“He looks as though he’s somehow, in spite of the evening’s cunningly vegan cuisine, been infused with live extract of hot beef.”
William Gibson, Pattern Recognition
Loose sketches

seen from Türkiye
seen from United States
seen from China

seen from Singapore
seen from United States

seen from United States
seen from United States
seen from China

seen from Malaysia
seen from Yemen

seen from Malaysia
seen from Türkiye

seen from Singapore
seen from United States
seen from Türkiye
seen from China
seen from Malaysia

seen from Malaysia

seen from Singapore
seen from United States
“He looks as though he’s somehow, in spite of the evening’s cunningly vegan cuisine, been infused with live extract of hot beef.”
William Gibson, Pattern Recognition
Loose sketches
Relatively tiny in terms of permanent staff, globally distributed, more post-geographic than multinational, the agency has from the beginning billed itself as a high-speed, low-drag life-form in an advertising ecology of lumbering herbivores. Or perhaps as some non-carbon based life-form, entirely sprung from the smooth and ironic brow of its founder, Hubertus Bigend, a nominal Belgian who looks like Tom Cruise on a diet of virgins' blood and truffled chocolates.
Pattern Recognition by William Gibson
tfw writer’s envy
International Klein Blue
The suit JT is wearing is exactly the shade - International Klein Blue - of the suit Hubertus Bigend wears in William Gibson’s Zero History. It’s a disorienting blue. It’s electric.
"...In that sense, we have no future. Not in the sense that our grandparents had a future, or thought they did. Fully imagined cultural futures were the luxury of another day, one in which 'now' was of some greater duration. For us, of course, things can change so abruptly, so violently, so profoundly, that futures like our grandparents' have insufficient 'now' to stand on. We have no future because our present is too volatile."
- Hubertus Bigend from William Gibson's Pattern Recognition