#harry cooper

[911actually]

9x04 — 'Reentry' As Athena and Hen navigate their way back home, Athena will be forced to confront what it means to live without Bobby. Mark Consuelos guest stars. | Air Date: 10/30/2025

[papsiguesss]

Henry’s wife cheated on him, so now he has an emotional support ghost boyfriend! 👻💕 (inspired by my post-film thoughts watching End of the Affair)

[hug-kiss-marry-kill]

What should we do with Harry Cooper (Night of the Living Dead)?

Hug

Kiss

Marry

Kill

Voting ended onMay 8, 2025

[k-i-l-l-e-r-b-e-e-6-9]

Night of the Living Dead (1990)

[betelgeusessonajblog]

OK So I don’t know how many of you guys have seen Night Of the Living Dead but this was a 2015 remake that came out that was completely CGI which would have been AMAZING had it not looked like a PS1 game

[papsiguesss]

So, the End of the Affair...

In short: I'M UPSET

I am so pissed at how dirty they do Cushing's character in this. Henry was such a good sweet cinnamon roll boy but NOOOOO of course the film makes the guy who's a homewrecker, breaks his partner's boundaries, nags her about the way she shows her affection to him and is just an all around douche. WHAT?! And the gaslighting was REAL there. It's interesting because I fully believe that the things Maurice said about Henry... BOY THAT'S HOW HE WAS ACTING!!! PROJECTION MUCH? HENRY WAS PURE GOOD BOY! NO! NONE OF THAT SHIT!

(also, I was so pissed with that they focus on Maurice's reaction to Sarah dying instead of idk, the guy who she's been married to and who clearly loves her very deeply. Seriously when he begged her to stay with him that was HEARTBREAKING!)

Now, as for which Lee character I would pair him with... that part's under the cut! Spoilers for the short film Cross Roads (1955). (TW for suicide)

So, I would pair Henry with Harry Cooper (coincidental name similarities loll!) from Cross Roads! They are both younger black and white Hammer Husbands, and both have stories related to toxic relationships. (Fun fact, these two films came out in the same year!)

Now, the thing with Harry is that he turns out to be a ghost. He died in a car crash with his sister, who he was trying to bring to the hospital after a suicide attempt caused by her agent who she had a relationship with.

I'm imagining Harry's ghost is drawn to Henry because of all the negative feelings he's experiencing after all the relationship drama.

Harry offers revenge, like he has done for his sister, but Henry, being a good boi, refuses. Instead, he just requests company. And so they find solace in each other. Perhaps Henry could even save Harry from his ghostly state by truly loving him or some sappy deus ex machina like that! XDDDDDDD

I thought Henry needed someone to be angy about his situation on his behalf, because judging from his character he would mostly just be sad about it all, instead of realising just how much BULLSHIT that whole drama was because he's just a pure boyo and he would never blame others for his own unhappiness. But Harry would SURE. AS. HELL. be pissed about what happened. Anti-toxic relationship ghost for the win and for the kiss!

Also, to convince you of how cute they'd be together, have a quick edit @inkstainsxxonxxparchment made. :3

So that'd be my Lee pick! I kinda wanna draw them together now at some point haha

And JUSTICE. FOR. HENRY.

Also, side note, was it just me or was Henry giving aspec vibes? I think I hc him as demi :D

[kronika-ilustrowana]

[lostprofile]

CÉZANNE’S UNMARKS

Due to their large expanses of exposed paper, late watercolors by Cézanne are sometimes characterized as unfinished. The condition of unfinishedness comes with a raft of negative associations–incompleteness, lack, incapacity, perplexity, misconception, waning attention, abandonment and failure, to name a few. Cézanne would have been particularly sensitive to the term’s valences: the Impressionists, to whom he was briefly allied in the 1870s, were ridiculed above all for the unfinished appearance of their salon entries.

In an Artforum review , Harry Cooper characterized the large areas of unpainted, exposed paper and canvas in the late Cézanne as a system of invisible “unmarks” that render the other marks visible. The unmarks are the image’s framework, a conceptual scaffold on which color and luminence experiments are carried out. The “blank” or unused areas are neither wasted nor empty space. The unmarks are not sites of indecision, nor are they held in reserve for future elaboration.

Finally, the “unfinished” work posits an idealized, non-existent, complete work, against which it is judged, and without which it is unintelligible. The watercolors are studies, which unlike preparatory drawings, need not have any direct application to a finished painting. Openness, fragmentation, fitful intensity, abbreviation and irresolution are expected; finish and completeness are not.

Over the years 1902-1906, Cézanne produced over 300 watercolors, many of which are of an unprecedented, monumental scale for the medium, and none of which were intended for exhibition or sale.