Almond, Apple, & Maple - pt. 1
Geralt of Rivia x modern fem!reader (upcoming NSFW)
Synopsis: When a strange young woman crashes into your kitchen and sends you tumbling through time and space, you find yourself transported to a new world - one of monsters, magic, and witchers.
Warnings: Descriptions of vomiting and nausea, as well as blood & severe injuries.
Word Count: 3.5k
A/N: Surprise! New Geralt series - someone please tell my brain to stop having long-winded ideas and relax? Anyway, as usual, this is the game version of Geralt and written accordingly. I'm very excited to get this story told, and I hope you all enjoy this first chapter! Comments and reblogs are extra appreciated <3
Theo is waiting when you arrive. You can see him from the porch, pacing back and forth in front of the window, the way he always does when it’s dark and you aren’t home. The sun’s just set, but with black clouds brimming the sky, you’d think it had gone to rest hours ago.
When he finally sees you, Theo lets out a meow that’s deafened by the glass and rubs his cheek against the windowpane, no doubt purring up a storm. It’s only been a few hours since you left, but you’ve missed him.
Despite your mile-long trudge through the snow and the way you’re sweating under your coat, your fingers are frozen. They fumble clumsily with your keys until the lock finally turns. Theo is immediately at your feet, nuzzling against your legs. He’s the only cat you know that doesn’t try to bolt when the door is open.
“Hey, bud,” you greet him, slightly out of breath. You slam the door shut and squat down, ignoring the protest in your thighs. The icicles of your fingers messily attempt to scratch behind his ears, but if Theo notices that you’re inept, he doesn’t seem to mind.
You’ve never been more grateful for the cans of cat food nestled safely in your inner coat pocket, clinking dully against your remaining seventeen cents. There’s maybe a dollar or two more of loose change that can be scrounged up under couch cushions and in pockets and loose drawers. If you’re lucky, you might find a few crumpled bills. For this week, at least, Theo will be fed. You can’t say the same for yourself.
The house is warm and quick to thaw you out, which means your fingers start working again within a few minutes. Once they’re functional, a can of soup serves as your dinner. Thankfully, the microwave is still working. You dump the soup into a bowl and let it heat, then get Theo’s dinner ready for him.
When he’s started eating - that’s when the day’s events finally hit you.
Exhaustion is at the front of it all, thick and heavy, like a two-ton chain on your shoulders. Behind it is defeat. Defeat is exhaustion too, but different. It pulls at you from within. It isn’t your aching body or cracked, dry hands, isn't a chain or a profound sense of guilt; it’s a tiny fire within you, threatening at any moment to go out. And the inclination to let it happen.
You stare numbly at the counter, knowing the fridge is empty, knowing you have only five cans of food left until you go hungry again. Knowing that none of the job interviews have called you back, and that it’s been too long to keep up hope.
Your hands start shaking and you want to cry, but no tears come. You’ve no doubt exhausted your supply - your eyes still feel puffy and sore from the cry you had earlier. Instead, a lump locks in your throat, and something pulls in your chest, and all at once, you’re not sure you have it in you to go on.
It’s Theo that you’re worried about, more than anything else. It’d be horrible, so horrible for you to dump him off at a shelter, but it’d be even worse to see him go hungry. You’d been hoping - are still hoping - that it wouldn’t come to that, but… you can only hope so much.
The shrill sound of the microwave rouses you from your lethargy and chain of thought. Food. The smell of the soup is heavenly, and it seeps life into you as you chug it down, spreading warmth throughout your chest. But before long, it’s finished. You’re left staring at the empty bowl, still hungry. Wanting to cry again.
Theo must sense that you’re upset, because he nuzzles against you and purrs louder than ever. No tears come, but they would if you had any left. Without him, there’s nothing but a hollow life of work - if you can even find it - and isolation. How can you possibly think about survival when there’s nothing to survive for?
“What am I going to do?” you ask aloud, swallowing hard. You rub your temples and your words ring out in the silence, as if some response might come. Nothing. Of course, nothing.
It feels wrong to be sitting still like this. More than ever, you should be doing something. Yes, you need to move. The water in the sink is ice-cold and won’t heat, but you scrub the dishes anyway and dry them. Clean the counters. Sweep the floor. Organize the cabinets.
These miniscule tasks keep you sane. They keep you from thinking.
