don't pay attention it's a bit bitter...
This video by Adrien Missika is my metaphor for “being a fan of Paul Gross today” especially outside Canada.
. access to its projects until February 2025
. The non-broadcast of his King Lear on stratford@home (no I'm not going to be satisfied with those in their catalogue with certainly talented actors but NO)
. the play Hamlet, only accessible for consultation on site in Stratford
. Content not accessible outside of Canada or obsolete links
. nothing for the 30th anniversary of Due South, nor the production and the rest of the participants (fortunately there was tumblr)
And if there is a Due South reboot, Paul Gross' presence is very uncertain (and without me too guys!).
. Paul Gross's Twitter accounts have been inactive for years, one was closed in February...the other one...he must have lost the password 🤔
. No need for daily or weekly content on Twitter or Instagram. Even less private publications, but at least have access to his work, his creation, his interviews (why is qcbc's only accessible in podcasts while others are on YouTube [easier to understand when you are not a native speaker]), also outside of Canadian territory. 😒
So my feeling of being a fan and trying to share new content.
Voilà , maybe I should start sticking cacti .
