Friends to Lovers Tournament: Round 1, Side A, Match 13
Junnana (Revue Starlight) vs Alanna/George (Song of the Lioness)
Junnana
Alanna/George
Voting ended onJul 10, 2023
propaganda under the cut!
Junnana:
Oh they are so very silly and I adore them. They basically spent the anime being the most married couple there, the game amplifying that and the movie burning that all to the ground (or Nana did that) before vowing to start a new later. They're just a girl reaching for her dreams without a ton of natural talent and a girl who enjoys helping her friends shine instead of herself despite being super skilled but even though they have slightly different goals on the stage they both respect each other so very much to the point where things only go wrong in the movie because Nana lost a bit of the respect for Junna that was always so fundamental in their dynamic. The Overture manga gives a bit of insight into what their early interactions were like especially in their respective focus chapters (3 and 9), with 3 showing that Nana was planning on becoming their class president rather than Junna but stepped down just because she had so much trust in her abilities while still making it clear that Junna could rely on her while in 9 the mutual reliance came back in the form of Junna being the one to make Nana realize she wasn't alone. Carrying onwards to the anime, some time before the whole thing, Nana decided "hey time loops are pretty cool" because she was afraid of her and her friends growing up and separating. This was not a fact known by anybody but her and that one giraffe and did not affect the early plot, where for the most part Junna was more focused on due to her struggles being highlighted from the moment revues were introduced and Nana was just constantly around her. Then Junna ended up being the first person Nana actually told about them directly (and not in a very vague way in a revue because otherwise Hikari would be the first) because it was looking like said loops were about to end because the childhood friends to lovers dynamic as a whole decided to say nuh uh to her. Then she did in fact lose her next revue which made the idea of continuing her repetitions a little impossible but Junna ended up recovering from that whole shock pretty quickly, and went to comfort Nana and help her learn to start anew.
Then there's the game which. yeah there's so much stuff in there that I can't even explain it all. In the main story we get the arc of Nana starting her overprotective bs once again, getting stopped and then being given more courage to move forward by Junna since she was realizing that she kind of messed up (since she decided to object to the concept of plays just having lead actors in general. as you do), but there's so much stuff outside of the main story. Highlights include: Junnana literally making up their own ship name, Nana deciding the best way to practice for a role centered around an observant character was to observe Junna specifically, Nana writing a self-indulgent Phantom of the Opera adaptation with herself as the Phantom and Junna as Christine in an event where it turned out she relates to the Phantom (red flag #1 as far as I'm concerned) and wrote Christine based on Junna (Junna was very okay with this but I find it hilarious that she made her adaption of a famous play basically self insert fanfiction), the actual Junnana kiss (stage kiss?? real kiss?? we'll never know), the Valentine's Day event where Junna kept saying things like "oh I'd go to any lengths for Nana" while talking about making chocolate of all things, the time Junna talked about how she wouldn't let anybody take her place of staying right by Nana's side if she had to because she loves being there completely out of the blue to Nana's ex of all people (not a canon ex but a lot of people who know about her whole deal with Nana at least agree that they had something going on. and let me tell you Junna telling the person who constantly regrets not having the strength to remain by Nana's side how much she loved being with Nana was not a smart choice, even though Hisame, the girl in question, took it very well), the Steins;Gate collab where a good chunk of the plot is just Junna being worried about Nana, a play where it turned out that the whole time Junna and Nana had both taken inspiration from each other for their roles, the time they had to actively stop themselves during separate interviews from just rambling about each other, etc. There's so much. Also I forgot to mention it during the main story part but there's also an alternate universe briefly discussed where one of their friends just does not exist so Nana is one of the two best actors in the class and gets the lead role in the play they perform every year, and there's a scene after their performance where Junna talks about how, in the play which is a tragedy involving two lesbians in love, Nana's performance made her think that, if she had stood as her co-star, she would have simply been built different and prevented the tragedy from happening. The plot ends with one character falling form a tower and another being imprisoned within it, and Junna is like "if I was this tragedy and I was with you I would have simply taken your character's hand and never let her go". They're just so married in the game and I can't believe them for it
And then there's the movie. We don't talk about the movie but I kind of have to. Okay so you remember those two friends I was talking about who act very married and ultimately have a lot of their relationship based around their mutual respect for each other? What if Nana stopped respecting Junna entirely one day? That's their movie arc. This movie covers the girls "dying" as stage girls (ie. losing what made them true stage girls/actors in the first place) and then being "reborn" as them, and unfortunately Nana is of the opinion that Junna could just simply have her symbolism death and not the other part. During their revue, Nana talks a lot about how beautiful and dazzling (using those exact words. she even called Junna heartbreakingly beautiful in the dub) Junna was when she was foolishly reaching for a role she wasn't likely to get, but put it all in past tense, and encouraged Junna to let herself die as a stage girl in a brilliant manor rather than trying and failing to grasp her brilliance and dying out like that. also she called her an ugly fruit which sure is something. Then Junna was like "???? no I won't do that actually???" and took one of Nana's swords from her to engage in a sword fight since Nana had destroyed her usual weapon. Which was not a great matchup briefly because Junna never used a sword in her life but after Nana realized that the Junna she was fighting was different from the Junna she knew, and didn't match the role she had assigned for her, Junna ended up telling Nana that her own role was something she'd define for herself and not something Nana could assign for her, and ended up winning against her. After the revue was over, Junna still wanted Nana in her life, and promised her that, one day, they'd reunite on a stage which belonged to both of them, even though they had to find their own stages before that could happen. Before they departed, Nana lamented that Junna was dazzling, contradicting her previous belief that she was only dazzling in the past, all while beginning to cry, and Junna nearly turned around to comfort her, but ultimately decided to continue onto her next stage as Nana carried onwards to her own, knowing that they would both need to grow before their reunion. I also want to mention that, during this scene, a picture of the two of them, one which Nana had stabbed through the middle as she was telling Junna how dazzling she thought she once was, had since been moved to a little pond in the background of the scene (and of the background of the start of the whole revue, so it was there the whole time) that was nearly identical to the one where Junna and Nana had had their moment of comfort at the end of episode 9 of the anime. With the middle of the picture being soaked in water, it ended up sinking just enough for the new cut in the middle of the picture to appear almost mended, showing that, while the damage Nana had done and the rift between them was still there, it was already starting to mend as they once again regarded each other as equals. This scene lives in my head constantly and haunts me daily. Congratulations to Junnana for having a divorce arc as high schoolers
Alanna/George:
After years of friendship, George is pining while Alanna works her way through a messy relationship with Prince Charming. She finally realizes she deserves to be with someone who loves her for who she is and wouldn't change a thing about her, and that's always been George.
Years later they're canonically still lovey-dovey enough to gross out their teenage kids.
Caught up on Revue Starlight, big love for Bananagirl, I love everything about her, and while being deliberately vague as to not spoil, her arc added a little more to her and I really get her motives, especially considering she’s kinda the designated mom friend. I like her and Junna as a pair, its kinda cute how she gets all “My Junna” about her.that one time, and when Junna is aware about her situation, she’s very understanding about the whole thing. I can also see where the hype for kuromaya comes from and I definitely agree, their rivalry is healthy and they encourage each other, and there is the tension there too. Consider me a passenger on the kuromaya train for sure.
“You are beautiful when you cry too, my Claudine”
What a way to kill a woman, whew, go hard Tendou Maya <3
