#jack wilton

[coffeebluesel]

I really enjoyed drawing this It was a change of what I usually draw. I love the outcome, this motherfucker changes a lot I hope everyone enjoys him as much as me. Especially love him in roleplays I have w/ people cynical, and a downer to be around I look forward to drawing, and posting him more.

[illustratus]

The Earl of Surrey "Beholding the Fayre Geraldine in the Magic Mirror" by Edward Henry Сorbould

"The subject of Corbould's water-colour comes from Thomas Nashe's picturesque romance "The Unfortunate Traveller", which was published in 1594. A fictional character, Jack Wilton, is taken to Italy by the Earl of Surrey, a figure modelled on the real life Henry Howard, Earl of Surrey (?1517-47). In the story Nashe describes the Earl as being helplessly in love with the fair Lady Geraldine, daughter of the ninth Earl of Kildare, to whom he had addressed one of his sonnets. In the course of their travels Wilton and the Earl visit Henricus Cornelius Agrippa (1486-1535), a scholar and necromancer, in Nettesheim. Agrippa summons a vision of Lady Geraldine on a magic mirror that he keeps in his chamber. In Corbould's water-colour Surrey, wearing armour, is seen staring with amazement at the image of his paramour".

[dopecheddar]

Jack Wilton - Shulgan's Experiment [Repopulate Mars] Follow DOPECHEDDAR on Soundcloud

[mike-and-others-askblog]

Basically:

Wilton: *sees Male he likes*

Wilton: AFAGAVAHADJSJJHGHZ HELLO YES-

-BUT WHEN IT'S JACKLYN-

Jacklyn: *sees Boy he likes and 2 Year Old side comes out*

Jacklyn: TAKE ME YOU BEAUTIFUL PERSON!~ Or else I will Cut you-

[aura-art]

Drew Jacklyn because of Boredom.

[denofgeek]

The Man From Hong Kong: A Genuinely Dangerous Action Movie

The behind-the-scenes tales of The Man From Hong Kong blow every kung fu movies out of the water...

Zhang Yimou's recent Great Wall shows that, with audiences and producers alike, there'll always be a weird fascination to East-meets-West action flicks. When the kung fu movie boom of the 1970s shot Chinese cinema into the Western spotlight, international producers everywhere jumped on the bandwagon. Eager to capitalize on a bottomless audience appetite for martial arts mayhem, Western distributors started collaborating with the larger Eastern studios to try and create films with even wider appeal.

When Warner Bros and Golden Harvest struck gold with their co-production of Enter The Dragon, others followed fast. Hammer and the Shaw Brothers had a crack at mixing kung fu and vampires in Legend Of The Seven Golden Vampires, but over in Australia, Greater Union and Golden Harvest were hatching an even more outlandish collaboration: The Man From Hong Kong...