Listen I have been fighting for my life because my art program updated and flipped my life upside down but, O H my gosh you guys have to play DISPATCH
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Listen I have been fighting for my life because my art program updated and flipped my life upside down but, O H my gosh you guys have to play DISPATCH
Burning Cold (Part Five)
Summary: What happens when you, Robert's brother, finally meets Flambae? And why are your ice powers being weird?
Pairing: Robert's brother!Reader x Flambae
Warning(s): Injection, pain to the reader, torture?
Words: 3,516
Note(s): I hope this makes sense! The footage is supposed to be when Robert was held hostage during the events of the game, before Blonde Blazer came to save him
The first time they show you the footage, they donât call it footage.
They call it context.
The word is delivered carefully, almost gently, like if they soften the label enough, it wonât cut the same way.
Like itâs something you need in order to make an informed decision instead of something theyâre using to split you open from the inside without touching you.
Like this is something youâre being given.
Not something being done to you.
A man you donât remember being introduced to stands near the wall-mounted screen.
He occupies the space too cleanly. Too precisely. Every line of his posture is intentional, every movement minimized to only whatâs necessary. He doesnât fidget. Doesnât shift his weight. Doesnât exist in the way people normally do. He just⊠waits.
He doesnât look at you like a person. He looks at you like a switch that hasnât been flipped yet.
âWe understand youâre hesitant,â he says.
His voice is smooth. Measured. The kind of tone that suggests your reaction has already been anticipated, categorized, filed away under something clinical and unthreatening.
You donât answer.
The screen flickers on, and then you see him.Â
Robert.
It takes your brain a second to accept it because your mind keeps trying to correct the image. To place him somewhere else. Somewhere normal.
Robert is upside down.
Suspended from somewhere out of frame, hanging by restraints that donât get the dignity of being shown clearly, just implied by the way his body pulls taut against them. Gravity has been reassigned to him in the worst possible way- blood rushing where it shouldnât, hair hanging loose toward the floor like the world has been inverted just to make him easier to break.
Heâs shirtless.
That detail lands late, like your brain refuses to prioritize it until everything else has already failed to make sense. Bare skin under harsh, unforgiving light. Bruising that doesnât belong to a single moment, itâs layered, older and newer violence overlapping in shades that shouldnât coexist. Marks that suggest time didnât pass normally for him either.
His head lifts once.
Just once.
A small, strained motion that shouldnât be possible in his position, like it costs more than it should just to acknowledge gravity is still there. Even inverted, even hurt, even held in a body that clearly isnât cooperating the way it used to- thereâs something in the way he moves that refuses to fully shut off.
And even through the distortion of the camera, you can see it: heâs still tracking. Still aware. Still him.
Thatâs when something in your chest locks. It clamps down hard and sudden- like invisible hands closing around your ribs, squeezing until your lungs forget how to expand. Air doesnât leave you so much as it gets stuck, caught halfway between inhale and exhale, like your body canât decide which one itâs allowed to finish.
Because thatâs your brother.
The recognition burns through you fast and brutal, dragging everything else with it- memory, instinct, fear- until thereâs no distance left between what youâre seeing and what it means.
The one who, at six years old, began dragging a blanket across the floor of your room because he decided storms were âless scary if you share the floor.â Like fear was something that could be redistributed if you just got close enough to someone else in it.
The one who would wedge himself beside you anyway, shoulder pressed to yours, pretending he wasnât awake when thunder hit too close. Whispering counts under his breath like numbers could keep the sky in order.
The one who used to turn your scraped knees into projects. Sitting you down with too much seriousness for a kid, inspecting injuries like he was assigned to them. âDonât look at it,â heâd insist, even as he cleaned it clumsily.
The one who would blow on the sting afterward like that alone could fix it. Like if he did it carefully enough, the pain would listen.
The one who used to check your room before bed- not in a way he ever admitted to. Just lingering in the doorway a second too long, eyes scanning corners like he was making sure the dark stayed where it belonged.
The one who used to split things evenly without being asked. Food, time, always making sure you got the better half when he thought you wouldnât notice.
The one who got hurt himself and immediately tried to downgrade it into nothing. Smiling too fast, too sharp. Saying, âItâs not even that bad,â before you could even decide whether to worry.
The one who used to steal the worst of things from you without asking- fear, blame, attention- like it was just another job he could take on if it meant you didnât have to carry it.
The one who, even when you were both older and pretending you didnât need that kind of protection anymore, would still quietly position himself between you and anything he didnât trust, like it was muscle memory he never grew out of.
The one who, even now- even now- is still trying to hold himself together upside down.
And the fear that hits you is not clean. It isnât abstract or distant or manageable.
It hits like something tearing forward through your chest, immediate and animal, because for the first time there is no version of him in your head strong enough to outrun what youâre seeing now.
