What we wish most to know, most desire, remains unknowable and lies beyond our grasp.
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"Human speech is like a cracked kettle on which we tap crude rhythms for bears to dance to, while we long to make music that would melt the stars." [Flaubert]
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With metaphor and symbol, we are provisionally able to approximate, to apprehend, to appreciate that which lies beyond our powers to understand or to control.
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While our condition remains fragile and sometimes terrible, we are nonetheless afforded a means by which to participate in the deepest mysteries of which we are a part and with which we long to connect.
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The mythic ground has shifted from intimate relationship with nature, from stable social fabric, and from certainty of belief. Hirsch's metaphors, like T. S. Eliot's "this is the broken jaw of our lost kingdoms," communicate through their very "dis-location." In this existential chasm depth psychology necessarily finds its work, for spiritual dislocation is the chief wound which lies beneath the other wounds we treat with work, drugs, ideologies, or desperate love.
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Pascal wrote in his Pensees that the secret task of civilization was to offer divertissement or "distraction," lest we grow terrified of being wholly present to ourselves.
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Painting seeks to capture an essence which extends beyond the transient to the essential.