Can Be, one of the original characters I introduced as other soldiers doing Basic Training, Havelka, didn’t turn up again after he’d been kicked back a level to another training unit. When I reread that, it became clear that he needed to prove himself somehow or his arc would be a depressing downward slope partially instigated by Clint and Bucky, so I brought him back at the end to do some First Aid and gave him a line or two to point to how his future was going to go, so the reader knew he was going to be okay.
You don’t have to completely resolve everything of course, and sometimes it is nice to leave a couple of things up to the reader’s imagination, but it’s nice for the reader if there’s a sense of things being tied up in a little bow.
Ending
So, you’ve resolved your plot, how are you going to handle the actual final ending?
Depending on how your story has gone, you might not need much after the resolution, or you may need several epilogue-y type scenes just to make sure everything is wrapped up.
Take a moment to think about what feeling you want the reader to take away from the fic. If it’s a romance, do you want to end with a warm fuzz of ‘aw cute’? If it’s been an angsty dig down into Clint or Bucky’s mental health issues, do you want a sense of optimism or catharsis? If there’s been a lot of action and drama, do you want a bit of peace and quiet for your characters to signal it’s all over with?
The best way to end any story is with a sense of hope, even if you’ve not gone for a completely happy ending, or have left yourself open for a sequel with some unresolved plot points. You want the reader to feel at least in some way uplifted. After all, regardless of whatever else has gone before, that’s the emotion they’ll have when they get faced with the Kudos button and the Comment box, so you need them in a good mood, right?
When you know what kind of feeling you want your ending to have, that will give you a major clue as to what the characters should be doing in the final scene.
One thing that can work well is bringing back something from the first scene or two and twisting it to be part of the ending. For example, at the beginning of Be All You Can Be Clint uses the song Make A Man Out Of You from Mulan as a way to torture Bucky, and then at the end, they watch the movie together while snuggling.
You do have to be careful not to be too heavy handed with that, and it doesn’t work in every fic, but I do like the feeling of ‘things coming full circle’ that you can get from doing it.
Afterglow vs. Too Much Ending
I always think that good stories come with a certain amount of ‘afterglow’: Just a scene or two to round things out and give a pointer towards the future.
For example, in general, I don’t like stories that end with a first kiss, which is one of several reasons I usually find Hollywood romcoms unsatisfying. It feels like too much of a beginning, and leaves too many questions open about how things are actually going to go for the couple in question. As part of a complete ending, it feels more satisfying to have an ‘epilogue’-y type scene afterwards that will give you a sense of how things went from there, even if it’s just a couple of paragraphs about them planning their first date.
I’m sure we can all think of other times we’ve read or watched something and had a moment of ‘oh, was that it?’ after the last sentence/when the credits rolled. Abrupt endings without a bit of afterglow can leave the reader blinking a little and wondering where their damn cuddles are.
That said, you also don’t want to go too far in the opposite direction. If the plot is over, there’s no need to keep going with multiple scenes of fluff or porn that doesn’t really add anything. We don’t need to see their whole lives mapped out, and it can get fairly dull once the tension of the plot is over. Ask yourself if the three chapters of them having sex on every flat surface in their apartment is actually necessary, or if some of them can be cut and used as one-shot sequel/missing scene fics.
In general if it’s not adding to either the narrative or emotional arcs, try to cap it at a scene or two. Just enough to feel like you’ve had a bit of post-climactic afterglow, but not so much that it’s starting to drag.
In Conclusion…
Ending a fic is, in so many ways, the most satisfying part of writing. You got right the way through your plot to the end! You did all the writing! Your characters made it through to their happy/sad/ambiguous endings! You deserve all the gold stars!
You just want your reader to feel the same way, by making sure the ending fits with what came before, ties up all the ends that need tying up, and leaves them with a deep glow of whatever feeling you want the overall story to convey.
And then you just need to do the editing, but that’s a workshop for another day...