The man beside the screen speaks softly.
âRobert Robertson III,â he says, like itâs a case file name. âHigh resilience baseline. Exceptional adaptive response under stress.â
Your hands curl without asking you first- fingers tightening hard enough that you can feel your own nails press into your palms, grounding you in something physical before the image can pull you any further under.
âGet him down!â you order.
Robertâs body shifts again, and for a second his breath catches- not breaking, not stopping, just interrupting itself like a system forced to re-evaluate every function mid-process.
Your fingers twitch- and stop.
Because they canât move any further than the restraints allow.
Your throat goes dry.
The chair registers it immediately.
A faint adjustment at the base of your neck, support shifting, posture corrected just slightly so your airway stays âoptimal.â
The man by the screen tilts his head slightly.
âWe were told you would respond strongly to him,â he says.
When your voice finally does surface, it cracks on the edges.
âWhy is he-â
âIf you comply with a single administration,â the man interupts, still watching the screen more than you, âwe will release Robert Robertson III.â
A pause.
âTake the compound,â he says. âAnd we will discontinue his involvement.â
The manâs voice softens, as if sensing the fracture forming.
âOne administration,â he repeats. âThat is all. And he stops being useful to us.â
The word useful scrapes against something in your mind that still remembers what people are supposed to be for.
Your vision tightens at the edges.
The syringe is closer now.
The man steps forward, just enough that the light catches the fluid inside it. Clear. Precise. Like itâs already decided what it will do before it ever enters you.
âYou are not being coerced,â he says gently. âYou are being offered an outcome.â
Your fingers curl inside the restraints until they shake.
ââŠDo it,â you say.
The syringe moves.
Your body tries to pull back before you can think about it.
The restraints answer instantly- firm, precise, inescapable. our movement stops mid-attempt, arrested so cleanly it feels like your own body has been edited out of the equation.
Fingers spread slightly, anchoring you in place, and then your head is tilted- carefully adjusted, like positioning something fragile under inspection. The angle removes your ability to choose where youâre looking. It narrows the world down without asking.
You feel the cold wipe first. It lingers just long enough to register as preparation rather than comfort. A marking of whatâs about to happen.
Then the pressure.
Then the needle.
It doesnât hurt at first.
Thatâs the lie your body tells you in the half-second before it realizes whatâs happening.
It spreads in branching networks, like fire learning your internal structure, like something inside you is being read and rewritten at the same time. Every nerve it touches lights up not in sequence, but in clusters, as if itâs choosing where you are most vulnerable and arriving there first.
Chest first.
A brutal, crushing clamp from the inside out, like your ribs have been filled with molten pressure and then cinched tighter, tighter, tighter until movement stops being an option and becomes a violation. Every heartbeat becomes a collision instead of a rhythm- each one slamming against resistance that wasnât there a second ago.
Then your throat.
It doesnât close. It locks. Hard. Violently. Like the muscles have been seized in a fist made of fire and refusal. Swallowing isnât just impossible, itâs a memory your body tries to perform and fails at so completely it feels like choking on the concept of breathing itself.
Your spine ignites next.
An electric, vertical collapse of sensation that doesnât travel so much as occupy. Each vertebra lighting up like a switch being forced on with too much current, too fast, too deep.
Behind the eyes.
It feels like your skull is filling with pressure that has nowhere to go, like your vision is being squeezed from the inside. Light turns vicious, overexposed, every edge of reality sharpened into something that hurts to perceive. It feels like your brain is being pressed too tightly against the inside of your skull, like even thinking is scraping raw tissue.
Your breath catches hard.
Not voluntarily.
Not gently.
A clean interruption in the middle of the cycle, like someone reached into your chest and pulled the timing out of your lungs. Inhale becomes a broken half-start. Exhale never arrives. The rhythm youâve lived your entire life on simply⊠disappears, leaving your body suspended in the aftermath of a pattern that no longer exists.
The man withdraws the syringe calmly, as if nothing has changed.
âAdministration complete,â he says.
âHey. Hey, look at me.â
Flambaeâs voice cuts through it first. Not loud, not panicked, but firm in a way that refuses to let you drift any further. Like heâs reaching into the space youâre slipping through and grabbing hold of whatever part of you is still listening.
Then Prism, somewhere to your left, sharper now. âOkay- no, no, youâre not in that. Youâre here.â
Your lungs catch. A violent inhale that feels like it drags you out of somewhere you were still partially inside.
The stairwell slams back into place around you.
Metal steps. Fluorescent buzz. Cold air that is real instead of engineered.
Your knees almost donât hold.
Flambae catches you before that becomes a problem. His hand catches your arm mid-fall, firm enough to stop you but careful enough not to jolt you further off balance. Heat bleeds through your sleeve where he grips you- steady, contained, not burning, just there. Real in a way everything else is struggling to be right now.
