In Depth Headcanon Prompts; Set 1
♥ : Name one thing about the way their emotions work that they despise.
Foma's short temper is the bane of his existence. He absolutely loathes how quick he is to anger, and how fury seems to be the only emotion he truly feels--it is either apathy or anger, and thus he lives a very complicated existence in which he constantly seeks something that could make him feel a fuller range of emotions (such as art and taxidermy, or perhaps murder). But mostly, he just hates the anger bit. Because his anger is explosive and sudden, and it gets him into heaps of trouble when he can't reign it in.
☂ : Storms or clear skies?
He has no particular fondness for either kind of weather, but he prefers to work when the skies are clear and drive when it's raining. He used to watch rain on the side of his father's car window when he was very small, and he still enjoys doing so. Only now, he refuses to acknowledge it and insists that such a thing only brings back foul memories.
✖ : Describe a way to make them uneasy or apprehensive.
When someone he is unfamiliar with starts to speak Russian to him, he is almost immediately put on edge. His Russian heritage is something he tries to keep disconnected from, and thus, hearing someone else speak to him in a language he has mostly abandoned with confidence in him understanding it makes him feel like he's see-through. Also, he gets nervous when anyone who is renowned in the field of psychiatry or psychology stares at him. Again, the see-through thing. He's clearly got a very bad fear of being transparent.
♡ : Is there a certain scent that brings about nostalgia? If so, describe a memory this scent brings back.
The implication that he has any sentiment or affection for the past is something he refuses to acknowledge. As far as he's concerned, everything from his past is absolutely vile and not worth remembering up until he got into the BAU. But perhaps he can summon some kind of fondness for his time working with the Baltimore police if he's exposed to the smell of witch hazel.
One of his first cases took place in a greenhouse, where the bodies of two young women were found, bloody and naked, beneath a large witch hazel shrub. He spent a long, long time looking at those two women--one was beautiful, like an angel, catlike in the way her nose curved and her glossy eyes. The other was more like a dog, lean and athletic with the sort of wiriness about her that was reminiscent of a greyhound. Foma found it fascinating, and he ogled over the balance between the two women for many days. He almost felt bad for having to incriminate the artist behind it. There is a room dedicated to this case in his memory castle, and a taxidermy piece in his bedroom that resembles it--a small, faux witch hazel with a Greyhound and a Siamese cat arranged on either side in a 'yin-yang'-esque depiction.
This was his first exposure to murder as art, and he often longs to relive that moment, along with all the raw emotions it brought to life.