4.2.22 // id in alt text
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4.2.22 // id in alt text
girl help im feeling again
(id under cut)
The contemplation of orchards, Lau B. @smallepics || 04.11.21
In response to @nosebleedclub question prompts April 2021 series
Transcript below
secret sappho gift for @verilies , with lots and lots of love ♡♡♡
tonight is a night for miracles
4.1.22 // id in alt text
your hands like autumn leaves, her eyes like spring earth. you feed yourself to the deep piece by piece, limb by secret limb, trusting the hungry water to swallow what it cannot bear, to carry you away. blood on the waves and her smile like a mirror or a forest you could lose yourself in, blindly searching.
the river you swam in as a child runs south all winter, seeking the golden coast, impaling itself on shores you’ll never see with innocent eyes. when the storm rushes inland, you’re left again as flotsam on the sand. driftwood love and glass-soft anger, enough to build a fortress or a throne or a home or anything else that burns.
you’re still burning. the riverbed is scorched dry, the ships all sinking. you’ll always know the delta that leads to your homeland by the condemnation spilling red from the river’s mouth, thawed in the sudden heat.
a.s.w
you know that babies drop toys to see if gravity still works (it always does) and you (empty and transparent) (a synonym for yourself) do the same thing (fevered retreading of the same ideas) (writing the same poem around the same empty space) but you won’t admit it (a deniable language of correlation) (spoken, it becomes causation) (you know enough about tragedy in art to know that your life is neither) you’re still hoping that you (a body hitting the ground) can fool yourself (the ground that the body hits) into expecting anything other than the fall (the red line between desire and habit) (shapes in the receding sky) (the line between i want you and if i won’t admit i don’t want you, isn’t that enough?) (you know it’s not) because there will always be blood (the red line) (does the wound beget the poem or is it the other way around?) and you (weaving desire out of nothing so you can spend tomorrow night unweaving) know there’s no credit just for participating (leaving a space between lines) (pretending no one knows what goes there) so you’ll have to commit to living someday
a.s.w. || (insp)