(Disclaimer: All translations are my own work, please do not use without proper credit!!)
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Nice: “Sorry to keep you all waiting so long! Now, join me in introducing: Mellow Dear Us!”
Juis: “Dears, thank you for coming to today’s JAPAN Debut Showlive~♪”
Juis: “It feels like this day has finally arrived after so long. Let’s enjoy ourselves together!”
Mashu: “Sooooo! It’s time to reveal today’s first special event ★”
Mashu: “For all the Dears gathered here today, we’re unveiling the brand new poster made exclusively for our debut song! #DebutPoster♪ #CertifiedMasterpiece #MyHeartIsMelting”
Chitose: “3, 2, 1! Take a look ♪”
Chitose: “Fufu, what do you think? We wanted to please our Dears, so we brought all our energy to this photoshoot and gave it every ounce of our effort ♪”
Juis: “For this poster, we wanted it to represent the charm of being both sweet and bitter. We hope you feel that mature appeal we intended.”
Nozomi: “Still, don’t be satisfied with this just yet, alright? We’ve prepared all sorts of events. Enjoy them to your heart’s content… ♪”
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(So happy MDU is finally here🤭, so here’s their unit intro translation to celebrate! Very happy they’re in Rythlin, wondering if they’ll have any interactions with Ra*bits 👀 I’m excited✨)
Hi hi!! Did you read the valkyrie climax event? What are your thoughts on it? Do you think it was a good development for Valkyrie as a unit (and for shumika)? 🤔
Hi!!! It's lovely to see you again :)
So originally this post started off with a Le temps des fleurs analysis...that got so long that rather than subject everyone to a five page post, I've decided I'll post separately in the future lol.
But yes, I have read through Raison D'etre! To be honest, I don't think this post will be able to sum up all my thoughts, but I'll try to hit the important parts!
I feel that first I need to define what, to me, makes a good climax event. A good climax event, by my personal definition, ties up loose threads of the current storyline, addresses built-up conflicts with good pacing and in-character reactions, and resolves the current story thread of the unit while still allowing many more narratives to be weaved in the future. So far, of the other units we've gotten climax events of (fine, Crazy:B, Ra*bits, Double Face, and as of recently, 2wink), I think this has all been done fairly well - a couple character slip-ups, a few pacing issues here and there, a shoved-in conflict or two - but ultimately, they did their job, and I came away feeling fairly satisfied by their current conclusions.
I think I also need to state that I do not expect, nor frankly want, all of the character's issues and relationships to come away squeaky clean and unproblematic. I'm always for development of course (Neverland's garbage talk made me sob over how far Shu and Mika have come), but ultimately, this game is about a bunch of screwed-up kids in an exploitative industry, and how they navigate it while facing their own personal issues. Like other gacha games, from otomes like Obey Me to fellow joseimukes like Twisted Wonderland, the end goal is not to make the characters perfect, or even relatively good people. It's to weave a satisfying narrative, something that hooks and engages people. And while I will be the first to say the Enstars writing is not always "good" and can be riddled with problems, I still see a lot of potential in it and ultimately enjoy it, which is why I'm writing this.
I'm happy to say that Valkyrie did not break the pattern of satisfying climax events for me, and in fact, has come away as my favorite of them thus far. I readily admit that bias does in fact play a factor in my enjoyment - as it did with 2wink's and I'm sure it will when Alkaloid's drops - but I truly did feel that Valkyrie's climax event was incredibly satisfying for both of them.
So, onto the story!
Some of my favorite bits:
Shu defending Nazuna's autonomy was so asdfghjkl 😭 GODDAMN that hit me right in the feels! I liked that despite Nazuna being part of the event, the writing didn't try to dredge up ex-valk issues, and instead used Nazuna as a person close to them in order to forward their development, rather than as an angst tool, if that makes sense? He also seems to be doing a lot better since Ra*bits climax (poor man finally caught a break), so good for him! Also, Mika gaining weight! He is finally eating properly 🥺 I'm so proud.
Ok, so adding onto the above, initially the Kuro-Nazuna crossdressing subplot made me wary since I was afraid enstars was backtracking into some of its more...iffy writing choices (*stares at Poltergeist*). However, after reading the story through, I can safely say that the way it ties back into the theme was good, and ultimately, neither Kuro nor Nazuna exhibited any behavior that impacted my enjoyment of the story (+ this thread addressing issues people had with Kuro here, because my dude was getting attacked when this dropped).
Instead of "haha man in a dress", it showed a good progression of attitudes with old vs new era and Japan vs West that I felt was explored pretty thoughtfully, and the way Shu and Mika honored that by having such gnc stage costumes was very lovely! Kuro and Nazuna's good reactions to it also showed how much more open-minded they were as compared to Shu's grandfathers era, and also showed a reflection of enstars own writing changes between ! and !! era (ex. Koga and Subaru dropping their slur usage towards Arashi, Kaoru being more thoughtful towards Adonis's background, etc). I'm not trying to be a suck-up to the writers, since there is some stuff they've written that is...less than lovely. However, I don't think this situation was one of them, and overall, it tied back into Shu's journey well.
