#genesys

[alphamecha-mkii]

Twilight Imperium RPG - War for the Throne Cover Art

[sticksandsharks]

ttrpg blorbos

we're going onto year 2 of this game, playing as a group of peasants who discover magic. shenanigans continue ensuing.

there’s names and some extra character descriptions in the ALT text!

[raurquiz]

#HappyBirthday @jaicourtney #jaicourtney #actor #Spartacus #bloodandsand #divergent #insurgent #felony #terminator #genesys #suicidequad #theexception #stormboy #semperfi #jolt #catchingdust #kaleidoscope #dangerousanimals #thefox #americanprimeval #warmachine @hbomaxlat

[escapethemorg]

Yet again chewing on the idea of a ttrpg system where the only five stats are yellow bile, black bile, blood, phlegm, and neoplasm, and realized a way to do a poor women’s Genesys:

Roll D6 pool, 5-6 is successes, and 1s are complications regardless of if you succeed or fail, and maybe complications are tied to how much XP you get

Also playing around with the idea of whatever class uses neoplasm being able to fuck with or absorb complications, maybe even stealing XP from other players

A marriage of WoD and Genesys my beloveds, whom I have divorced, I miss the sound of dice pools so, I think of you two on cold nights and warm ones and when I see a fog bank

[lillabeast]

Sorry for the long time with no posts but I recently moved!

Nothing I’ve really been drawing is anything worth posting but I do have a couple of sketches folks might be interested in?

Our pathfinder gm is teaching three of us a new system called genesys, and we made au versions of our characters in the pathfinder game- so here’s Ingo!

His backstory is that he is a changeling that failed to replace emmet and was then taken in and raised as emmet’s twin, though the truth of what he is wasn’t hidden from him. But it wasn’t demonized either and his parents loved him dearly.

However doing his own research on changelings, he started to think of himself as a parasite, and then turned to the magics of nature- trying to replace the otherworldly magick that makes him with something from “the natural world”

It fails, and only ends up warping him.

Now bearing a curse that causes him to become almost “mindless” and violent when under too much strain, he ran away from home to try and find a way to manage his new life, surrounded by adventurers he hopes can keep everyone around them safe from him.

He writes his family letters, and is going to find a way for them to send him letters back due to the group never being in one place for too long…

emmet doesn’t know what he’d write him. All he can think to say is to beg him to come home. To let them help.

Design Under cut cuz. Body horror. But if folks wanna know more about him I’d love to share- I do plan on cleaning up the second drawing more cuz I’m proud of it!

[haveyouplayedthisttrpg]

Have you played GENESYS ?

By Fantasy Flight Games

Universal game system which uses narrative dice, rather than standard rpg dice. Similar to the Star Wars RPG, also created by Fantasy Flight Games, Genesys is the generic version of that system. While the base book can be easily adapted into any setting, there are additional books, Realms of Terrinoth and Android: Shadow of the Beanstalk, which provide additional information for Fantasy and Cyberpunk campaigns respectively. Many tools for the system are easily available online, including character sheets, dice rollers for the narrative dice, and a discord bot which connects to your character sheet/dice rolls and adds everything up for you to generate your result.

Have you played ?

Yes i have played it

No but I've read it

No but I've heard of it

Never heard of it

Voting ended onSep 17, 2025

[play-genesys]

"Yes, and... No, but..."

You just rolled a skill check. The dice are on the table. Now what?

If you’ve ever done improv, you already know how to play Genesys. If you haven’t, the system will show you the way.

Most rolls land in one of four familiar storytelling beats:

Yes, and… (Success with Advantage). You get what you wanted, and the situation tilts in your favor.

Yes, but… (Success with Threat). You accomplish the goal, but the situation pushes back.

No, but… (Failure with Advantage). You miss the immediate objective, but gain an opportunity.

No, and… (Failure with Threat). You fall short, and the situation gets worse.

The narrative dice answer two questions at the same time: Did your character accomplish what they were trying to do? And what else happened because they tried? Success and Failure answer the first. Advantage and Threat answer the second. That split means you’re never staring at a binary outcome wondering how to make it interesting.

Suppose your hacker tries to bypass a security door while guards patrol nearby. They roll Success with Threat. The door opens. Success told us they bypassed it. But the panel sparks and the security system logs the intrusion. Threat pulled from context you already established: there are guards, there is a security system, and now those things matter.

Same scenario, but Failure with Advantage. The door stays locked (Failure). But while working the panel, the hacker spots a maintenance tunnel the blueprints never mentioned. Advantage pulled from the environment: you’re in a building, buildings have infrastructure, and now that infrastructure becomes an opportunity.

While Advantage and Threat pull from context you already established, Triumph and Despair create context by introducing new facts, details, or complications into the scene.

Your diplomat rolls a social check; Success with a Triumph. The result doesn’t mean they negotiated really well. The Triumph means something unexpected just entered the scene. Maybe they learned the noble’s dark secret. Maybe an ally they didn’t know they had just stepped forward. Maybe the entire political situation shifted in a way nobody saw coming, not even you, the GM.

Despair works the same way in reverse. This time, the diplomat rolls Success with a Despair. Maybe the noble’s liege just walked in and heard everything. Maybe their confidant turns out to be feeding information to your enemies. Or the PC just accidentally revealed who sent them, and that faction has history here. Despair doesn’t automatically mean a failed negotiation—it introduces complications that weren’t on the table before the dice hit.

Look to the fiction for your answers. If you’re staring at Advantage and thinking “I have no idea what that does,” you either rolled for something that didn’t matter—which means you shouldn’t have rolled in the first place—or you didn’t frame the scene clearly before asking for dice.

You’re riding to join a cavalry charge. Your horse bolted without you. You vault onto the saddle mid-sprint—a Hard Coordination check. You roll Success with Advantage and a Despair.

Most players shout the result and wait for the GM to adjudicate. But you already know what Success means: you made it onto the horse. The Advantage? You already established the goal: join the charge. So finish the story! “I grab the saddle strap, swing up, and take aim at one of the riders.” Then the Despair hits and the GM says, “As you crest the ridge, you see the full enemy force: not the dozen riders you expected, but forty.” The GM didn’t plan this. The dice just told everyone at the table that this fight is bigger than anyone thought.

The active player already described what their character wants to do. Let them finish the story they started. You know where the character is, what the environment looks like, and what’s working against them. The dice just show you which version happens.

In improv, ‘yes, and’ means building on what your scene partner established. Genesys does the same thing: the players set the scene, the dice reflect the fiction, and everyone at the table gets to shape the story.