#johansen

[fhtagn-and-tentacles]

CALL OF CTHULHU

R'lyeh Rising 100th Anniversary by Nottsuo

[chicinsilk]

US Vogue August 15, 1956

Slim-fitting dress in navy blue wool broadcloth with a pattern and a satin neckline. By Harvey Berin in Forstmann wool. Hat: Sally Victor. Shoes: Johansen.

Robe à la coupe élancée, en drap de laine bleu marine, avec un motif et un décolleté satiné. Par Harvey Berin en laine Forstmann. Chapeau : Sally Victor. Chaussures Johansen.

Photo Henry Clarke

[vintagepipemen]

Danish soccer coach Kaj Johansen during an interview, 1985.

[roughridingrednecks]

Johansen

[xstrikeapose]

Lea Mohr photographed for Johansen Summer 2022.

[216apuntes]

Desde que te perdí, tomamos unas cañas por ahí...

Me dices que no es lo mismo ya sin mí...

Que ahora también eres mucho más feliz...

[nocheinvernal]

"Tear Queen, you'll either be dead within a week or you'll be the most fearsome ruler this kingdom has ever known. I see no middle ground.”

― Erika Johansen, The Queen of the Tearling (La reina del Tearling).

[noosphe-re]

Throughout the ages human beings have re-enacted their rituals among the spatial symbols as if on a stage set. Certain of these spatial symbols, such as the cave, the forest, the bridge, tower and labyrinth, have always been an element in my work. These symbols have appeared in my classical period, biomorphic period, ad hoc-sheet metal period, and in my most recent designs projected into the 21st century. It wasn't until reading Carl Jung, Joseph Campbell, and Thomas Merton that I understood what a symbol really was. Previous to that time, symbolism was for me a vague but deeply felt state of awareness, which was not a known or controlled ingredient of design, but an intangible and necessary need of my psyche; and, I believed, for that of those I have served. In my more recent work, I find myself no longer in the same subconscious state of mind I experienced when I designed the houses, but now I am even more fluent in my use of symbolism.

John M. Johansen