broken parts.
@idmilo, music showcase chile, night at a private hotel party.
milo’s name is trapped in san’s phone. some of the unread notifications are from him. a glaring red dot, an eye that judges. but he’s busy, he defends. hes been busy. recording his song, choreographing, working in japan. and then stage prep for the showcase. he’s been busy. too busy to talk to milo. too busy to tap open those messages and see what he’d sent him. and does it even matter -- what are they? san still can’t figure it out. he knows that long ago he took them both between his hands and snapped their relationship in half. they didn’t bounce back, but they came back together. jagged linens that don’t fit quite right.
an unspoken want, and thinking of milo sometimes feels like static underneath his skin. pins and needles. a feeling he wants to escape from. he’d been busy. he hadn’t had time to see him. he’d only been ignoring him for a bit (for no other reason than being busy of course, or, that’s what he tells himself), but hasn’t it happened before? months gone by with no contact? but then, this time milo had been reaching out and san hadn’t bothered. he didn’t know if the reason for the messages was inane or important.
but he knows that when he runs into milo at the hotel later, drink in hand, that he probably should’ve bothered to open them. contact him. find him before their stages. something. but he hadn’t. san doesn’t apologize, doesn’t preemptively ask for forgiveness. he should, but he doesn’t. instead, he acts like nothing has happened. the avenue san falls back on often to deal with his problems. like if he closes his eyes they might disappear. “hey you, having fun yet?” san asks him, and he’s already downed a few drinks. it’s what san does when he has an access to a bar and has previously been forced to sit confined in a room with the rest of olympus for more than five minutes.
milo looks nice, he always does. had on stage, too. it always brings about complicated feelings for san. ugly feelings. jealousy, want. a yearning that he can’t quiet. something that calls and cries. wonders if one day milo will burn so brightly that san will finally become nothing to everyone. to midas, his mother, milo, himself. a thought of a boy snuffed out. gone. “i saw you on stage,” but san doesn’t press past that, just looks at him and subdues the urge he has to reach out. fit a hand to his hip. press his fingers hard into skin. in anger or desire, sometimes it’s hard to figure it out. separate the two.















