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For the 10th Anniversary of Sherlock BBC (July 2010) the Royal Mail released a lovely collection of six stamps, that display key characters from several episodes of the TV show, as well as hidden messages only revealed under UV light. (X)

I took a closer look at those stamps in the Anatomy of a Stamp Series: A Study in Pink The Great Game A Scandal in Belgravia The Reichenbach Fall The Empty Hearse The Final Problem

Alongside those stamps and in partnership with The Royal Mint (X), a special medal has been crafted as well to ‘celebrate Sherlock’s genius – and his nemesis’ ... to explore Sherlock’s ‘turbulent relationship with arch-rival Moriarty’ as the description says.

A little sideways glance at that medal and the collage of images with which it is surrounded couldn’t be wrong, I thought. :)

TBC below the cut .....

That anniversary medal is available in two versios (cupro-nickel&sterling-silver) and it displays:

on one side - Moriarty’s message ‘Get Sherlock’, the note he carved on the Crown Jewel glass case in TRF, to invite Sherlock to play his game

on the obverse side - ‘The Game is on’, which is meant to be Sherlock’s modern take on the literary version ‘The Game is afoot’

James Moriarty is known to be the famous archenemy of Sherlock Holmes. Contrary to canon, Sherlock BBC introduced that character already in the first episode A Study in Pink and Jim commits suicide (alongside Sherlock) in the sixth episode of the story, which consists of 13 so far. According to canon, Sherlock fakes his suicide and comes back after his hiatus. Although Jim is considered to be really dead for years by now, notes and messages of the character turn up repeatedly on various data carriers ... electronic as well as paper.

Interestingly, it has been chosen for the 10th anniversary of Sherlock BBC to create fan memorabilia which focuses mainly on the confontration between Sherlock and Jim, whose life ended rather quickly at Bart’s roof in The Reichenbach Fall. A great honour for a character who is long dead and seems to be irrelevant for the ongoing story of this adaptation, in which another character - Mary - married John and shot Sherlock and therefore became a sort of new archenemy. Nonetheless, not only every stamp is - in one way or another - linked to Jim Moriarty, the medal and the collage of images with which it is surrounded, displays also mainly text messages connected to Sherlock’s (in)famous nemesis Jim Moriarty.

Here’s a summery of those texts + the corresponding screenshots in the episodes. It surprised me though, that I couldn’t match all of them. There are some interesting exceptions. First the obvious ones:

A Study in Pink

Two images have been used to create this manip for the medal collage. Both are visible thoughts out of Sherlock’s mind palace. And both screenshots don’t turn up side by side. Sherlock’s entire thinking process lies between them. Jeff Hope, the man who killed the lady in pink had been sponsored by Jim Moriarty.

RACHE German (n.) revenge

The correct letter settles into place ... Rachel

He squats down beside the body .... wet

He reaches into her coat pockets and finds the umbrella ... dry

He moves up to the collar of her coat ... wet

He inspects the delicate gold bracelet on her left wrist ... clean

... then the gold earring attached to her left ear ... clean

... and then the gold chain around her neck ... clean

The wedding ring ... dirty

Conclusions appear in front of Sherlock’s eyes ... married ... unhappily married ... unhappily married 10+ years

While the outside of the wedding ring is still showing ... dirty

the inside registers as ... clean

Sherlock has reached a conclusion ... regularly removed

The final deduction about her ... serial adulterer

The Great Game

Three different scenes from this episode have been used for the collage. Two are connected to a serial killer called The Golem, who asphyxiates his victims. One is directly connected to Jim Moriarty, who has planned all the cases in TGG.

1- The Golem killed Alex Woodbridge, security guard and hobby stargazer. That killer appears for the first time on Sherlock’s radar when he searches on his phone for ‘most wanted’ criminals:

JOHN: He’s dead about twenty-four hours – maybe a bit longer. Did he drown?

Sherlock has called up on his phone: Interpol Most Wanted Criminal Organisations Regional Activities LESTRADE: Apparently not. Not enough of the Thames in his lungs. Asphyxiated.

