seen from Argentina
seen from Singapore
seen from Italy
seen from United States
seen from Argentina
seen from Ukraine

seen from United States
seen from Jamaica

seen from United States

seen from United States
seen from United States

seen from Netherlands

seen from China
seen from Japan

seen from United States
seen from United States

seen from United States

seen from United States

seen from Kazakhstan
seen from United States
The more I look at doing Avatar Kyoshi for DragonCon, the more I want to make my own jika-tabi. Even if it's buying a pre-existing pair and recovering them since the sole is a bit tricky....
The most interesting quote for both fans of authentic kimono (and also for those whiny cultural [mis]appropriationists) follows:
"There have been a number of gaps in Japanese clothing history, which contributed to a decline in popularity of indigenous clothing. “When the bicycle was introduced to Japan in the 1860’s, there wasn’t a corresponding redesigning of the kimono to facilitate its use,” says Takeshi Wakabayashi, Sou Sou’s founder and president. “Also, most of the restrictive rules of when and how to wear kimono are relatively new to Japan. Until the end of the feudal period (1868), “there were few rules covering kimono wear.” "
So 2 interesting points here
1) The strict 'Japanese' kitsuke rules we think of today are actually heavily Victorian/European yofuku (Western clothing) influenced (and then resurrected in Japan post WWII when how to wear kimono was no longer common knowledge for young women and men and their parents which lead to the birth of kimono & kitsuke (dressing techniques and rules) gakuin (academies/schools) taking over kimono-wearing in the post war era and the rules being rather strict).
So it's a nice and potentially unanswerable question as to who really is appropriating whose culture here? How much of what the cultural [mis]appropriationists think is Japanese is actually Western fashion ideas of the Victorian era modified to suit Japanese tastes (like mofuku starting in all black and moving to purple after a proscribed mourning period but the clothing bereaved Japanese choose is wa instead of say bustles and corsets and day dresses you can't take apart to clean and then sew back together easily the way you can with a kimono)?.
2) Are people like Takeshi Wakabayashi and his partners some kind of race/culture traitors because they're experimenting with wa (Japanese) fabrics and shapes and clothing forms and reinventing them? Or is this just another way in which the whiny cultural [mis]appropriationists are getting their understanding of their culture and their history wrong while people like Wakabayashi fight for wafuku to have some kind of future, i.e., if Japanese people in Japan or outside of it won't wear kimono regularly and love them and pass that knowledge onto their descendants, then are Wakabayashi and many others making and selling wa-influenced clothing wrong to be looking to non-Japanese to keep something of their fashion culture alive?
I'm of the school that says that culture and fashion both evolve and adapt so they can stay alive and relevant to the daily lives and realities of people.
And I happen to like what Sou Sou is doing with their clothing designs and their jika-tabi especially (split toed shoes with rubber soles that are popularly worn by construction workers, farmers, gardeners and the like, the comparisonof these shoes to sneakers today is understandable if not always perfect). I think they're a brilliant company and I've put my money behind my opinions.
One more quote I love from the author:
"We need to ask ourselves, “do we want to buy the same clothes made on the same automatic machines by the same designers from the same chain stores available all over the world?” As I have personally been inspired by Alice Waters and the Slow Food Movement, I applaud companies like Sou Sou who are creating a grass roots Slow Clothes Movement."
I love jika-tabi and I want these.
Tabi have been in use in Japan since the 1500s, but tabi boots, aka jika-tabi, are a recent phenomenon. The modern rubber-soled version was developed by the CEO of Bridgestone for his factory workers to wear in the early 1900s, and has been a popular piece of safety equipment ever since. They're preferred to stiffer American-style work boots for much the same reasons toe shoes are becoming a thing in America now- you get a better sense of where your feet are. For jobs like high-rise construction, or running about the rigging on an airship, that can be a life or death question.
If you are looking to purchase them in the US, Amazon is probably going to be your best bet; the average price is about $30. (If you're willing to drop $300 instead, you could also check out AYYA.) And of course, Sock Dreams has some amazing (and occasionally silly) tabi to wear with them.
Note: The above image is from a fashion catalog for modern Japanese construction workers; it just happens to look steampunk! If you want more inspiration, check out the whole catalog. (Keep in mind that as awesome as the above image is, it was made in the modern era. Images from the time have people dressed more like this or this. Have fun, but know what you are imitating, and from when!)