Padding up to you, Theo stretches up and paws at your legs, clearly wanting to be held. You take him in your arms and hold him close, burying your face into his fur and kissing the soft little spot between his ears. He purrs louder and wriggles from your grip, making his way into your coat pocket and tucking himself into a comfortable position. He’s always been small, and likes being in there, for some reason. You hadn’t even realized you were still wearing the stupid coat.
There must be some way to keep him, right? Someone willing to watch him, just for a little while? But who? And how could you ever repay them?
A flash of sudden, searing light interrupts your thoughts.
It comes out of nowhere and instantly spreads through your kitchen, brighter than you can stand, a ghostly hue of green. Just as you’ve shut your eyes to block it out, something rams into your shoulder and knocks the wind out of you.
Your arm instinctively wraps in front of Theo as you stumble back. Your ribs burn with a hot, throbbing pain, and you search for breath that doesn’t come - gasping airlessly, sweat trickling down your neck until you finally taste oxygen. Oh, and your shoulder is jammed and aching too, but it’s clearly the least of your worries, because the room has started spinning.
This is no gentle turn, no light sway of the ocean. It’s vertigo. The world is coming apart. You can see nothing but a black void as reality breaks at the seams and drags you with it. Nausea and disorientation wash over you until it’s all you can do to hold on to your dinner; hot, stinging bile in your throat, aching ribs. It hurts to breathe. Your knees buckle and legs crumple until you hit what should be hard ground, but it’s nothing. You’re falling. Theo starts wailing and digs his claws into your chest.
You’re on the sea, crashing in the thunderous waves, taking in mouthfuls of the salty water and coughing it back out - sinuses burning. You’re in an earthquake, gravel rattling beneath your hands like the ground might collapse under you, swallow you whole.
You’re in soft grass, crawling on all fours, not knowing what’s real and what’s not. Your head throbs in rhythm with your heart and your body feels like it’s closing in on itself, compressing, bones bending. And all at once, it stops.
You immediately lose your dinner.
Thick, burning acid climbs up your throat again and again until you’re left retching, stomach churning. Theo meows fitfully in your coat, but you can’t move to let him out. With how hard you’re shaking, it’s hard to do anything but collapse onto your side. Then he finally worms his way out of your pocket and sits on your chest, wailing some more.
The bright light hasn’t faded, and you blink a few times and squint until you finally realize it’s the sun. Warm, golden light is shining down on you. Which would be lovely, if it wasn’t seven o’clock at night and the middle of winter. You’re dry, too, so your memories of the ocean clearly weren’t real.
I must have hit my head, you think. Exhaustion must have gotten the best of you, and you’d collapsed, hit your head, and hallucinated all of this. But when you finally gain the strength to sit up, setting Theo at your side, your thoughts stall in place.
There’s a young, ashen-haired woman lying unconscious next to you, and a wound on her abdomen is oozing blood. At first, she doesn’t seem real. But she’s warm when you lay a hand on her arm, and the ground has stopped spinning, so you figure she is. And she’s hurt.
Your hands move of their own accord, twitching, knowing that you should do something to help but not knowing what. In medical terms, you’re mostly clueless. Thankfully, when you carefully lift her shirt up from the abdomen, the wound doesn’t seem very deep. There’s bruising there too, deep violet blooming around her navel, but it’s her head that’s really scaring you.
On her temple is a swollen lump, not bleeding much - but it’s the internal damage that you worry about. Sure, you’d been trained in CPR when you were younger, but you have no idea how to treat an injury like this. The first thing you do is make sure she’s breathing. Then you find her pulse, strong and even under your fingers. Those things encourage you.
You know that you should stop the bleeding, too. Clean the wound. Unfortunately, the only possessions you have at the moment are your coat and the seventeen cents left in the inner pocket. And Theo. Not exactly suited for fixing this sort of thing.
Her clothes are… strange. They almost look like a costume, if the leather didn’t look so real, so meticulously fitted. And she has two swords at her back, though she’s clearly not in any position to use them. Not important, you chide yourself. The number of questions you have about what just happened is only growing and growing. But you can deal with those once she’s been treated.
Your gaze catches a pouch on the girl’s belt, and you pull it open and lay out her things, muttering an apology under your breath for invading her privacy. Inside are a handful of strange-looking coins, a vial or two of substances you don’t recognize, and a roll of cotton bandages. When you open the vials and give them a whiff, both are their own disgusting, putrid odor, and neither are identifiable. Shuddering at the smell, you replace their corks and return them to the pouch. Which leaves only the bandages.