2- The Vauxhall Arches turn out to be the hiding place of the Golem and Sherlock gets the address from an informant of his homeless network. It’s a note written on a piece of paper:

SHERLOCK: Hold that cab. (John trots back to the taxi while Sherlock goes over to the girl.) HOMELESS GIRL: Spare change, sir? SHERLOCK: Don’t mind if I do. JOHN (to the cab driver): Can you wait here? (The girl hands Sherlock a piece of paper. Unfolding it, he sees that she has written “VAUXHALL ARCHES” on it. Smiling briefly, he turns and walks back to John.)

3- The third image out of this episode is one of the exceptions, because they’re not imagined or written words but an actual text line spoken by Jim Moriarty during his showdown with Sherlock at the pool.

JIM: I’ve given you a glimpse, Sherlock, just a teensy glimpse of what I’ve got going on out there in the big bad world. I’m a specialist, you see ... like you!

A Scandal in Belgravia

It is Jim Moriarty who adviced Irene Adler how ‘to play the Holmes boys’. It is Sherlock though, who wins that game and is able to get access to Irene’s camera phone. The confirmation of his success appears on her mobil phone screen:

IRENE: Everything I said: it’s not real. I was just playing the game. SHERLOCK: I know. And this is just losing. (Slowly he turns the phone towards her and shows her the screen. She looks down at it, tears spilling from her eyes as she reads the sequence which says: I AM SHER LOCKED

The Reichenbach Fall

Three different scenes from this episode have been used for the collage.

1- Jim Moriarty sends Sherlock his invitation to play the game, while sitting inside the smashed glass cage of the crown jewels, dressed as and equipped with the insignias of a king. The message appears on Sherlock’s phone. This starts the game.

JOHN: Sherlock ... SHERLOCK: Not now. JOHN: He’s back. (Sherlock lifts his head and takes the phone. The message reads: Come and play. Tower Hill. Jim Moriarty x.

2- Sherlock searches for the traces hidden inside the residues of the kidnapper’s footprints. What might be the fifth element? Those five big questionmarks+the number 5 appear as visible thoughts out of Sherlock’s mind palace and are embedded between Sherlock’s rememberence of Jim’s threat ‘I owe you’ and Molly asking about this afterwards. It turns out to be the clue to find the kidnapped children and it marks the beginning of Sherlock’s downfall.

SHERLOCK: I ... owe ... you. SHERLOCK: Glycerol molecule. He sighs heavily as he struggles to identify the item, seeing it in his head as: 5. ????? SHERLOCK: What are you? MOLLY: What did you mean, “I owe you”?

3- Claudette Bruhl, one of the kidnapped children, seems to recognize Sherlock as her kidnapper. The seed of doubt is sawn at Scotland Yard. Then the letters IOU appear on the windows of a building opposite. This message proves to Sherlock that it is indeed Jim Moriarty who is behind that kidnapping case.

LESTRADE: The kid’s traumatised. Something about Sherlock reminds her of the kidnapper. JOHN: So what’s she said? DONOVAN: Hasn’t uttered another syllable. JOHN: And the boy? LESTRADE: No, he’s unconscious; still in intensive care. (In the building opposite Scotland Yard, all the lights in the offices come on. On the second floor, spray paint has been applied to three of the office windows. Sherlock stares at the enormous letters that have been painted: I O U

The Empty Hearse

From this episode two different words out of one of Sherlock’s mind palace deductions have been used for the collage. Sherlock is working on the fake Jack the Ripper case (How I did it), which had been planned by Anderson to lure Sherlock back to London because he firmly believed the detective not to be dead. Sherlock notices the trick though. He comes to the conclusion that the fake corpse is only six moths old and its Victorian outfit had been exposed to first: sun and then: fire damage. (Sun exposure, fire damage, undead .... it’s a bit hard to not get ideas about Dracula here ... X X X :)

The words ‘pine & cedar’ are displayed again as visible thoughts out of Sherlock’s mind palace. And just like in ASIP those words lie several screenshots appart. For some reasons ‘spruce’ has been ignored:

LESTRADE: This one’s got us all baffled. SHERLOCK: Mmm. I don’t doubt it. (..... Sherlock sniffs at the body and tries to decide what he is picking up: PINE? SPRUCE? CEDAR NEW MOTHBALLS Moving on, he sniffs again: Carbon particulate ... He sniffs more deeply: Fire Damage

The Final Problem

Images of three different scenes out of this episode have been used for the collage.

