#interview with the vampire#iwtv#the vampire armand#assad zaman
seen from United States
seen from China
seen from Slovakia
seen from United States
seen from Yemen
seen from Slovakia
seen from Cyprus
seen from Hong Kong SAR China
seen from Spain
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seen from United States
seen from Singapore
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The Pitt camera crew shows how they get the SHOT.
🎥 📷 @johanna_coelho IG/stories
How do you like this design?💡
It can be used as a catch-all tray, placed in the entryway to hang keys and store some small items🚪
Key Grip, George Patsos, Gaffer, Jerry DeBlau, and DP/ASC, Donald E. Thorin. The luck and good fortune of learning from these three still blows my mind. On the set of Head of State, Baltimore, Maryland. Olympus Stylus Epic, Kodak Portra 400BW. NIK
E.T. the Extra-Terrestrial" (1982) Cinematography by Allen Daviau . Camera & Lens: Panavision Cameras and Lenses . Aspect Ratio: 1.85 : 1 . Negative Format: 35 mm (Eastman 100T 5247) . Cinematographic Process: Digital Intermediate (remastered version) Spherical . Printed Film Format: 35 mm 70 mm (blow-up)
Sometimes even the most patient Key Grip gets frustrated with those C-Stands...
Key grip and camera operator with a Panavision movie camera. TTV. Canon 80D, 60mm Macro though the viewfinder of an old Kodak 1950′s cheap twin lens reflex point and shoot camera.
Key Grip, Rod G French, and director, Mike Pohuski filming from a process truck on 495. We were filming each exit sign around Washington DC. Love safe gigs.... Olympus Stylus Epic. Kodak Gold 200. NIK
Trying out this borrowed camera, a Cambo with an ultra wide lens permanently attached. It’s a 30mm, f3.5. Clark Vandergrift/DP, Matthew Brennan/Gaffer, and Jamie Nudd/Key Grip on the set of The Road to Galena. Church Hill, Maryland. Eastern Shore. Ilford HP5. NIK
