#hugo blanco

[videoreligion]

Happy #FrancoFriday The Mistresses of Dr. Jekyll (1964)

[sonicandvisualsurprises]

1962

Here’s Mina putting her unique stamp on Moliendo Café in a lively performance.

The first recorded version of Moliendo Café was by Mario Suárez, and it was an instrumental version, released in

1958

Hugo Blanco later recorded it. While his version is often considered the most iconic, Suárez's instrumental take paved the way for the song's later popularity in various interpretations, including the famous vocal renditions.

[charnel-grounds]

Hugo Blanco in El secreto del Dr. Orloff (1964)

[guessimdumb]

Visit Original Link

Los Belton's - Domingo por la Mañana (1970)

A guaracha from Peruvian cumbia  group, Los Belton’s, who were led by Américo Vilcatoma along with his brothers.

[clemsfilmdiary]

Texas, Adios / Texas, addio (1966, Ferdinando Baldi)

4/1/22

[mariocki]

Texas, addio (Texas, Adios, 1966)

"What did they do?"

"They're thieves."

"You murdered them for stealing?"

"Try asking them."

[grindhousecellar]

[dreadful-resonances]

“To my people”

“The revolutionary loves life. For, though he suffers intensely his own affliction and the affliction of all his brothers, he lives in order to destroy that affliction. So, despite the suffering, he is happy.

The revolutionary loves the world. For, though he lives in a world of misery, injustice, and hatred; though he feels more keenly than anyone the misery of all humanity, he exists in order to change that world. So, the revolutionary loves the world; for though he lives in an earthly hell, he exists in order to transform it into an earthly paradise. He lives in a world of hatred and strife to turn it into a world of love.

To be a revolutionary is to love the world, to love life, to be happy. So he doesn’t flee from life, he understands that it is his duty to live for the fight, and he enjoys life.

But neither must he flee from death!”

-Hugo Blanco, a principal organizer of the peasant movement in Peru.