#geometric forms

[miamaimania]

La Muralla Roja & Xanadu, Calpe, Spain ⏢ Ricardo Bofill · image © Ricardo Bofill

[ramonasphotos]

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[rrrauschen]

Sky David (Dennis Pies), {1973} Aura Corona

[sheltiechicago]

“The Gaze” (2021), acrylic on canvas, 48 x 36 inches.

Architectural Silhouettes Play With Perspective in Patrick Akpojotor’s Fragmented Portraits

Combining a love for African masks and the people and buildings of his hometown of Lagos, Nigeria, Patrick Akpojotor (previously) merges the figurative details of faces, shoulders, and arms with the geometric forms of hallways, doors, and staircases.

All images © Patrick Akpojotor

“Oga boss” (2020), acrylic on canvas, 48 x 36 inches

“GIRL WITH RED RIBBON V (Reproduced)” (2022)

Left: “Meeting Point” (2022), Autobase coated steel, 40 x 46 x 25 centimeters. Right: “Step to The Infinite (iii)” (2022), acrylic on canvas, 122 x 91 centimeters

[my-kelde]

Frank Sinatra. Pastel Squares, 1987.

oil on canvas

[ein-bleistift-und-radiergummi]

George Rickey ‘Constructivist Tendencies’ 1970.

(Original print via eBay)

[philamuseum]

Op artists like Edna Andrade were interested in the psychology of perception, using color juxtapositions and mostly geometric forms to create visually ambiguous works that suggest movement. "Hot Blocks" engages our awareness of the act of seeing with a dynamic illusion composed of 3D hexagons in black, white, and gray. "Hot Blocks," 1966–67, by Edna Andrade © Estate of Edna Andrade 

[svenson777]

Torquigener