[Puppet History] The Great Molasses Flood (x)
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[Puppet History] The Great Molasses Flood (x)
I WAS RIGHT ABOUT THE FUCKING GENIE LORE GUYS
In my own words, from my world renowned posts about the genie lore:
"But, the Professor also mentioned that the Genie actually meddles with history, and tries to get the puppet in trouble for stuff he didn’t do. This begs the question; why would the Genie resort to a relatively harmless source of mischief to target the Professor, instead of just taking whatever is owed to him? This almost implies that whatever it is the Professor owes the Genie has to be given willingly. Hence, why the Genie is making his life 'a living hell'."
"We also get the confirmation that the Professor’s time machine resides inside his satchel, since he uses something in there to escape the Genie in Boston."
WHAT'S IN HIS SATCHEL?? JELLYBEANS! WHO TOOK THE LAST JELLYBEAN?? RYAN. RYAN DID. RYAN DOOMED THE PROFESSOR, MAKING HIM TOO WEAK TO TRAVEL AWAY, TOO WEAK TO RESIST ASMODEUS.
THE FUCKING FORESHADOWING OF IT ALL.
Ep 4: Nish Kumar (Christmas Special), 2:40
E: Merry Christmas. N: Merry Nish-mas. J: [genie noises] E: What was that? J: Me appearing. N: ... Is that Christmas-y? You appearing suddenly? J: [small] Yeah? I’m a genie. N: Are y—wha—a Christmas genie? J: Yeah, a Christmas genie. That’s why I’m covered in tinsel right now. E: I’m glad I’ve got Nish here now, because me and Nish will very much occupy the same brain space on this, I can just take a break and let Nish have a go at you for deciding to be a genie. Let alone a Christmas genie, which is not a thing! N: Also—I’ve, I’ve very much added “Christmas” genie, to try and rationalize what he could possibly be doing. J: Yeah. E: No, he’s a genie waiter in this podcast. J: Yes! N: [laughing] Alright, okay. J: A genie waiter in this podcast, and now I’m a Christmas genie waiter. E: What makes you a Christmas genie? J: I’m—covered in tinsel, I’ve got a Santa hat on, E: Yeah, [laughing] J: and I came out of a stocking. E: Came out of a stocking,— [laughing] N: Someone rubbed a stocking and you came out. J: Someone rubbed a stocking and I came out of it. E: Hooh. [small] It doesn’t happen when I rub a stocking. J: Y—Yeah? [laughing] E: [laughing] J: ... Very blue early doors. N: Very blue early doors! E: Ay, come on. N: Can I just ask, you have the stocking over your dick, is that what you’re implying? E: No, that has to be—[outside noises] sorry, they’re having a fucking Christmas party outside. N: [laughing] J: Mum and dad have arrived for Christmas. E: [laughing] Oh no, they’ve caught me rubbing a stocking! J: It’s not what it looks like! It’s not what it looks like! N: I was tryin’ to fuck it! J: I was trying to push the presents in deeper! E: I was wearing the stocking just imagining that my leg was a lady’s leg!
Ep 9: Selasi Gbormittah, 56:38
J: Yeah, next door, there’s a church—the vicar’s a genie, not me— E: The vicar’s a genie? J: Yeah. E: Why does the vicar have to be a genie? J: It’s—the person who runs the church, he has to be a genie, E: I think that’d be too fleshy for a vicar, ’cause you’ve—you’re already in there praying to god, aren’t you? The—why would the vicar be running around like a genie? That’s— J: Mm? Well. E: Genies—genies are pretty holy, right? J: So god is a genie. Is that what you’re saying? E: Well god is—a genie’s a type of god, isn’t it. J: So you would rather that—god is a genie, and, uh, E: And—and life is a dance floor. J: God is a genie, life is a dance floor. E: [laughing silently] J: Life is a roller-coaster, and I’m gonna ride it.
Ep 14: Jack McBrayer, 18:54
J: That is very lucky. All I think about—because all my favourite stuff is unhealthy. I love it so much, I love chocolate and ice cream, it’s all I would eat if it was—if it was okay and allowed. E: Yeah, James eats like a bin. Like, as soon as you hit 40, it’s gonna be a nightmare. J: Yeah. JM: Except that you’re a genie. E: [laughing] Oh, yes, J: Yeah. So— JM: Just wish it away. J: —none of it has any effect on me. E: Sorry guys, I stepped outside the scene. J: Yeah. Thank you, Jack. E: [laughing] J: You know what? It feels good to have a guest who knows me better than my co-host does.
The Professor and The Genie: A Full Breakdown
Welcome one and all to A Comprehensive List of All The Genie Lore In Puppet History, With Theories. If you aren’t familiar with what I’m talking about, go watch all of Puppet History made by @wearewatcher on YouTube and come right back here. No dilly-dallying. For those of you who are, you’re probably also aware of the recurring character of The Genie on the show, whose role has been the subject of much speculation among the show’s audience. I couldn’t find a compilation of references/ theories, so I made one!
The show, which tells somewhat obscure stories from throughout history, accompanied by a special guest each episode and a musical number at the end of each tale, is hosted by The Professor, a little fuzzy blue puppet, who commonly references The Genie, with whom he holds a deep-rooted grudge. I will be going through all the existing information on this guy so far, and discussing a few theories as to what all this is about. It’s like my very own BuzzFeed Unsolved except I’m just one very bored person with way too much time on her hands.
Ep 11: Krishnan Guru-Murthy, 8:34
J: If you’re the manager of the restaurant, does that mean you’re my—boss? E: I own—I own the lamp. Yeah. J: So you’re the one who gets to—make a wish and set me free? If, if that— E: Yeah, if I wanted to do that, I could set you free. I found the lamp in a bric-a-brac shop. J: Ooh. E: Yeah. J: [sounding hopeful] In Kilkenny? E: Y— [laughing] Sure. Why not?
Ep 1: Scroobius Pip, 2:20
J: Well the waiter is, it’s—it’s more of a passion thing. E: [laughing] J: It’s my passion. E: So this is not—this is not anything you’re being paid for. J: No, I do it for the love. That’s why I like chatting as well. E: Does the imaginary restaurant that you’re working in― J: Yes. E: ―know that you’re working there? Have you applied to work there or have you just turned up in a little waiter’s uniform? J: I like to think that like—it’s almost like I’m—I’m a genie. And like the― E: A genie? J: Yeah, but the whole restaurant— E: I’ve—okay, I think it’s confusing enough that you’re pretending to be a waiter in our pretty laid-back food chat podcast, J: Yep. E: With a loose structure of favourite starter, main, side, dessert. J: Yes. E: You can’t also be a genie. J: But like if the—but it’s a magical restaurant. Because they have to—because they are able to order food from any time in their life, from any time they had it, and like, you know, it’d be one of those things where like, if it was a film, E: Yeah. J: In the film, you know, I would just appear like I’m the waiter. And then they will realise there’s something magical about the restaurant and then they’d realise that actually I’m the only member of staff there. E: Right. J: And the whole thing is just magic and I’m a genie who created the restaurant. E: … Do you see what I’m saying when I’m telling you that that seems like you’re overcomplicating it?