seen from Kazakhstan
seen from China
seen from China

seen from United Kingdom
seen from United Kingdom
seen from United States
seen from United Kingdom
seen from United Kingdom
seen from China
seen from Hong Kong SAR China
seen from United Kingdom
seen from Türkiye
seen from China
seen from China

seen from Kazakhstan

seen from Malaysia
seen from China
seen from China
seen from Italy
seen from China
Donna Ewin as catalogue girl for some space hell hole
25th Amendment the President of the United States now!
“Mary Woronov burned herself into my brain when, as a college student in 1966, I first saw her smouldering, imperious performance in Andy Warhol’s epic film Chelsea Girls. She was one of the most original, stylish and articulate sexual personae of the royal House of Warhol. I never forgot her, and I followed her subsequent movie career with great fascination … Warholism, which is my philosophy as a critic, merged the visual and performing arts and closed the gap between high and popular culture. Thirty years later, it can be clearly seen that the Warhol Factory, with all its riveting decadent excesses, was as seminal an avant-garde circle as that of the Dadaists and Surrealists after World War I in Paris.”
/ Camille Paglia's back cover blurb on Mary Woronov’s 1995 autobiography Swimming Underground: My Years in the Warhol Factory /
Born on this day (8 December 1943): insolent Warhol Superstar turned queen of cult movies, actress, writer, visual artist and recovered amphetamine enthusiast … Mary Woronov! I love the strikingly angular Woronov’s deadpan performances, resting bitch face and witheringly contemptuous voice in Chelsea Girls (1966), Silent Night, Bloody Night (1972) (recommended Christmas viewing), Death Race 2000 (1975), Rock’n’Roll High School (1979), Eating Raoul (1982), Hellhole (1985) (even in a cast including Edy Williams (Beyond the Valley of the Dolls) and Dyanne Thorne (Ilsa: She Wolf of the SS), Woronov totally dominates as – what else? – the sadistic villainess) and Scenes from the Class Struggle in Beverly Hills (1989). But hell, Woronov is even great value doing guest spots on episodes of Charlie’s Angels (1976) and Murder, She Wrote (1985). One of the best things she ever did was play the mother in punk band Suicidal Tendencies' 1983 video “Institutionalized” (“All I wanted was a Pepsi, just one Pepsi, and she wouldn't give it to me!”).
some hellhole family drawings from yesterday i love drawing them as weird baby creature things
your fault for going to stansted airport quite frankly