As cautiously as you can, you wrap them around her abdomen in an effort to stop the bleeding. It seems to staunch the blood flow. Somewhat. You don’t dare to move her or touch her head - nothing to be done about that here without the risk of making it worse. So you stand up with still-shaking legs and take stock of your surroundings.
Green fields. As far as the eye can see, there are green fields with blooming wildflowers and bees buzzing from one spot to the next. Birds chirp in the distance, a bubbling stream lies about twenty feet away, and the sun is warmer than ever. If you didn’t know better, you’d think it was spring. You have to take off your coat and tie it around your waist to ward off the growing heat.
There’s some form of wooden shack on the horizon, but you don’t feel right leaving the woman alone. Still, isn’t it better to get her some help? Should you be trying to wake her up? After a moment’s hesitation, you give her shoulder a slight shake, and she stirs. Another shake rouses her completely.
She flinches and sits up with a start - halting the action with a pained yelp as she cradles an arm around her stomach, grimacing. Finally, her green eyes, so bright they almost appear to be glowing, land on you. “Wh-where am I?” she asks faintly, sounding as if she’s not quite conscious. “Who are you?”
Good questions, you think. But you have so few answers.
“I have no idea where we are,” you start. “This place just… appeared. I was in my kitchen, and - then I was here.” It’s a pathetic explanation, but it’s what you have. After a pause, you give her your name, too. You want to say more, but your mouth closes on its own. You don’t know what just happened, and you’re in no position to explain it.
“I see,” she says, voice tinged with effort as she straightens up. Her gaze lands on Theo, calmly laying beside you, and her lips quirk into a small smile - contrasting ghastly with her greying skin. “And who is this little one?” she asks.
“This is Theo,” you answer softly.
“Ciri,” she reveals. “I’m… Ciri. I’d say it’s nice to meet you both, but...” She trails off, shaking her head. The movement sends blood trickling from her temple down her cheek. “It seems I’m a little worse for wear at the moment,” she lightly remarks, though her tone can’t hide the exhaustion, the dark circles under her eyes. “Help me up?”
It’s easier said than done.
You manage to get her standing and haul her arm over your shoulder as support, but she’s stumbling rather than walking. The sun is scorching hot and merciless, and you find yourself immediately missing the snow. You can’t stop here.
The grey shade of Ciri’s skin gets worse and worse the further on you go. Her steps get progressively clumsier too, like her legs have started to spasm. Finally, her knees simply give out and she collapses, panting as she plants her gloved hands on the grass. The shack isn’t far now, but she’s bled through her bandages. It seems the wound was worse than you thought. At least Theo is obediently following behind the two of you, and seems to be enjoying this strange adventure.
“Only a little further,” you tell Ciri, even though you’re shaking with overextension and every inch of you hurts. Even though you know in your gut what the odds against her are.
She nods, gritting her teeth in determination, so you prop your shoulder under her arm and help her up. It’s worse this time. She’s a dead weight. You’re practically dragging her. But something anxious - manic, even - buzzes under your skin, fills your breath, surges strength to leadened muscles. Your thoughts trip over one another again and again until you find the word. Adrenaline. It’s the only reason you’re still walking.
The two of you have just made it through the door of the shack when she collapses again, tilting her head back against the wall as she gulps in air, pressing her hand against her abdomen.
You’re suddenly overtaken by the fear that she’ll die and leave you here alone. That you’ll be left with a corpse, a hollow, rotting shell of a girl you barely know. You want to ask her if she has any last wishes, if there’s anything you can do. But, seeing as she clearly hasn’t given up on life yet, it seems cruel to start bringing up death.
Instead, your hands, forever busy, start rummaging through the shack’s cabinets and drawers. You find a few small treasures: a bottle of spirit, some dried fruit and meat, and a length of clean (or, at least, it looks clean) cloth. You don’t waste a moment before returning to Ciri, undoing her blood-soaked bandages to press the cloth against the wound.
She softly cries out as you apply pressure, but makes no move to stop you. Her body lies limp as you work. Then you secure the cloth with the old bandages, tying them as tight as you dare. Her stomach is still bruised, after all, and she’s clearly in pain. At least her face looks less grey now. A little.
“Well, well. What’ve you got there?” she asks, her gaze turning toward the floor, where your newly-found treasures lie.
“Some kind of spirit, I think,” you tell her, picking up the bottle and examining it.
“Give it here?”
You hand it over without hesitance. She bites off the cork, spits it on the floor, and takes a whiff of the liquid inside. Finding it acceptable, she downs a large swig and tilts her head back again, sighing in relief. Yes, she’s definitely less grey now.