It anchors.
Like someone pressing their palm against the edge of something that was tipping too far, holding it in place until it remembers how to be still.
âOkay,â Flambae says again, lower now. âYouâre out. Youâre not there.â
Prism moves into your line of sight- too close, but deliberately so.
âListen to me,â she says quickly. âYouâre not in the facility. Youâre in the stairwell. Thatâs Flambae. Thatâs me. Okay?â
Cold surges, moving inward, a reflexive collapse from somewhere deep and animal, older than thought. Your body trying to conserve itself by narrowing everything down, pulling inward like a hand curling into a fist around something fragile.
Flambae tightens his grip slightly.
Not enough to restrain you- just enough to remind you thereâs something solid still holding on. His fingers adjust against your arm with subtle precision, like heâs registering the shift before it fully shows itself on the surface.
Like he can feel you trying to pull away from here before you even move.
âHey,â he says, quieter now, right near your ear. âDonât fight it. Just-stay with me, okay?â
The stairwell returns in sharper focus: the railing, the slight dampness still clinging where everything earlier overheated and cooled too fast, the faint echo of footsteps somewhere far below. Prism looks like sheâs trying not to overwhelm you with the fact that she has approximately twelve emotional reactions happening at once.
Flambae doesnât let go.
Not yet.
âOkay,â he murmurs. âThere you are.â
You swallow.
It hurts in a normal way now.
âDonât,â Flambae says immediately, firmer now. âDonât go back in your head. Not alone.â
Your breath stutters again, less violent this time, but still wrong around the edges, like your lungs havenât fully agreed to come back online yet.
âIâm not,â you manage.
Itâs not entirely true.
Something in your chest is still half-turned toward that room. Toward the screen. Toward Robert suspended in a place your body remembers too well.
Flambae doesnât call you on it.
Prism hovers at your other side, hands half-raised like she keeps forgetting what sheâs allowed to do with them.Â
âYour eyes did that thing again,â she blurts, then winces. âNot- not a bad thing. Just. A thing that happens when people are about to emotionally leave the room.â
You let out a weak, uneven breath that almost passes for a laugh.
âGreat,â you mutter. âLove that for me.â
âYou with us?â Flambae asks.
You nod.
He doesnât accept that.
âSay it.â
Your jaw tightens, but you do it anyway. ââŠIâm here.â
âGood.â
Flambae watches you a second longer than he should.
Itâs subtle- most people wouldnât catch it. The way his attention lingers not just on your face, but on the small things. Your breathing. The slight tremor youâre trying to hide in your hands. The way your shoulders are still a little too tight, like your body hasnât fully accepted that itâs allowed to exist here again.
âThatâs how you got your powers,â he says.
The words are simple. Straightforward.
It lands differently coming from him.
Prism presses her lips together, processing that, and for once she doesnât immediately fill the silence.Â
Flambaeâs hand curls slightly at his side, fingers tightening once like heâs resisting the urge to hit something that isnât there anymore. He exhales a second later, slower than before, dragging a hand back through his hair. The motion lacks its usual restless energy. Itâs heavier. Grounded in something closer to frustration than irritation.
ââŠThatâs why you didnât want him to know,â he says.
You nod once.
âIf he knew,â you say, your voice steady in a way that takes effort, âheâd see it as his fault.â
âHe would,â Prism agrees immediately.
Flambae glances at her, then back at you. ââŠYeah.â
And thereâs something quieter in it this time. Something that sounds like heâs not just agreeing with her, but recognizing it for himself.
âHeâd try to fix it,â you continue, the words coming a little more carefully now. âOr undo it. Or carry it somehow. And he canât.â
Your voice tightens slightly.
âHe already carries enough.â
Flambae looks at you for a long second.
âYou donât have to carry it alone either.â
You huff out a breath, something caught between disbelief and deflection. âIâm doing a great job so far.â
âYou almost passed out in a stairwell,â Prism points out.
âDetails.â
Flambae doesnât smile.
âThat wasnât nothing,â he says, and thereâs a steadiness to it that makes it harder to brush off. âThat was you getting pulled back into something that hurt you and trying to handle it solo.â
You open your mouth to argue.
Nothing comes out.
Because heâs not wrong.
âWeâre here,â he adds. âWhether you like it or not.â
Prism nods quickly. âAggressively here.â
That almost gets a real laugh out of you.
âSo,â Prism says carefully, âjust to recap: traumatic backstory, secret powers, morally questionable experimentation, protective older brother, and-â
âNo recap,â you and Flambae cut in at the same time.