1- The movie Mycroft is watching in his private cinema at his place is interrupted first by images of an old family video, then by Eurus’ message on screen ... “I’m back”. It announces the return of Eurus, the secret sister.

I’M BACK VOICE: Mycroft ... Mycroft ... MYCROFT: Why don’t you come out and show yourself? I don’t have time for this. CHILD’s VOICE: We have time, brother dear. All the time in the world.

2- Sherlock stands in front of the ‘funny gravestones’ at Musgrave Hall and puts together the dates on the stones until he has a long string of numbers in front of him ... visible thoughts out of Sherlock’s mind palace. This brings Sherlock finally the solution to Eurus’ riddle.

.... 1520 1818 2426 1617 1822 32

3- Just like the numbers, the four verses of Eurus’ riddle appear as visible thoughts out of Sherlock’s mind palace. He connects the string of dates from the gravestones to the verses. It is the second verse that has been used for the collage.

I that am lost, oh who will find me? Deep down below the old beech tree Help succour me now the east winds blow Sixteen by six, brother, and under we go! Without your love, he’ll be gone before Save pity for strangers, show love the door. My soul seek the shade of my willow’s bloom Inside, brother mine - Let Death make a room. Be not afraid to walk in the shade Save one, save all, come try! My steps - five by seven Life is closer to Heaven Look down, with dark gaze, from on high. Before he was gone - right back over my (h)ill Who now will find him? Why, nobody will Doom shall I bring to him, I that am queen Lost forever, nine by nineteen.

The exceptions ...

So far, these have been the obvious links between the images used for the collage and the corresponding episodes of Sherlock BBC. Beneath follow the less obvious and the ones I failed to find a match for.

Blue chemistry ...

There are two episodes in which chemical formulas are displayed in the form of drawings.

1- In The Hounds of Baskerville (S2/2) Sherlock is looking for a monstrous hound from hell. Instead he finds the H.O.U.N.D. project in which experiments had been conducted with a deleriant drug, based on fear and stimulus. The informations on this project are key-coded by the name MAGGIE (short for Margaret Thatcher)

2- In The Six Thatchers (S4/1) Sherlock tries - with the help of Toby the bloodhound - to track down the person who smashes plaster busts of Margaret Thatcher in order to find a hidden flash drive with secret informations about A.G.R.A. a group of terrorists. One of the four members had been Mary Watson.

Although there exist several drawn chemical formulas in both episodes, very similar to the one used for the collage, and despite I scanned those scenes screenshot by screenshot, I wasn’t able to find a perfect match. Maybe I still missed something. Maybe that formula on the collage is indeed just an unrelated decoraton .... But it’s interesting to note that the story connects this kind of ‘chemistry’ always to Hounds and Thatcher. (more about chemistry)

Red drop of blood ...

That blood drop used for the collage appears actually in each official episode (TAB as well) because it’s part of the intro. And for the creation of the medal collage, that image has been used two times. In the background there is a smaller and paler version, which is overlapped by a bigger and darker version in the foreground. Of that one, only the lower half is visible. Using two times the same image in one picture, always reminds me strongly of the many Pairs, Twins and Double oh’s mentioned in Sherlock BBC.

Mostly I connect that ‘sign of two’ with John Watson. In my theory he represents the ‘fixed point in a changing age’, the ‘eternal just-friend and still stubbornly ‘not gay’ Watson, the very aspect in Sherlock’s experiment, that needs to be transformed into a modern version of the same character. In other words: the old king has to make way for the new king. According to the original meaning of the Musgrave Ritual that says about the crown of a king: “'Whose was it? His who is gone. Who shall have it? He who will come.”

