[Flag 1 ID: A rectangular flag with four horizontal stripes, the outer two being larger. It is colored, from top to bottom, very dark teal, dark teal, medium red, and very dark red /end ID]
[Flag 2 ID: A rectangular flag with four horizontal stripes, the outer two being larger. It is colored, from top to bottom, very dark red, dark red, teal, and very dark teal /end ID]
The public domain is filled to the brim with some of the best and most fascinating characters that you, dear reader, can use without issue in your very own stories! Nothing can stop you from slapping Dracula, the Martians from War of the Worlds, Gilgamesh, Cthulhu, and Sherlock Holmes into some big stupid crossover story! And if you plumb the depths of the public domain you’ll find even cooler and wackier characters who had their licenses expire ages ago. Why not put Six-Gun Gorilla or Stardust the Super Wizard into your works? You’ll get a lot more points for originality there.
But sometimes when you go deep into the depths of free-to-use characters, you find… Well, you find stuff like He-She.
In 1943’s Boy Comics #9, the world was given an answer to Two-Face that nobody had asked for, mainly because he’d only existed for about a year. But did Two-Face have the greatest fucking tagline ever?
I don’t think so! Still, the name alone might make you raise an eyebrow, and the mere concept sure does seem a bit… iffy in this day and age. I imagine there’s a reason I discovered this character through lists of old comic villains who are incredibly offensive (for some reason, Snowflame kept appearing on those lists too, even though there is nothing offensive about him except how much cooler he is than every other villain ever), although… is that really fair?
Motivation/Goals: All they want is money, money, money. Ain’t it funny? I mean, honestly, what do you expect from the villain in a Golden Age comic book? All the villains back then either wanted boatloads of cash or to destroy the city, with no in between. We wouldn’t get cool motives like “turn the population of New York into dinosaurs” or “Go on a gorilla rampage” until later. Most villains, however cool they appeared, were fueled by simple greed back in the day.
Final Fate: So, uh… They get executed for their crimes.
Like, what, they committed a murder and stole some money? Does that really warrant the death penalty? I’m thinking there was some other reason He-She got put to death...
Best Scene: Over the span of two pages, He-She uses their better half to seduce Crimebuster and then some random guy into doing their bidding. There’s just something genuinely hilarious about a villain using the exact same ploy twice in a row and having it be effective both times, especially since it’s one of the most transparent and silly ones ever used.
Best Quote:
Final Thoughts & Score: There is just so much to unpack here, and yet at the same time so little.
Let’s start with the obvious question: Is He-She offensive? Well, they refer to them as an “it” right off the bat, which isn’t particularly great, and we have our police character acknowledge there are people like them… in circus freak shows. Crimebuster is a little nicer in the end, saying they’ll pay for “his or her crimes,” but yeah, it’s not exactly tasteful by modern standards.
Of course, considering when this was made, it genuinely could have been a lot worse. Golden Age comics were rife with problematic characters, and by those standards He-She could have been some walking transphobic stereotype. But being trans wasn’t really the big topic it is today; I don’t really see He-She as being any sort of commentary on gender identity or trans people beyond having a name that is incredibly unfortunate with the benefit of hindsight because I really don’t think it was an issue mainstream enough to mock. I’m not going to pretend like this is tasteful or well done—it’s definitely not—but if they were genuinely trying to be transphobic it doesn’t really come off that way. He-She is just a generic criminal with a very weird gimmick that has aged a bit awkwardly.
And that’s really the long and short of it right there: He-She is, ultimately, a generic criminal. If not for their absolutely bizarre premise and design, I think they would be completely unremarkable. And even the gimmick falls a bit flat because it is truly poorly implemented into the story. He-She marries a landlady within the first page of the comic, but it’s only after their marriage during a big fight that their wife finds out that they’re He-She. Did she just never once see the other side of their face? Did they not kiss them at the wedding? Is the trench coat and hat really that great of a disguise? The entire plot would collapse if anyone bothered to look at He-She from the other side. Do they have some superhuman ability to make people never question why they always stand so you can only see their profile?
There are a few humorous moments like the aforementioned seduction trick, but the gimmick isn’t utilized well beyond that. What we’re stuck with is a historical curiosity that’s too bland to be offensive, too tasteless to garner a fanbase, and just a baffling creation in its own right. 4/10 seems about right. But that’s where you, dear reader, come in!
You see, as He-She is in the public domain, you can take them and put them in your own stories, free of charge! Give them complex motives and deeper characterization! Give them a more appealing design, or at least have their odd physical condition make a bit more sense! And most importantly, change their fucking name and write them with respect! Literally nothing is stopping you from rehabilitating this bizarre piece of comic history!
Except for the fact that, you know, He-She sucks. But that's why you gotta make them better.
Kids comics were nuts back in the ‘40s! Cover by Charles Biro, published by Lev Gleason, April 1943. If you want, you can read this issue at the Digital Comic Museum.
For the last day of Pride Month — a few fragments on Harry Caro (1899-1963), who billed himself in show business as the He/She (hermaphrodite) Albert/Alberta. Scant info is available on this performer, but there is advertising material plugging appearances on the Loew’s Vaudeville Circuit, Hubert’s Museum in Times Square, and the World Circus Sideshow, Coney Island. A/A is unfortunately not the…