Oct 10, 2018
Day 9: Researcher. Bleh for researcher I did baby face researcher or Hymel since he is oddly one of my favourite characters ^~^
seen from China
seen from China
seen from United States
seen from United States
seen from Türkiye
seen from Bangladesh
seen from Mexico
seen from Germany
seen from Venezuela
seen from Honduras
seen from South Africa
seen from China
seen from Singapore
seen from Germany
seen from Germany
seen from United States
seen from United States
seen from Mexico
seen from Netherlands
seen from United States
Day 9: Researcher. Bleh for researcher I did baby face researcher or Hymel since he is oddly one of my favourite characters ^~^
Hymel
Hymel is a diminutive form of an Anglo-Saxon masculine name containing Hun (Hun).
Variants:
Hymel [Eilert Ekwall 1936 The Concise Oxford Dictionary of Place-Names, 1st edition, page 223].
Hymel(a) [Hugh Smith 1962 English Place-Name Society 36: 293].
Stem:
Hun = One of an Asiatic race of warlike nomads, who invaded Europe c ᴀ.ᴅ. 375, and in the middle of the 5th c., under their famous king Attila (styled Flagellum Dei, the scourge of God), overran and ravaged a great part of this continent [Sir James Murray 1901 A New English Dictionary on Historical Principles, 1st edition, 5: 455].
Suffix:
“diminutive ila” [Joseph Bosworth 1836 The Origin of the Germanic and Scandinavian Languages, and Nations, page 115].
Evidence:
The place-name Hamelesuurde, or Hilmeuuord, recorded in 1086, is believed to mean “Hymel’s worþ” [Eilert Ekwall 1936 The Concise Oxford Dictionary of Place-Names, 1st edition, page 223].
Jurnalci.com - jurnalci
https://jurnalci.com/elon-musk-yanlis-signali-marsa-ucurdu-137059.html
Elon Musk yanlış Signal’i Mars’a uçurdu!
Elektrikli araç üreticisi Tesla’nın patronu Elon Musk’ın Twitter’daki bir paylaşımını yanlış anlayan ABD’liler, bir şirketin hisse değerini yüzde 6350 artırarak inanması zor bir olaya imza attı.
Her şey 7 Ocak’ta Musk’ın attığı bir tweet ile başladı. Whatsapp’ın kullanıcı verilerini Facebook ile paylaşma zorunluluğu getirmesine ilişkin tartışmaya dair Musk, Twitter’da 42 milyon takipçili hesabından “Use Signal” (Signal kullanın) ifadesinin yer aldığı bir paylaşım yaptı.
Aslında Musk’ın kastettiği, mesajlaşma uygulaması Signal idi ancak ABD’liler, söz konusu tweet üzerine Teksas merkezli küçük bir tıbbi cihaz şirketinin hisselerini almaya başladı.
6 Ocak’ta 0,60 dolar olan şirketin hisseleri, 11 Ocak’ta yüzde 6350 artışla 38,70 dolara yükseldi. Şirketin piyasa değeri de 470 milyon doları aştı.
7 Ocak’ta şirketin hisse değeri yaklaşık 6 katına, 8 Ocak’ta yaklaşık 12 katına yükseldi. Hafta sonu konuya dair haberler çıktı ve yanlış hissenin alındığı belirtildi. Buna rağmen dün, şirketin hisse değeri bir ara 70 dolara kadar yükseldi. Daha sonra günü 38,70 dolarla kapattı.
Bloomberg’e konuşan Signal Advance şirketinin CEO’su Dr. Chris Hymel, insanlara özenli ve dikkatli yatırım yapmalarını tavsiye ettiklerini belirtti. Hymel ayrıca, Musk ya da Signal uygulamasıyla bir ilişkileri olmadığını dile getirdi.
Signal Advance şirketinin 2019’dan bu yana yıllık rapor yayımlamadığı, 2014-2016 döneminde gelir elde etmediği belirtildi.
Yanlış hisse değerindeki bu artış, ABD’de ve birçok ülkede hisse senedi piyasalarında ortaya çıkan balonun bir göstergesi olarak da yorumlandı.
Musk, 194 milyar dolarlık servetiyle dünyanın en zengin insanı konumunda.
Jurnalci.com
NEW ORLEANS |Opera pairing with circus acts to dispel stuffy image
New Post has been published on https://is.gd/LRYRtK
NEW ORLEANS |Opera pairing with circus acts to dispel stuffy image
NEW ORLEANS (AP) — An internationally acclaimed tenor from New Orleans is pairing circus acrobatics and opera, with a lot of help from his friends.
“We want it to be fun. That’s what we feel opera is,” said Bryan Hymel , who has performed with opera companies around the world.
The performance Saturday night will be the fourth in the hometown Opus Opera series he and his wife, soprano Irini Kyriakidou, and another couple — soprano Christina Vial and her husband, entrepreneur Patrick Comer — created to show their generation that opera really isn’t stuffy. For this one, they’ve teamed with the owner of Fly Circus Space, a circus training center , to create vocal and visual duets, trios and larger ensembles, with a different circus performance for each aria sung by Hymel, Kyriakidou and others.
The songs are standards – ones people who don’t know opera will still recognize from cartoons, movies, TV shows and ads. You’d recognize “Fiiiiiii-gaaa-ro! Fiiiiii-gaa-ro! Figaro! Figaro!” even if you don’t know it as “Largo al Factotum” from The Barber of Seville.