One scene I really want to talk about is the foie gras conversation because that was just!!! so!!! It's a very small scene in the grand scheme of things, but I thought it showed their development really well (Raelyn get new phrases challenge lol), so I wanted to mention it here! Mika wants to try foie gras, and Shu is like "why. it's gross and inhumane and there are so many better foods" which is totally fair (foie gras is often inhumanely created). However, Mika doesn't automatically apologize and back down like he would in the past, stating that he knows, but he still finds it interesting. Shu also does not shut Mika down; he states that maybe at another time, though he sticks to his own boundaries of not having it himself.
What I really like about this scene on Shu's end (and his relationship with Mika as a whole) is that he does not regress into treating Mika like he did Nazuna; he does not try to insist that Mika is perfect and should not soil himself with such indelicacies, nor does he put him on a pedestal and automatically throw out his own opinions for Mika (essentially, treating him as Mika treated him). Shu truly treats him as an equal here, by stating his own opinion and having an open and meaningful conversation with Mika, getting his view on it without completely sacrificing his own thoughts. Mika, in turn, does not treat Shu's words as gospel, nor does he feel the need to plead his case; the conversation is entirely casual, a mere exchange between partners, but its so important because its one of the first times they've demonstrated that they've made it to this point. The whole thing is wrapped very nicely in a bow by Shu creating something with a similar taste and texture to foie gras to give Mika a similar experience, without having to cook the actual thing - its a great compromise both are satisfied with, and gives us a look into how their current art and performances are being created.
(Translations below by mika_enstars)
Shu's whole-hearted acceptance of Mika also comes back into play during the grave-robbing aftermath, which is something I have a lot of thoughts on, so I'll save it for a separate post.
Getting into what blew every enstars fan's mind, time to discuss the very queer themes of Raison D'etre. This shocked me when the translations first came out - I think the closest we've EVER gotten to this amount of explicit rep was Beasts and Pretty Mission, and even those can be argued for different interpretations, though I feel their text is pretty clear. Lots of queer fans (including me) gravitate to Valkyrie, and enstars as a whole tbh, for good reason - lots of their story aspects can be considered queer, from Shu's feminine interests and subsequent bullying, Nazuna feeling "trapped" by ex-Valk's expectations, and Mika's alt interests and unwavering devotion.
The doll plot was confusing as hell lol, but I get why it was done in such a convoluted manner, since it was supposed to be left up to interpretation, and force Shu and Mika to come to their own conclusions. Shu's grandfather deliberately set it up in such a way that Shu would be forced to weave the story he wants, and in doing so, accept the parts of himself he had hidden away - a fairly thin parallel to his grandfather's queer youth.
However, the difference here is that Shu does not plan on hiding, he does not plan on bundling away his feelings in a neat little box (or journal, in this case), and leaving them behind. In Antique Legend, we see that Shu's grandfather clearly tried to conform to what was expected of him, and impart those same values onto Shu - though Shu never fully stuck to those principles in favor of forging his own path, which I think his grandfather was secretly proud of him for.
(Antique Legend: Dumps of Dreams, Ep 8)
Shu internally monologues about how different his grandfather's time and the current one he lives in are, and how things are evolving in such a way that he can stand on stage without the ridicule his grandfather may have faced. This, along with the ending of "Let's live together happily, Kagehira" as an ode to his grandfather's dreams, really does read like a love story to me, especially the part right before where Mika compares the love Shu's grandmother has for his grandfather as the same love Shu has for him - which Shu doesn't deny.
A couple other things to wrap up:
I found it so interesting how Mika and Shu had different takes on his grandfather's life, and trying to unravel the truth was both fun and a chore and a half for me lol. All in all, the audience isn't meant to know fully, but I think Mika's theory might hold a bit more water (Shu's grandfather being gnc and dating the landlady), since he had extra info and is bffs with Naru, giving him a bit more insight. However, I can definitely see why Shu went with his theory of "grandpa had many different male lovers in his youth", as not only is it the one that does not imply cheating, but it is a closer representation of how Shu feels, and I think that's what grandpa was trying to get at.
The use of "boku" and "ore" was also pretty good storytelling imo, and adds an extra layer of projection, since Shu uses "boku" while Mika uses "ore" in day-to-day life. "Boku" is also seen as politer and more formal, while "ore" is more casual and was at one point seen as crass, which reflected their story roles well!
The fact that Shu's grandfather just??? Fakes his death on a regular basis is???? So???? I can't even asdfghjkl. Kuro being like "yeah, I comforted him the first 5 times, but then I got kinda sick of it" is so funny too. I wonder if any of the rich enstars kids are gonna do this in the future, my money's on Eichi (for profit), Ritsu (for fun), or Hiyori (for drama) personally.
I know I said I wouldn't talk about it here, but the grave-robbing aftermath where Shu describes Mika as a fairy during their first meeting, as a contrast to how he had always described him as a ghost? That got me so good, especially since it's something so idealistic being used when Mika is currently cold and covered in dirt. It's just such wholehearted acceptance of his partner, it's so beautiful.
Anyways, I think I'll end it here, but again, thank you so much for the ask and patience Dia!!!
(Edit: accidentally included RYUSEITAI with the climax units, it's fixed now)
