Bertie Carvel as Henry Higgins in BTS of Pygmalion, The Old Vic (2023) (video)
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Bertie Carvel as Henry Higgins in BTS of Pygmalion, The Old Vic (2023) (video)
We as a society don't talk often about how the ending given to My Fair Lady by Hollywood is absolutely rubbish.
Eliza Doolittle from the start is shown as an independent woman who only wants to gain skills to further her career. Yes for a brief moment there she is attracted to Professor Higgins but I like to attribute it to proximity for a long period of time (6 months according to the wager) but after the Embassy Ball she calls Higgins out for his highhanded, misogynistic personality. Then why is she shown to go back to him to in the end?
George Bernard Shaw, writer of Pygmalion from which the plot of My Fair Lady is drawn up, protested the ending till 1938 that Eliza going back to Higgins is unacceptable to him and he gives a marvelous explanation for it
"When Eliza emancipates herself – when Galatea comes to life – she must not relapse. She must retain her pride and triumph to the end. When Higgins takes your arm on 'consort battleship' you must instantly throw him off with implacable pride; and this is the note until the final 'Buy them yourself.' He will go out on the balcony to watch your departure; come back triumphantly into the room; exclaim 'Galatea!' (meaning that the statue has come to life at last); and – curtain. Thus he gets the last word; and you get it too."
MOLLY LYNCH (ELIZA DOOLITTLE) & DAVID SEADON-YOUNG (HENRY HIGGINS) | MY FAIR LADY | CURVE THEATRE
I love My Fair Lady - the music, the story, the outfits 👨🏫🥬
Robert Sean Leonard, pointing, as “Professor Henry Higgins” in two different 2013 productions of Pygmalion, one at The Old Globe (Jan-Feb) and the other at the Williamstown Theatre Festival (July).
I call this collection ⊹ ࣪ ˖ Pointing in Pygmalion ˖ ࣪ ⊹
(RIP Richard Easton, he’s turning over in his grave every time Bobby points.)
Episode: 19x18 - Another Brick in the Wall
Everything about this scene is a masterpiece to me. Watts opening the door half-dressed, the man announcing his presence like they're not gay in the 1900s, Henry and Watts's face in response.