That’s the opener, introduced by clowns David Chervony and Jean Carlos Claudio of Chicago. Baritone Weston Hurt then enters, singing Figaro’s song about his ability to do anything and the incessant demands from his master and everyone in town. The evening at New Orleans’ Civic Theater is the climax of Opus Opera’s first season, which began last fall.
Hymel said he and his wife started Opus Opera “as a passion project,” since many people their age don’t think of opera as “something they should include in their palette.”
Rather than trying to pull 30- and 40-somethings in to full operas, “we thought we would offer kind of tastes.”
The first evening took that literally, with a wine tasting: French wines paired with French art songs, with a reception afterward.
It brought in “a lot of the husbands” — men who don’t go to operas, though their wives are fans, said Hymel, who has sung with opera companies including the New York Metropolitan Opera, the Royal Opera in London, the Deutsche Oper Berlin, the Bayerische Staatsoper, and Teatro Municipale di Salerno. He said he’s also helped companies in Maine, Philadelphia, and San Francisco plan similar events.
Inspiration for Saturday’s event, titled “Mystique,” came from seeing online videos of coloratura soprano Rainelle Krause of Dallas, who enjoys creating what she calls aerial arias — performances in which she sings while hanging from, swinging on, rolling in, dropping along and otherwise playing with two long pieces of hanging fabric called aerial silks.
She’s performing three such pieces Saturday, including one created for Mystique.
Elizabeth Rose, who owns the Fly Circus Space studio in New Orleans, said that when she got Hymel’s email suggesting the collaboration, her response was, “Yes! It’s brilliant! Let’s do it immediately!”
With Glenna Broderick, her colleague at Fly Circus Space, and colleagues from other cities, there’s a wide range of performances, including a tightwire piece, dance trapeze, hand balancing on canes, aerial work on the “corde lisse,” or smooth rope, and “a duo adagio piece, like hand-to-hand acrobatics, but slow, sculptural.”
The entire Fly Circus Company will join in a spectacle for the final number. Hymel will sing “Nessun Dorma,” which became popular outside opera after Luciano Pavarotti sang it for the 1990 World Cup, then with the Three Tenors.
By JANET McCONNAUGHEY ,By Associated Press – published on STL.News by St. Louis Media, LLC(R.A) ___
NEW ORLEANS |Opera pairing with circus acts to dispel stuffy image
New Post has been published on https://is.gd/LRYRtK
NEW ORLEANS |Opera pairing with circus acts to dispel stuffy image
NEW ORLEANS (AP) — An internationally acclaimed tenor from New Orleans is pairing circus acrobatics and opera, with a lot of help from his friends.
“We want it to be fun. That’s what we feel opera is,” said Bryan Hymel , who has performed with opera companies around the world.
The performance Saturday night will be the fourth in the hometown Opus Opera series he and his wife, soprano Irini Kyriakidou, and another couple — soprano Christina Vial and her husband, entrepreneur Patrick Comer — created to show their generation that opera really isn’t stuffy. For this one, they’ve teamed with the owner of Fly Circus Space, a circus training center , to create vocal and visual duets, trios and larger ensembles, with a different circus performance for each aria sung by Hymel, Kyriakidou and others.
The songs are standards – ones people who don’t know opera will still recognize from cartoons, movies, TV shows and ads. You’d recognize “Fiiiiiii-gaaa-ro! Fiiiiii-gaa-ro! Figaro! Figaro!” even if you don’t know it as “Largo al Factotum” from The Barber of Seville.
That’s the opener, introduced by clowns David Chervony and Jean Carlos Claudio of Chicago. Baritone Weston Hurt then enters, singing Figaro’s song about his ability to do anything and the incessant demands from his master and everyone in town. The evening at New Orleans’ Civic Theater is the climax of Opus Opera’s first season, which began last fall.
Hymel said he and his wife started Opus Opera “as a passion project,” since many people their age don’t think of opera as “something they should include in their palette.”
Rather than trying to pull 30- and 40-somethings in to full operas, “we thought we would offer kind of tastes.”
The first evening took that literally, with a wine tasting: French wines paired with French art songs, with a reception afterward.
It brought in “a lot of the husbands” — men who don’t go to operas, though their wives are fans, said Hymel, who has sung with opera companies including the New York Metropolitan Opera, the Royal Opera in London, the Deutsche Oper Berlin, the Bayerische Staatsoper, and Teatro Municipale di Salerno. He said he’s also helped companies in Maine, Philadelphia, and San Francisco plan similar events.
Inspiration for Saturday’s event, titled “Mystique,” came from seeing online videos of coloratura soprano Rainelle Krause of Dallas, who enjoys creating what she calls aerial arias — performances in which she sings while hanging from, swinging on, rolling in, dropping along and otherwise playing with two long pieces of hanging fabric called aerial silks.
She’s performing three such pieces Saturday, including one created for Mystique.
Elizabeth Rose, who owns the Fly Circus Space studio in New Orleans, said that when she got Hymel’s email suggesting the collaboration, her response was, “Yes! It’s brilliant! Let’s do it immediately!”
With Glenna Broderick, her colleague at Fly Circus Space, and colleagues from other cities, there’s a wide range of performances, including a tightwire piece, dance trapeze, hand balancing on canes, aerial work on the “corde lisse,” or smooth rope, and “a duo adagio piece, like hand-to-hand acrobatics, but slow, sculptural.”
The entire Fly Circus Company will join in a spectacle for the final number. Hymel will sing “Nessun Dorma,” which became popular outside opera after Luciano Pavarotti sang it for the 1990 World Cup, then with the Three Tenors.
By JANET McCONNAUGHEY ,By Associated Press – published on STL.News by St. Louis Media, LLC(R.A) ___