Apr 7, 2025
Lippard Arkbro Lindwall, How do I know if my cat likes me?, (Vinyl/LP, CD, Digital album), BF-074, Blank Forms Editions / LB008, La Becque Editions, 2025
seen from Russia
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seen from Germany
seen from France
seen from Russia
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seen from United States
seen from Netherlands
seen from Romania
seen from France
seen from Georgia
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seen from France
seen from United States
seen from Bangladesh
Lippard Arkbro Lindwall, How do I know if my cat likes me?, (Vinyl/LP, CD, Digital album), BF-074, Blank Forms Editions / LB008, La Becque Editions, 2025
Listen/purchase: Modern spanking by Lippard Arkbro Lindwall
Hampus Lindwall’s Brace For Impact
Hampus Lindwall Discusses Brace for Impact and Digital Organ Work
Hampus Lindwall is a Swedish organist and composer based in Paris. His work incorporates elements from classical tradition, experimental music, and electronic culture. Born in 1976 in Stockholm, Lindwall began his musical path through the guitar, influenced early on by metal and virtuoso players such as Yngwie Malmsteen and Steve Vai. His interest in the pipe organ developed during his late teens…
Cette semaine, nos miniatures sont signées par la compositrice Noriko Baba. Ce sont cinq Etudes pour orgue créées à Radio France en juillet 2017 par Hampus Lindwall : "Five Workouts"
Redundant as eyelids in absence of light. Translator's Endnotes A lecture by Studio for Propositional Cinema delivered by Sam Spruell
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RECITAL: Redundant as eyelids in absence of light. A concert by Studio for Propositional Cinema (libretto) and Hampus Lindwall (organist/interpreter) Duration: 73 minutes
Thursday 15 November 2018 7pm
Great Hall University of Reading, London Road , Reading Studio for Propositional Cinema presents a lecture and a performance of ‘Redundant as eyelids in absence of light’ - a libretto for a five-dimensional dystopian opera set in a society in which all forms of language and interpersonal communication have been mitigated or eliminated. It will be realised in various formats: as a concert, as an exhibition previously at Kunst Halle Sankt Gallen and finally as a publication and vinyl record. The libretto was translated from English to Greek to an endangered Greek whistled language, then transcribed to musical notation, forming the basis of a composition to be played on the organ of the Great Hall on the London Road Campus of the University of Reading by Swedish organist Hampus Lindwall. Each of the six songs of the libretto represents the desperate attempts of the protagonists to relearn various forms of communication. ENSEMBLE: Hampus Lindwall, Organist Studio for Propositional Cinema, Librettist Panagiotis Tzanavaris, Translator NOVEL (Alun Rowlands & Matt Williams), Organisers PROGRAM: 1. Τραγούδι του ρακοσυλλέκτη (Rag-picking Song) 2. Τραγούδι του οπτομέτρη (Lens-grinding Song) 3. Τραγούδι του ηχοσυλλέκτη (Sound-collecting Song) 4. Τραγούδι του χορού (Dancing Song) 5. Τραγούδι της απογραφής (Transcribing Song) 6. Τραγούδι της εκτροφής περιστεριών (Pigeon-breeding Song) ‘Redundant as eyelids in absence of light’, is the third episode of NOVEL’s year-long publishing and curatorial project A reproduction of three weeks in May 1970, with forthcoming contributions from Patricia L. Boyd, Helen Cammock, and Steven Warwick. Supported by the Goethe-Institut London
Reading International is supported by Arts Council England, the University of Reading and Reading Borough Council.