With this in mind it was easy to compare the drop of watery liquid that falls onto a drop of blood in Sherlock’s experiment, to John in the well, drenched by the water Eurus exposes him to. Emotional context indeed. :))))

When a drop of emotions/chemistry brings the blood to a boil ... (1 2) Drop of blood

Search: London Bridge ...

That’s the most mysterious addition to the collage. While all the other words and images can be linked to the show .... this one is the absolute exception. A ‘search for London Bridge’ doesn’t happen throughout the whole story. Not once. London Bridge doesn’t even play a role in Sherlock BBC. At least not yet ...

Bridges of Sherlock BBC:

In ASIB Irene Adler texts Sherlock that she can see Tower Bridge from her room. In TST Sherlock stands on Vauxhall Bridge while he realizes the involvement of fake AMO, Vivian Norbury.

In TLD Culverton Smith gives the cryptic advice ‘We must be careful not to burn our BRIDGES.’ ... at the same time Sherlock walks with Faith through London and crosses Millennium Bridge and Golden Jubilee Bridge beside Hungerford Bridge.

In TFP little Sherlock stands on a small wood-bridge while he is searching for his lost dog Redbeard.

‘Bridge’ as extension of names:

In TGG security guard Alex WoodBRIDGE is found dead at the bank of the Thames, between Waterloo Bridge and Southwark Bridge.

In TSOT guardsman Stephen BainBRIDGE consults Sherlock and starts the case of the Mayfly Man. He is the first of the three guards (Bainbridge, Sholto, Mary) in this episode. (Changing of the Guard)

London Bridge though does not appear in Sherlock BBC so far. This leaves the question ... why is the note to search for that bridge even on the collage? Where does it come from? And why is it so closely connected to the episode spanning double image of the blood drop from Sherlock’s experiment? The words are displayed inside the smaller, paler blood drop. One wonders .....

(Thanks @gosherlocked for deciphering ‘London’ in that bridge’s name. :)))

The blue ribbon ...

Something that looks like a ‘blue ribbon’ runs through the lower part of the collage. The very distinctive loop, right under the name Moriarty, gave me the idea that this ‘ribbon’ could be the river Thames. And really, my assuption turned out to be correct, it is the Thames. What’s even better, at this distinctive loop the river coils around the peninsula named ... Isle of Dogs.

It surely isn’t an unusual thing to add a part from the map of London, including the Thames, to a collage of images related to Sherlock Holmes. After all, Sherlock is a most famous residient of London. It it is also quite fitting, especially for this adaptation, to display Jim’s name side by side with ‘dogs’. Dogs and hounds do play a major role since the beginning and are closely linked to Jim, John and Sherlock. The barking of a dog in the night can be heard right after John wakes from his nightmare in ASIP, missing shoes lead right away to the villain (very similar to the original Baskerville case) and TFP is all about a lost dog/boy. But there is a little bit more that came to mind, when I recognized the Isle of Dogs.

TheGameIsNow ...

During the run-up to TheGameIsNow-Escape Room Event, (summer 2018) a video was released .... a call-out from Mycroft Holmes to recruit volunteers for The Network. As a part of that call-out, Mycroft mentions a ‘rush of incidents across the capital’ and while he speaks, a map of London is displayed on screen on which a red line runs along and strings together the involved locations, which are marked with the ‘eye-sign’ of The Network. And that red line stops exactly at the Isle of Dogs. That’s why I recognized that peninsula immediately.

Again ... one wonders ...

All in all, one can not deny that a lot of considerations, of work and also of knowledge regarding the show, have been put into the creation of those stamps, the medal and the images used for their presentation. And as usual with Sherlock BBC, some little intriguing mysteries have also been woven into it. :)))

I leave you to your own deductions. Thanks @callie-ariane for the scripts.

January, 2021

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