Covers by Swedish artist Inger Edelfeldt for various books by Ursula K. Le Guin

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Covers by Swedish artist Inger Edelfeldt for various books by Ursula K. Le Guin
I am literally about to start uklgposting bc of coming of age in karhide
why was I procrastinating reading these short stories...
when I saw the words *Praise then Darkness*, I almost screamed back *AND CREATION UNFINISHED!!!!*
what am I doing to myself again
anyway, back to reading 💖💖💖
Ursula K. Le Guin: Mörkrets vänstra hand (The Left Hand of Darkness). Cover by Inger Edelfeldt. Askild & Kärnekull, Sweden, 1975.
Ursula K. LeGuin’s Hainish cycle has long been my favorite sci-fi world. It has such great lessons in humanity, sociology, and life, and the wealth of world-building is something I aspire to. But the timelines that I’ve seen online just feel wrong. By LeGuin’s own admission, there’s no set timeline for the overarching universe that her stories take place in. Yet I don’t think that has to be the case.
Most timelines put the Shing control of Earth somewhere in the middle of the timeline, and then handwave how an Earth stripped of its cultural heritage reverts back to close to normal later.
Instead, I put the Shing-controlled Earth at the very end, and have the Earth colonies’ revolt be the “Age of the Enemy” that is referred to in Left Hand of Darkness.
Similarly, I have events happening simultaneously across the vastness of space: The radical Christianization of the Earth that precedes The Telling happens while the events of the Left Hand of Darkness are occurring.
Werel/Alterra is just doing its own thing without outside contact and very slowly all throughout the Ekumenical period.
A number of non-Hainish stories of Earth colonization I put into the pre-LOAW period, as well as the stories of pre-League ki’O.
The size of the cells have no fixed time measurement associated with them.
Let me know what you think.
something I'd like to ask to those who call the left hand of darkness "yaoi": why do you willingly ignore the fact that the gethenians can turn male AND female? and the fact that they're genderless majority of the time, not male. I'd think this would be obvious as it's literally one of the most important aspects of the novel, but so many people on here seemingly see estraven and the gethenians as male by default. do you not see how thinking that way means you have the exact same mindset as genly did when he first got to gethen. think some more on why you default everyone to male and once you've let go of that mindset go reread the book
Ursula K. Le Guin: Rocannons planet (Rocannon’s World). Cover by Fritz Blankenhorn. Berghs förlag, Sweden, 1981.
its funny that ursula leguin wrote the amc into her anarchist moon utopia. my first reaction was like. girl i'm not sure that would be there. but maybe she's right
Riff on Ursula K. Le Guin's collection The Wind's Twelve Quarters
Ursula K. Le Guin’s 1975 volume The Wind’s Twelve Quarters collects seventeen short stories, offering, as the author puts it in her foreword, “a retrospective” of her career to date: “a roughly chronological survey of my short stories during the first ten years after I broke into print.” Le Guin adds that The Wind’s Twelve Quarters is “by no means a complete collection” of her short stories to…
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