#james capper

[joshuahowls]

James Capper

[vibrantkick]

CAPPER: I saw this one work in Chelsea, in a very rare catalogue. It was Michael Heizer’s “Dragged Mass.” I loved it so much I photocopied it and made my own. The work was commissioned to be outside the newly built Detroit School of Art. He delivered something like a 60-ton piece of sandstone, and he had two bulldozers drag the stone until the machine stopped. What it did was it left this huge mark behind it. It sunk into the ground. He got into a lot of trouble, because it didn’t look like a sculpture. But that opened my eyes to what sculpture could be. That lead me on to an investigation in Land Art. Heizer was swapping his canvas and paintbrush for sticks of dynamite and a bulldozer. It reminded me of the relationship between drawing and welding. I was wanting to make something really pioneering. I didn’t want to be a copycat

[paintingandother]

JAMES CAPPER

[shaunmcdowell]

[youdidwhatnow]

James Capper: Mountaineer Tooth G, 2014

[industrialentertainment]

PATTERN

[industrialentertainment]

JAMES CAPPER_HYDRA STEP

[6pillars]

Hear our interview with artist Mohammed Qasim Ashfaq (pictured with his work "How Dirty is Your Glossy Black?") & James Capper at Art Dubai 2013 for Falgoosh Radio

https://soundcloud.com/resonance-fm/art-dubai-thursday-the-moving?in=resonance-fm/sets/six-pillars-to-persia