She can’t be very old. What happened to her? Who did this to her? You’re suddenly filled with blind anger. A helplessness that you can’t do more, can’t even comfort her. Theo must be sharing your line of thought, because he crawls onto her lap and starts purring, tucking himself into a circle.
“Thank you very much, Theo,” she says weakly, petting his back. She takes another swig from the bottle, then closes her eyes. You linger near the window, fighting the urge to pace around the room. You’re just about to ask her what happened to her when the rapid sound of hoofbeats approaches.
“Ciri!” a voice calls. Deep - coarse. Warm. The hair on your neck stands up at the sound of it. From fear or anticipation, you don’t know.
“In here,” she responds. She doesn’t bother yelling, just speaks the words as if they’re meant for you. You doubt whoever it is out there can hear her, but he comes inside anyway, bursting through the door like he’s afraid it won’t open.
You immediately gape at the sight of him, thoughts conflicting. This stranger, he’s tall, and broad, and beautiful. And a little scary. You should be afraid of him. He clearly thinks you hurt Ciri, from his expression. You should move, or explain, but you can’t. You just stare at him.
He stalls at the doorway, taking in the sight of her with wide eyes, looking almost pained. You can’t tell what color they are - his eyes - but as they rake over the extent of her wounds, something hardens in his gaze. Then it turns to you. He takes a slow step forward, muscles pulled tense like he’s waiting for a fight, watching you the way one watches a venomous snake. Do you imagine the way his hand instinctively twitches toward his blade?
“Geralt,” Ciri says, sounding immensely relieved. “It’s alright. She helped me.”
At her words, he instantly relaxes, gaze turning away from you as he steps over to Ciri and squats down at her side. Your head’s begun spinning again.
“Geralt, is that Ciri?” a distorted, cool-toned voice asks. “Is she there?” The words seem to have come from the air - you can’t see a source for this new speaker. Then Geralt pulls out a small metal box from his belt and holds it up toward his mouth. Like a phone.
“She’s here.”
The response comes through the box again. “Don’t move.” And, apparently, the voice doesn’t wait for an answer. Ten seconds later, a swirling circle of light appears in the midst of the room and a dark-haired woman walks out of it.
“Ciri,” she murmurs, going pale. The word is half relief, half fear, and her voice is much clearer now that it isn’t coming from the strange box. She kneels at Ciri’s side, tucking bloodied hair out of her face. “Come with me,” she says. “We must get you out of here, get you somewhere safe.”
“Not going to argue with that,” Ciri says, attempting a laugh. The sound cuts off in pain. The dark-haired woman purses her lips, then helps her to her feet, half-carrying Ciri the way you did. The two of them walk toward the swirling circle of light together, and you watch them helplessly - not knowing if you should say something.
At the last moment, just before they’ve entered, Ciri angles herself toward you. “Wait - I forgot to thank you for your help,” she says. “You may have just saved my life. I can’t repay you at the moment, but… thank you.”
Frozen, you simply nod in response, watching as the two of them step into the light together. Ciri’s words swirl through your mind restlessly. There’s a flash, then both of them are simply gone. Vanished into the air. And, a moment later, the circle fades.
Leaving you and Geralt alone.
You stare at him across the room, and he stares back at you, looking even more confused than you feel. You’ve seen a fair amount of insanity in your life, but never anything like this. You can’t even begin to process what you’ve just seen. And, funnily enough, you’ve never felt more alone in your life, even with his company.
Now that Ciri isn’t here, you can take in the sight of him fully. Dark leather armor, snow-white hair, and two swords strung on his back. Like Ciri.
If you didn’t know better, you’d think they were wearing costumes. But Ciri’s blood is much too real on your hands, and so is this… weird, fucked reality that you’re in, sunny when it should be winter, daytime when it should be night, you have no idea where you are, and - fuck. What the hell is happening?
Your feet move to take a step toward the table - to sit down, think all of this over. But something strange happens when you move. Your body starts shuddering and the ground below you suddenly feels unstable. Your head throbs and your legs feel strangely light. Instead of taking a step toward the table, your knees tumble out from under you.
Or they would have. If Geralt hadn’t caught you.
tags:
@henryownsme @madamemelancholysstuff @fullmoonshadowwrites @darkscrossfire @beforethepen @julijal @ailynyan @ivuravix
(So sorry if you didn't want to be tagged! If you’d only like to be tagged for my other series, Accismus, please let me know and I'll happily fix that for future works ❤️)