Prism exhales sharply, shoulders dropping in exaggerated defeat.Â
âIâm being silenced in my own workplace.â
Your lips twitch. Flambaeâs attention flicks back to your face again- quick this time, like heâs trying not to make it obvious- but itâs there. That same quiet tracking.
âHey-â Robertâs voice echos out
Flambaeâs hand doesnât jerk away. He doesnât drop you like heâs been caught doing something wrong. Doesnât flinch, doesnât scramble, doesnât overcorrect. Your brain, still half-threaded through memory and adrenaline, latches onto that detail and doesnât know what to do with it.
Robert stops mid step. His eyes flick once- to your face, then to your hands, then to Flambaeâs hand still on your wrist.
âYou ok?â
ââŠYeah.â
The word leaves you thinner than it should- flattened on the way out, like it had to squeeze past something tight in your chest to exist at all.
Robert doesnât move right away.
And somehow, thatâs worse.
Because if heâd reacted- if heâd argued, pushed back, laughed it off- youâd have something to meet. Something to deflect. Something you could work around.
But this?
This is him thinking.
And when Robert thinks, itâs never passive.
You can see it happening, even in the quiet- the way his focus narrows, the way his gaze fixes just slightly past you instead of on you, like heâs already rearranging what he knows into something more complete.
âCaught him before he hit the floor,â Flambae says simply.
Prism makes a small noise that sounds like she just swallowed a scream and filed it for later.
Robertâs gaze snaps back to you.
âYou almost fell?â
âIâm fine.â
âYou almost fell.â
âI didnât.â
âYou just said you were fine like youâre trying to convince me,â Robert replies, stepping closer now, voice still even but tightening at the edges. âThatâs usually a bad sign.â
Flambae finally moves.
Not away- just enough to release you fully, his hand dropping back to his side in a controlled, deliberate motion. No suddenness. No guilt.
âIâm here,â you say quickly, the words coming out a fraction too fast, like youâre trying to get ahead of the next question before it forms. Then- before Robert can follow up, before he can start pulling at threads you donât want touched- âI just tripped.â
ââŠYou tripped.â
âYeah.â
âOn what.â
You glance down at the perfectly empty stairwell. No obstruction. No debris. No excuse.
ââŠThe floor.â
Prism chokes.
An actual, involuntary choke, sharp and immediate, like her body rejected the statement on instinct before her brain could catch up. She turns away so fast it looks like she just witnessed something illegal and decided, instantly, she does not want to be associated with it.
Robert doesnât even blink.Â
âThe floor.â
âIt came out of nowhere,â you say, completely straight-faced. âVery aggressive.â
Flambae exhales sharply through his nose- there and gone in a second, the sound caught halfway between disbelief and laughter before he forcibly buries it.
Robert lifts a hand and pinches the bridge of his nose, slow and deliberate, like heâs buying himself a second to decide how to respond without saying something he canât take back.
ââŠYou tripped,â he says slowly, âon a stationary, non-sentient surface.â
âIn my defense,â you say, holding up a hand, âI was also moving.â
Robert lowers his hand.
He does not look amused.
âI prevented that outcome,â you add, because apparently youâre committed now.
âNo,â Robert replies, voice flattening, âhe did.â
His gaze flicks to Flambae.
Then back to you.
You hesitate.
ââŠteam effort,â you amend.
Prism turns back, wiping at her eyes. âI just want it on record that if the floor attacks again, I will be filing an incident report.â
âThank you,â you say. âI feel supported.â
âYou are not helping,â Robert says.
Flambaeâs head dips slightly.
Not enough to be obvious.
Just enough that you catch the way his shoulders tighten for a fraction of a second- like heâs suppressing something again. Laughing, probably. Or maybe just⊠letting you have this.
Prism, apparently deciding this has reached a level of tension she is not emotionally equipped to survive, raises a hand slightly.
ââŠI could go get snacks,â she offers weakly. âThis feels like a âsnacks would helpâ situation.â
âNo,â Robert says immediately.
âCool,â Prism replies, lowering her hand. âJust checking.â
Robertâs gaze flicks between all three of you in rapid succession- like heâs trying to solve a problem that keeps refusing to stay in one shape long enough to be solved.
ââŠNext time,â Robert adds, voice steadier now but still edged, âif the floor launches another surprise attack- maybe lead with that part.â
Prism snorts.
You latch onto it instantly.
âThank you,â you say. âIâve been saying the floor is hostile for years and no one listens-â
âStop,â Robert cuts in, but thereâs a faint crack in it now. Not quite amusement. Not quite exasperation. Something in between. âJust- stop talking.â
You do not stop talking.
âStatistically speaking-â
âStop talking.â
â-Iâm actually very brave for continuing to use stairs-â
âStop.â
Dispatch Christmas pfps - Part 1! If you use these feel free to repost/credit me but it's not needed really.






